For one year we look through the eyes of the distant observer. From solstice to solstice, from pole to pole, from storm to storm we watch Earth's beauty and fragility, weather's wonders, forces and disasters - from space, it all looks miraculous. With slow movements, the 13 twigs, acting in concert as one body, imitating a stick insect, explore a intimate apartment setting. The twig is neither entirely ghostly nor entirely physical matter - it is a fiction with three-dimensional features in a real filmed setting. Ein Containerdorf in der flirrenden Hitze des italienischen Sommers.
Die rhythmischen Wiederholungen ihres Alltags werden in Stille hingenommen. The snapshot of a landscape, on the verge of the new arterial highway of northern Italy. The climate scenario becomes a lot of hot air, data sloshing everywhere, shitstorms or floods of refugees. Lust of fear everywhere. A filmic attempt to mediate between troposphere and trope. Time stands still as he oscillates between the need for solace and his urge for revenge.
A musical featuring Guinean percussion master Mohamed Bangoura "Red Devil" , loosely based on his own story. Eine Generation, die sich mit wachsender Anspannung mit der Zukunft konfrontiert sieht. Three tales tinged with aspiration and the desire to escape express a look into a youth absorbed by the power of dreams and the harshness of reality. A generation facing growth in tension with the future. In "La mala noche" geht es um die Nacht als Ort, an dem die Seelen wandern.
Of nostalgia and longing. Of encounters and departures. Shot along the Detroit River, "Fluid Frontiers" explores the relationship between concepts of resistance and liberation exemplified by the Underground Railroad, Broadside Press, and artworks of local Detroit Artists. All of the poems are read from original copies of Broadside Press publications by natives of the Detroit Windsor region and were shot without rehearsal. Die Infektion betraf alles: Man musste sehr genau hinsehen, um die Spuren der Vergangenheit zu sehen.
Ein Ausweg, ein Ausweg? Things started to change and it was not clear if the transformation was a symptom of the disease or a way to escape it.
Literatur und Fotografie im 19. Jahrhundert (German Edition)
The contagion touched everything: An old woman once told me how all memories turn into trees; I could hardly make out what she was saying. She said she could hear the trees singing: After the contagion ended, the cities appeared untouched. One had to look hard to see the traces of the previous time. If one could listen to the trees, what would they say? A way out, a way out? Sie sprechen kein Englisch mehr, sondern einen persischen Dialekt. They no longer speak English, but a Persian idiom.
Neon lights fill the streets with psychedelic colors. During this interval, like the old roman technics of the memory palace which used space visualisation to memorize information, the material space of the ephemeral and mutant territory of Los Angeles streets are used to host the memory of Tehran one last time before disappearing.
Heute gibt es einen neuen Wirtschaftszweig: Verschiedene evangelikale Gruppierungen, die sich in der Gegend breitmachen. Historically Pernambuco state in the country's northeast was characterized agriculturally by the sugarcane industry. Today there is a new sector in the economy: The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one's personal and economic situations through adherence to an extreme religious practice.
Ricky und Gretchen versuchen, zusammen alt zu werden, leben dabei aber auf einem schmalen Grat zwischen Liebe und Hass. Ricky and Gretchen live a thin line between love and hate as they try to grow old together.
Zwei Freiwillige werden unfreiwillig zu Protagonisten eines deutschen Western. Two volunteers involuntarily become protagonists of a topical western. During a year abroad in Pakistan, I joined two truck drivers on their three-day-journey. The film shows the relation between the drivers and their truck. Between the drivers and a foreigner entering their private space. A film on being the exotic yourself.
Within the bizarre world of the alpine wellness resort, Aron begins a new chapter in his life. As the world's dozing off, two boiling hearts engage on a sexual journey along the moonlit shores. A wild choreography of squeezings and pleasings unfolds to eventually have all of the hearts spark embracing and everlasting coziness. Malanga bei der Arbeit The narrative, which quickly transpires into fiction, explores a generation's fascination with celebrity, forging a story about abandonment, voyage, longing, and stardom.
But when he fails miserably to set the floor alight, he decides that dance lessons are required. Inzwischen wurden sie fast alle geschlossen oder renoviert. Almost all these have since been closed or renovated. They incubate her in their mouths, in their bed, they lock her in a dolls house wallpapered with pornography to make her grow up faster, feeding her through a tube in the door. When she is life-sized and ready to play they take her to the disco.
A dark, comic, experimental fantasy on the implications of Little Girls Toys? But they are usually ridiculous. Der Film macht sichtbar, wie die Politik die Kunst beeinflusst, und die Kunst Propagandakunst wiederum die Geschichte umschreibt. It shows how politics influences art, and that art propaganda art in turn circumscribes history. Das Entsetzen verbirgt sich in der Tiefe des Herzens.
At some point it suddenly appears, it magnifies, and stays. Die Filmemacher scannten mehr als eine halbe Million 35mm-Farbfilmnegative. The filmmakers scanned more than half a million 35mm color film negatives. Those negatives build up a portrait of the capital city and the life of its inhabitants over the last thirty years.
The filmmakers selected photos to create the animation, an almost epic portrait of anonymous humanity. Der Protagonist malt das Wasser aus seiner Erinnerung auf eine leere Leinwand. Wohin wird es uns treiben, wenn wir zu einer neuen langen Reise aufbrechen? In the memory, he goes back to his childhood when he led an idyllic life, and in those days, he had an infinite yearning for the distant place.
Today, he feels unwell when living in the urban area haunted by noisy sounds and unsavory breaths. The moonlight and autumn scenery in the ancients' paintings have been replaced by the mechanical landscapes in the cities. In what direction will we drift if we go on another long journey? Ein Animationsfilm, der symbolisch, aber doch deutlich den Aufstieg und die Tragik verschiedener Utopien zeigt.
Humans strive to create the ideal society, killing many on the way. Short, but momentous animation that symbolically, yet clearly shows the rise and tragedy of various utopias.
By manipulating decayed and contact-printed 16mm footage of a bullfight shot during the difficult and flawed transition to democracy in the years following dictator Francisco Franco's death, Francisca Duran questions the iconic imagery of masculinity and violence masked as nationalism. Then, I think it should be "We". Aufgenommen mit einer Kamera, die wie eine Schusswaffe geformt ist. Der Geist kehrt in der Dunkelheit der Nacht wieder? Jongkwan Paik processes footage of historical demonstrations in South Korea.
When zooming into the images of the past, a twofold ghost appears: Transcending the irony of "to be, or not to be", these people are staring back at the present. As long as time is out of joint, they will continue to return. Reality gradually disintegrates like quicksand, as paranoia and speculation begin to take hold. Futuristic architecture, popular culture, dream readings, junk food, alien abductions, colonialism and geopolitics, international diplomacy, war and peace; all of these once solid staples of modern life now become tinted with a general sense of distrust, overshadowing everything.
Ein Kind auf einem Weg. Es bleibt im Schwarz, die Hand, das Gesicht. Zwei Universen, die sich begegnen. A cutting sound accompanies and dissects the simplicity of the image immediately, while the camera simultaneously moves backwards - we are distancing ourselves, entering into something new. A child on a path.
It remains in the blackness, its hand, its face. Two universes encountering one another. With a steady touch and a great sensitivity for movement and rhythm, for form and the fluidity of colours, Sylvia Schedelbauer tells of a search and a discovery. In the reverse motion of objects, time and memory are laid bare and speak of the beauty of the search and the uncovered treasure. Sie spielt in einer ferner Zukunft nach einer planetaren Katastrophe und deckt den Missbrauch von Geschichte und Technologie auf.
It occurs in the distant future among the ruins of a planetary catastrophe, revealing the abuses of history and technology. In the wake of the chaotic aftermath, there are several resilient survivors including two young girls named Z and Bub. Ein junger Mann verbeugt sich vor dem ausgetrockneten Kadaver eines Geiers, der vor ihm an die Wand genagelt ist. Dazu spricht er ein Gebet. In einem blauen Flur warten zwei Patienten. From the outside, one can hear the hammer blow of a construction worker hitting a metal surface on a prefabricated building. Between the ruins and skeletal building projects of the Soviets, a cowherd gallops along the animals of his herd.
Lenin stands stoically on a pedestal, waving his hand guidingly. A shaman lights a juniper berry bush and adores the engine of a car, praying. Two patients are sitting in a blue waiting hall. Tones and sounds of a cleansing ritual penetrate through the walls. In the treatment room opposite, a woman sits with a shaman, a red thread braided around her hands.
In "Concrete Dust" a web of static moments in an undefined post-soviet landscape is put together. Pastel colours, dusty surfaces and folkloric artifacts define the pictures. The individual settings are determined by the state of rigidity and stagnation. My year-old grandmother's property is surrounded by a wooden fence that holds her inside world together. Und dann betritt Boujeloud die Szene, zuckend und um sich peitschend vor dem Feuer. Up close and personal The Masters are revealed in collective mode.
Boys from the village dance as Aisha Kandisha, the mad women gifted to Boujeloud as a bride, and then Boujeloud arrives, whipping, trembling and bestowing. Im Ritual ist die Form die Bedeutung. In diesem Sinne ist dieser Film Tanz [ In this sense ritual is art; and even historically, all art derives from ritual. In ritual, the form is the meaning.
More specifically, the quality of movement is not merely a decorative factor; it is the meaning itself of the movement. In this sense, this film is dance [? Kontaktverlust kann traumatisch sein. Losing contact can be traumatic. These are hand edited and constructed from a combination of self shot footage, orphaned material and frames from a 35mm trailer of "Get Shorty" retrieved from an abandoned projection room. In this meditation, the ambivalent relationship between violence and beauty is exemplified in a very precise way.
The ritual of the Western bar-brawl, is re-located to a London working mens' club. The violence appears to have no consequences, the actors' bodies being as rubbery and invulnerable as those in the TV Westerns that inspired the film. Like a fast-paced word game, images and language are jumbled together in a cleverly edited whole that urges the viewer to remember the meaning of things. But miscommunication is always lurking around the corner, ultimately defying language altogether.
He embarks on this new journey where he encounters a group of teenagers who intend to give him a cremation ceremony while, at the same time, his dead body is being searched by a military patrol.
theranchhands.com: Martha Ogorka: Kindle Store
An examination of the colourful and sensual world of Junkanoo, a carnival of the Bahamas. Abstraction is used to explore cultural identity.
Authored by an artist of mixed race, Junkanoo Talk questions the slippages which occur when a language performs across cultures, asking what can be translated and where resistances occur. After generations of starving misery, the Carnation Revolution sowed the promise of an Agrarian Reform.
Mostly in the Alentejo region, these rural workers occupied the huge properties where they were once submitted to the power of their Masters. Perhaps the lost seed of other fruits It is said in Alentejo, when something is lost, those who are looking should start to walk back to the beginning. We must pray and ask Saint Lucy to clear our vision, so we can see and look better. The protagonists of this film, resistants of this struggle, many of them illiterate, working since childhood, tell their story to the youngsters of today, in their own words.
Feuer, Wasser, Erde, Luft. Fire, water, earth, air. Voices of fictional characters: The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen. In ihrer Heimat Syrien hat Familie Abbas alles verloren. Was dieser weltpolitische Skandal mit ihren deutschen Nachbarn, einer Pizzeria, Polygamie, Goldhamstern, Cicero, Benzin, Geopolitik und Kreuzfahrten zu tun hat, beantwortet dieser Film.
What this global political scandal has to do with their German neighbors, a pizzeria, golden hamsters, Cicero, gasoline, geopolitics and cruise liners is explained in this film. Was, wenn dem konventionellen Setting der Diskussion der gesunde Kreativismus eines Female-Anarcho-Jodlklubs begegnet? A music video mixing a little bit of power-anarchist-crash of reality soaps with the redundancy of common TV talk shows.
What happens when the conventional setting of a discussion is met by the healthy creativity of a female anarcho yodel club? Two mothers indulge in sparkling wine while their sons are having a party of their own - unsupervised. Liquor is flowing aplenty. Nie von dir gelesen, aber akzeptiert!
Die Bedeutung der Farbe Lila in Alice Walkers 'Die Farbe Lila' (German Edition)
Never read but approved by you! Eine schnelle Abfolge von Fotografien. Der Ort wird nur in Nahaufnahmen von Details erkennbar.
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The place is revealed only by details, framed in close-up. Third in a series of typographical documentaries about drunk Britain. Dann kommt ein Engel, um "es" zu entfernen? Then an angel comes to take "it" away? Sie lieben Ihre Kinder? When it turns out they both had a different idea about their friendship, Kay doesn't know what to feel and to do anymore. He decides to drastically go against his feelings and Kay gets even more tangled up in his own confusion. While the body and identities of Alice are transformed, duplicated and dissolved multiple times, associative text fragments appear inside the frame: A remix of quotations from Lewis Carroll's novel and writings by the French philosopher Michel Foucault.
While trends, objects and films come and go, they remain obsessed with design classics like octagonal coffee pots and old encyclopedias about extinct animals. While aging and slowly losing their strength, they keep their clarity of mind. Ihre Wut ist wie Fieber. Doch niemand ist so fremd wie ihr eigenes Unterbewusstsein. Burdened by her oppressors she battles through the darkest corners of space and its unknown inhabitants. But none of them is more alien than her own consciousness. Ein Aufleuchten im Dunkeln. A circular film open to interpretation, without any narrative or hierarchy, without a beginning or an end.
A place of promiscuity and ambiguity between the different formats 35mm and CGI animation and the approaches of two opposing film attitudes, structural film and the horror genre. Das Imperial Valley ist eine der bedeutendsten Regionen industrieller landwirtschaftlicher Produktion Kaliforniens. Corporate agricultural production interests have been able to successfully cultivate and exploit this geological part of the Sonora desert through a gigantic irrigation system fed by the Colorado River, as well as the All-American Canal specifically engineered for this purpose and which attained sad notoriety through the Mexican migration movement.
In the company of the camera, the lines easily turn into a voiceover that, as one listens and looks attentively, gradually transforms into a dialogue that spans languages, cultures and generations. Two young soldiers, bound to the beauty of the landscape, guide us to the stories of sadness of those forced to leave and the inherent desire to resist by inhabiting the islands.
The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we came from. Der Slogan sollte die Seefahrer ermutigen, neue Gebiete zu erobern und die Warnungen der Mythologie zu vergessen: This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Since there is no distinct body in the space, also no object fixation takes place; our habitual seeing becomes inadequate. Already the first cut? Ein Kind auf einem Weg. Es bleibt im Schwarz, die Hand, das Gesicht. Zwei Universen, die sich begegnen. A cutting sound accompanies and dissects the simplicity of the image immediately, while the camera simultaneously moves backwards - we are distancing ourselves, entering into something new. A child on a path.
It remains in the blackness, its hand, its face. Two universes encountering one another. With a steady touch and a great sensitivity for movement and rhythm, for form and the fluidity of colours, Sylvia Schedelbauer tells of a search and a discovery. In the reverse motion of objects, time and memory are laid bare and speak of the beauty of the search and the uncovered treasure. Sie spielt in einer ferner Zukunft nach einer planetaren Katastrophe und deckt den Missbrauch von Geschichte und Technologie auf.
It occurs in the distant future among the ruins of a planetary catastrophe, revealing the abuses of history and technology.
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In the wake of the chaotic aftermath, there are several resilient survivors including two young girls named Z and Bub. Ein junger Mann verbeugt sich vor dem ausgetrockneten Kadaver eines Geiers, der vor ihm an die Wand genagelt ist. Dazu spricht er ein Gebet. In einem blauen Flur warten zwei Patienten. From the outside, one can hear the hammer blow of a construction worker hitting a metal surface on a prefabricated building.
Between the ruins and skeletal building projects of the Soviets, a cowherd gallops along the animals of his herd. Lenin stands stoically on a pedestal, waving his hand guidingly. A shaman lights a juniper berry bush and adores the engine of a car, praying. Two patients are sitting in a blue waiting hall.
Tones and sounds of a cleansing ritual penetrate through the walls. In the treatment room opposite, a woman sits with a shaman, a red thread braided around her hands. In "Concrete Dust" a web of static moments in an undefined post-soviet landscape is put together. Pastel colours, dusty surfaces and folkloric artifacts define the pictures. The individual settings are determined by the state of rigidity and stagnation. My year-old grandmother's property is surrounded by a wooden fence that holds her inside world together.
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In ihrer Heimat Syrien hat Familie Abbas alles verloren. Was dieser weltpolitische Skandal mit ihren deutschen Nachbarn, einer Pizzeria, Polygamie, Goldhamstern, Cicero, Benzin, Geopolitik und Kreuzfahrten zu tun hat, beantwortet dieser Film. What this global political scandal has to do with their German neighbors, a pizzeria, golden hamsters, Cicero, gasoline, geopolitics and cruise liners is explained in this film.
Was, wenn dem konventionellen Setting der Diskussion der gesunde Kreativismus eines Female-Anarcho-Jodlklubs begegnet? A music video mixing a little bit of power-anarchist-crash of reality soaps with the redundancy of common TV talk shows. What happens when the conventional setting of a discussion is met by the healthy creativity of a female anarcho yodel club? Two mothers indulge in sparkling wine while their sons are having a party of their own - unsupervised. Liquor is flowing aplenty. Nie von dir gelesen, aber akzeptiert! Never read but approved by you!
Eine schnelle Abfolge von Fotografien. Der Ort wird nur in Nahaufnahmen von Details erkennbar. The place is revealed only by details, framed in close-up. Third in a series of typographical documentaries about drunk Britain. Dann kommt ein Engel, um "es" zu entfernen? Then an angel comes to take "it" away? Sie lieben Ihre Kinder? On June 23rd, Britain voted to leave the European Union. Inspired by a message for motorists on Eurotunnel trains, "Song for Europe" is an underwater celebration of Britain's connection to mainland Europe.
The continuity of the viewpoint and the analogy of mistakes: One hand gets lost, many hands remain invisible. Zwei Worte zur modernen Lyrik. For the first time, a young poet decides to present his work at a poetry reading, subjecting it to the judgment of his peers. But once on stage, the excited poet forgets the lines of his poem. Heinz ist aus der Schweiz nach Deutschland ausgewandert. Auf der Arbeit ist er schon gut integriert, aber im Privatleben hapert es noch: Heinz hat Sehnsucht nach einer Frau. Doch da kommt ihm jemand in die Quere, mit dem er nicht gerechnet hat. At work, he is well integrated, but something is missing in his life: Heinz is longing to find his great love.
The modern Ulysses travels the vast network and finds what he is looking for. Heinz now has to show himself from his best side. Rather unexpectedly, somebody gets in the way. Die Fotzy-Biene ist das erste selbstredende Kunstwerk der Welt. On the third floor of the Museum of Modern Art, it is placed right next to Pablo Picasso's room, chattering with the guests.
Listening to its monologue, you can learn a lot about the Bee's history, difficulties within the art world and its inventor Jimmy Lee Rakete, artist of the millennium. Das Leben ist so ungeschickt. Das Leben macht alles kaputt.