This one gives Bend it like Beckham a serious run for its money. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Keep track of everything you watch; tell your friends. Full Cast and Crew. A comedy centered on an Indian mother who takes her obsession with marriage into the world of serial murder. Gurinder Chadha , Paul Mayeda Berges. IMDb's Guide to Streaming. Best British Asian Films.
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Edit Cast Cast overview, first billed only: Earnest Reporter Jamie Sives Detective Hughes Sendhil Ramamurthy D I Smythe Shabana Azmi The Wonder Years Years: The show featured some of the best-developed characters of any sitcom, especially owing to the trademark narration by Daniel Stern, which examined all the events with the knowledge of age. The Wonder Years was filled with those kinds of revelations. Al Bundy is a simple man, and he has few redeeming characteristics: Deftly combining drama and comedy, often within the same episode, it made a star of Corbin Bernson in particular as the womanizing divorce attorney, Arnie Becker.
But really, everyone on this show was either womanizing or—maninizing?
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It could also be very topical at times, though, most notably in when a series of episodes tackled the ongoing race riots centered around the beating of Rodney King. King of the Hill Years: Name one other popular, long-running sitcom where the protagonists—people we at least like , if not agree with—are staunch conservative, mildly redneck individuals. Protestors mobilized, awards were doled out in rapid succession, and the depiction of coming out of the closet on TV was never the same again.
One might almost say the show was a small-town comedy-drama with a hint of, say, Fargo in it. Fox, of course, was as charming as he was always capable of being.
Mystery Science Theater Years: With a framing device about a man shot into space and forced to endure terrible films, the show made the best of its limited resources by employing great voice acting and even better writing to mock nearly of the worst films ever made. Its impact is vast—would anyone even know about Manos: Likewise, the thing that makes it so impressive and so rewatchable today is the timelessness of most of the jokes about filmmaking, along with the diversity in joke backgrounds.
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Show With Bob and David Years: Show as not only an influence but a major influence. Most of the individual sketches are likewise timeless, not bound to pop culture or whatever was in the news. This hipster parody is about 20 years old, and it still seems like something that came out last week on Portlandia. Beavis and Butt-head Years: Nevertheless, Beavis and Butt-head always had the ability to be oddly astute at times, especially when the boys would deconstruct MTV music videos with an unexplainably expanded vocabulary.
No one has ever described Home Improvement as a smart or cleverly written show, but we all watched it at some point. The characterizations are super broad—Tim Allen as the grunting but luckless alpha male handy man, his wife Jill the constant stick-in-the-mud and three young boys full of trouble and mischief. The Larry Sanders Show Years: Other comedians and well-known actors appeared as guests, playing exaggerated or satirical versions of themselves, toying with audience expectations. The fact that it was on a premium network was essential, allowing a much deeper and more realistic depiction of the horrors of incarceration in the United States.
In Living Color Years: There were plenty of other people doing great things on In Living Color , though, from all the significant musical acts Tupac Shakur, Mary J. Blige, Public Enemy to the dance team, which featured a young, unknown Jennifer Lopez. Law , except it likely had more genuine heart than either of those shows.
The Practice succeeded because it truly liked to dive into the motivations of its characters as they attempted to operate their exceedingly busy and challenging Boston law firm.
Grace Under Fire Years: It was the exact sort of background that so often would have been given to a man in a sitcom, and it made everything seem so much more genuine. Ratings declined sharply, but during its first few seasons, Grace Under Fire was something refreshingly different. It looked absolutely gorgeous, evoking a whole new aesthetic for the Gotham universe that merged art deco and gothic architecture into a macabre whole.
The voice acting was on an entirely different level, to the point that the portrayals of both Batman Kevin Conroy and The Joker Mark Hamill have become the absolute defining sounds of each character in all animation since. Hamill alone would make this the best Batman series—his Joker is gleefully maniacal, quite different from the psychotic aspect of say, Heath Ledger in The Dark Knight.
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This Joker is truly about the joke , and nobody has done a better maniacal Joker laugh than Hamill—ever. Kids in the Hall Years: Truly committed to the absurd, it relied much less on the formats of bigger shows such as SNL , with its celebrity impersonations and direct pop culture parodies. Instead, the show was all about its bizarre characters and just the general freedom of seemingly being able to do whatever it wanted on a weekly basis.
It goes without saying that plenty of the sketches totally misfire, but the creativity and often disturbing nature of their best work gave the show a very unique atmosphere. Knowing it was coming from Matt Groening , perhaps people expected a futuristic version of The Simpsons , but Futurama is fundamentally different in quite a few aspects. Although it was similar in its satirical lampooning of modern or futuristic daily life and media, it was also capable of being surprisingly—even shockingly—emotional at times.
The concept of a two-parent household with both parents working was unique enough in the world of sitcoms, but even with both Roseanne and Dan both working full-time jobs, this show was a portrait of a family just struggling and scraping to get by, all while keeping their good humor and basic decency intact. And audiences responded in a huge way, making it one of the biggest hits on TV for episodes.
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Freaks and Geeks Years: High school had never been caricatured with such scathing negativity—this show dredged up memories that most teens of the s would probably have preferred to keep buried down in the depths of their subconscious. The show could make the most minuscule moments seem so momentous and use a small trait to infuse such deep humanity in its characters. Just watch hopeless geek Bill Haverchuck slouch through the house before having his day picked up by a Gary Shandling stand-up set.
The final years of Cheers were when all these characters got to shine, especially Rhea Perlman as Carla and Kelsey Grammer, who joined the cast full-time before spinning off into Frasier. The finale episode received mixed reactions at the time, but nostalgia has pushed it into favorable territory, especially given the happy endings that most characters receive. This show was a playground for character actors to run wild, such as Stephen Root as station owner Jimmy James and Phil Hartman in one of his best and final roles before his shocking murder. One gets the sense that it could have gone over better had it been more squarely in the hands of its creators, but in its first season, ABC insisted the show be a comedy first and foremost.
Everybody Loves Raymond Years: Between them, Ray and Debra seemed like people who could easily be living across the street from you, which was the whole idea.
If Ray is the gravitational center of the show, Garrett is the heart and Roberts is the verve. My So-Called Life Years: Surprisingly mature, critically adored, and cancelled immediately. Similar in many ways to Freaks and Geeks but a little grittier and less artistic, My So-Called Life was like a refutation of all the school shows that had come before it, both comedies and dramas.
It was as big a challenge for Danes as it was for her character, and at the end of its first season she expressed doubts about returning for a second. And ultimately, that was all ABC needed to hear as justification to cancel it. Blue defines the portrayal of New York police officers to this day. Sipowicz in particular goes on quite the journey, never losing sight of his passion for justice while simultaneously battling his family history of intolerance and bigotry.
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Smits, meanwhile, spoiler alert! Instead, the firm was just a playground for the peccadilloes of the exaggerated characters personified by the optimistic, hallucinogenic Ally McBeal herself, played by Calista Flockhart. It was a show with little concern for sensible plots; what mattered were the vibrant, offbeat characters and dazzling fantasy sequences. The supporting cast here was extremely strong, from the season that was anchored by Robert Downey Jr. Welcome to the Jungle Kingsman: The Lost Village Snatched Wilson. To the Movies Tully Uncle Drew.
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