The male part of the group excluding Kurt Hummel were also dressed as Kiss members. The song was covered several times. From Wikipedia, the free encyclopedia. Retrieved January 6, Retrieved June 9, Retrieved March 6, End of the Road World Tour. Rock and Roll Mystery. Action figures Comics Kiss: The Ultimate Kiss Collection, Vols. Shout It Out Loud song meanings. Add your thoughts 9 Comments. General Comment This is one of my favourite songs!!!! AS IF it only has 4 comments. No Replies Log in to reply. There was an error.
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General Comment Disturbed Rulez: General Comment A great song, especially live. KISS moved from being a raw power band to a more refined rock band under Ezrin drill instructor type leadership. Shout It Out Loud is an excellent look at the evolution of one of the most recognizable bands in rock history. It is not an easy ride and there are more challenges than most people can expect.
Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon
Ridin' down the highway Goin' to a show Stop in all the byways Playin' rock 'n' roll Gettin' robbed Gettin' stoned Gettin' beat up Broken-boned Gettin' had Gettin' took I tell you, folks It's harder than it looks It's a long way to the top if you wanna rock 'n' roll Oct 13, Sam rated it really liked it.
Their first two albums were abysmal; the recording quality dire and glam rock was so surely over when they started who was ever going to take them seriously as musicians. I was living in New York when they launched and everyone knew it was a joke. People knew they were fake, except the 14 year old boys they were pandering to I guess, all of who became devoted to KISS despite the mockery and as an act of rebellion began to think of themselves as the KISS Army, kept well supplied with merchandising.
And guess what, those 14 year-olds grew up and one of them wrote this book. Rather like taking a good book and making a lousy movie with it, James Campion has taken a mediocre band and written something amazing with it. He has given the making of their double-platinum album a forensic examination. He combines the dedication of a fan with the meticulous research that reaches into the very heart of the making of an album with such energy and exhausting detail you actually feel that you were there in that studio for a whole month.
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Nothing and no one is left out. Except perhaps the janitor whose miserable job it was to clear out the coke debris and wipe clean the deleterious from Simmonds liaisons with hookers in the studio. This then is the story of Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley who were, on their own admission, in the last chance saloon with the record buying public and their label Casablanca, who were going to make a fortune with Donna Summer rather than these New York boys who thought they were good enough to be another New York Dolls in their dreams.
We get the beginning, the smell of desperation, the attempts to change labels, the egos, the endless lack of money, the sheer desperation of their manager Bill Aucoin who was stretched financially to keep The Act on the road. We can see the shoddy special effects on the live shows slowly becoming more accomplished and then enter stage left when the album Alive was just taking off.
Shout It Out Loud Songtext
What was keeping them alive was the devotion of the fans, but touring was expensive and crippled finances. The Alive album was a halfway house to success — barely live, studio enhanced with over —dubbing, but it did at least play LOUD. And as luck would have it, began to sell. That all important fact gave Casablanca and the man who saw the potential in KISS, Bill Aucoin the courage to spend the money on getting a first class producer on board for the next album and who better than Bob Ezrin who had made a star out of Alice Cooper? Better yet Ezrin had heard some material that he thought would make a good KISS song and was interested in working with them.
It is an incredibly fascinating page-turner in fact. Day by day, hour by hour, we get the pressure as each song on the album is teased out, the drama, the strops, the sex and drugs Simmonds and Stanley were against drugs, but Ezrin and Criss were into it and Frehley, in particular, was so wasted by coke and booze, his guitar was replaced on at least four songs by Dick Wagner, who was available, sober and on call in Manhattan where they made this album at Record Plant studio.
When the album finally came out in , it sold well, then began to tank. No one knew why, although there must have been a clue in the harsh critical comments in the media. Bob Ezrin was fired from producing the next album. But one song, the one that Ezrin had laboured long and hard over with Peter Criss, the song that was unlike any KISS song, a ballad, took off. More than anything this is a pean to Bob Ezrin who guided the sound and feel of the album and is credited on at least seven of the songs on Destroyer.
I loved the detail on the all-important album cover and how they finally found the artist Ken Kelly and rescued him from comic horror book hell. You are there in the studio, at the control board, fiddling with the amps, placing the microphones, hunting for a calliope, dealing with massive egos… And by the end you know exactly why he has a page book, because that it what it takes to get it all down, every last nuance, every fact checked in the making of an iconic album.
Jan 30, Jeff rated it really liked it. It's full of the sort of minute details that KISS fans love. We learn about the album's conception, recording, production, and even how it was promoted and paid for. The author is clearly a passionate fan of the band and his zeal and energy seeps right off the pages.
Campion also takes the opportunity to debunk some of the mythology and outright lies that surround the album's leg James Campion's Shout It Out Loud is an enthusiastic and informative account of the making of KISS's Destroyer album.
Campion also takes the opportunity to debunk some of the mythology and outright lies that surround the album's legend. KISS have never been the kind of band to allow truth to get in the way of a good BS story and Campion leaves no stone unturned in finding out the truth about some these tales. Did that really happen?
SHOUT IT OUT LOUD TAB (ver 2) by KISS @ theranchhands.com
Did Bill Aucoin, KISS's manager at the time, really mortgage his house to pay for the recording sessions or did he just think it would make for a sexy story? The book takes a long time to pick up momentum though. The first 60 pages or so cover KISS's formation. These early chapters are rife with credited quotes and passages from previously published KISS bios such as Nothin' to Lose: Anyone who's a big enough fan to want to read about the making of a specific KISS album will already know the intricacies of the band's history.
It was unnecessary preamble.
Campion also writes extensively about producer Bob Ezrin's backstory. Ezrin's history is interesting and necessary to this book but like the chapters on KISS's early years, it could have been trimmed a bit. I've been slightly critical of Julian Gill 's books which also chronicle the making of KISS albums but at least his works get to the point. Shout It Out Loud has some other weird quirks about it too but they're not deal breakers.
At one point in the book Campion devotes several pages to the practical jokes the sound engineers played on each other during the sessions. There are also a lot of typos, misspelled words, and missing words.
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Its funny when he talks about how the song "Beth" had a quick 'accent' up the charts. His name is Chad. Jun 06, Mike Lamneck rated it liked it. Not a whole lot that I can add to the excellent reviews already posted here, but I will say I'm just blown away by 1 the amount of detail, and 2 the overwhelming number of typos!