Like the hedgehog, as you know, man felt the cold one day. And he wanted to share his coldness. So he invented love. The result, as you know, was the same as with the hedgehog. What remains of the joys and sorrows of love when love has disappeared? Nothing, or worse than nothing: Entonces inventaron el amor. Nada, o peor que nada; queda el recuerdo de un olvido. Luis Cernuda nace en en Sevilla.
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Posee Cernuda un estilo muy personal, alejado de las modas. His main field of interest is Romanticism and American Transcendentalism and their manifestations in the art and thought of the 20th and 21st centuries. Enough chit chat, I'll actually review the book now. Contrary to the synopsis, my copy goes all the way up to the making of The Corpse Bride I don't think this covered everything equallly. I felt there was very little on Edward Scissorhands and Corpse Bride in particular whi Tim Burton is one of my favorite people in film. I felt there was very little on Edward Scissorhands and Corpse Bride in particular which surprised me.
But things I did like: All the sketches and photos from all the different movies. Johnny Depp's prolouge's are funny and honest. I'd love to see him write a book himself. There was something funny and insightful on every page of this book, so I loved pretty much all of it. So this is indeed a must for fans. This was a really intersting book. I love Burton's movies, even if I didn't watch all of them and I do not think I would it, too but it was intersting to learn something about some of my favourites movies like Nightmare before Christmas.
And I loved the drawings! Sumamente completa y bien editada.
Burton on Burton
Feb 14, Katherine Hislop rated it it was amazing Shelves: Fascinating insight into a modern-day legend of cinema. Funny and honest, a must-read for Burton fans everywhere. Oct 03, M. Aurora rated it really liked it. Questa lettura non mi ha soddisfatta: Togliendo la maggior parte delle sue domande, ne esce fuori una specie di racconto in prima persona della carriera dell'autore. Un tipo di scrittura molto fastidiosa. Oct 31, Ruth rated it liked it. I am a big fan of Tim Burton. I love his films, and his art and style. Maybe I was expecting too much of this book, but it felt lacking to me.
If it was suppose to be a biography than it is not personal enough and only skin deep avoiding any real interesting insights. If it was suppose to be a book about his work then it's not detailed enough. The book felt a bit repetitive coming back to the same motives and explanations mentioned in the beginning in many different ways.
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You can't draw like this. You have to draw like this. But one day something clicked in my brain. I was sitting sketching and I thought, 'fuck it, I don't care if I can draw or not.
– Page 82 – Interlitq blog
I like doing it. Una serie di interviste che hanno come argomento l'infanzia, le prime esperienze e da allora tutti i film girati e pensati dal visionario ed eccentrico Tim Burton. Il suo sentirsi estraneo al resto del mondo si riflette quasi sempre nei personaggi principali delle sue opere, da quelle originali ai rifacimenti, come Batman o Il pianeta delle scimmie. I fairly enjoyed the book as in being able to access someones reflection on his carreer and pesonality. I do like a few of his films, do however not know many of his older films discussed in this book.
I do not think that that made the book less enjoyable in any way, as I still found it very interesting and it actually made me want to look up and watch the films of his that I did not know before. Mar 21, Melinda Elizabeth rated it really liked it. It has information straight from Burton about his creative process behind each film up to the corpse bride. I found the chapter on Edward Scissorhands and Ed Wood particularly informative perhaps because they are my fave Burton films however overall there was an in depth look into his work, and it was enjoyable to read.
I would summarize this as Tim Burton's retrospective 'diary', looking back upon a great selection of his works as both a producer and a director. It is not precisely like a movie companion or 'making of' book per se. It does talk about Burton's inspirations, motives and methods for film-making in the different movies, but it does not fully break down each movie that way.
It talks a lot about his relationships with studios, actors and other people on set as well as the overall production experien I would summarize this as Tim Burton's retrospective 'diary', looking back upon a great selection of his works as both a producer and a director. It talks a lot about his relationships with studios, actors and other people on set as well as the overall production experience for each film and how he felt doing things. This book is pieced together by paragraphs by Salisbury, providing context to extracts of interviews with Tim Burton.
A lot of the time, this means personal background is given as well. This book felt a little bit like Tim was actually talking to me, which was great.
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I definitely left this with better insight into him as a person and i'm comforted by the knowledge that in many ways, we're on very similar wavelengths and that he is true to himself in this book. A lot of what he said provided some guidance for me and my interest in film. I'd find myself feeling certain things or taking a liking to some things and not noticing or not understanding why.
He often talks about how he works with the subconscious in most of his works and he is always connected to his films in one way or another, understanding that not everything has to be literal. I've come to understand both the art of film and myself a little better. It was nice to have a similar voice to mine, but with far more experience and a deeper understanding, to help me make sense of things.
I appreciate the resonance of his films with me a lot more now. Even though this doesn't encompass ALL his films, because he's made more since, I would highly recommend this book to fans because it's really informative on so many levels and very well put-together. For the most part, the book is divided by the movie titles.
It's very well organised and cohesive. At the start of the book, we do start from the very beginning. In other words, we're given enough of an introduction to Burton's childhood to foreshadow certain themes later on that Burton references. Furthermore, this paves the way for the sequential telling of his career path. For more info, check out my reading updates for this book: Nov 11, lily rated it it was amazing.
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It has some very cool illustrations and pictures from his films too so that was interesting to see. Lo que me parece bello es esa especie de cualidad inefable. No creo que nadie que se dedique al arte pueda estarlo. Las ampliaciones y revisiones que vengan en el porvenir probablemente ofrezcan un mejor resultado. Es gibt aber auch Einblicke in die Seelenwelt und in die Kindheit des Regisseurs. Wer schon immer wissen wollte, wie es ist mit Johnny Depp, Helena Bonham-Carter oder Jack Nicholson zu arbeiten, der wird hier einige Antworten finden.
View all 8 comments. Sep 25, Sam rated it it was amazing Shelves: Based on a series of interviews between Burton and Mark Salisbury this book covers Burton's childhood and early inspirations, his time at Disney and his work since breaking out on his own to create the movies he wanted and how he wanted. Burton is candid and honest throughout and openly admits when things didn't go quite how he had hoped or expected and gave credit where credit was due.
This revised edition does only come up to the making and release of Sleepy Hollow in but it doesn't lose Based on a series of interviews between Burton and Mark Salisbury this book covers Burton's childhood and early inspirations, his time at Disney and his work since breaking out on his own to create the movies he wanted and how he wanted. This revised edition does only come up to the making and release of Sleepy Hollow in but it doesn't lose anything because of it.
In fact this adds to it, particularly now Burton has had a chance to turn his Frankenweenie short into the feature length movie he always wanted, which is something that was and is obviously dear to his heart. As a massive Burton fan, I found this book just added to my respect and awe of his genius and of him as a person as he comes across so down to earth and has shared some of the same experiences of being an outcast and having a different way of thinking as many of his fans, myself included.
A superb book that reads as if Burton is there in the room with you, talking to you directly, which as a fan is an amazing thing. Apr 25, Uglyoldwitch rated it really liked it. I've had this book next to my bed for several years. I pick it up. I put it down. I figured out in the past two weeks that it's a simple matter of TIMING - until now, the time hasn't been right for me to read what Mr.
Burton has to share. It's May , and I'm currently back reading a segment of this book each day. I love what he has to say about creativity, about how his mind works -- and his awareness of it. Tim Burton is really good at verbalizing this awareness -- but also verbalizing the co I've had this book next to my bed for several years.
Tim Burton is really good at verbalizing this awareness -- but also verbalizing the confusion of his post-college, early days working for Disney. I also like how he surrounds himself with other creatives. There is an admiration there not colored at all by professional jealousy.
As I live in the midwest, we may have a jaded view of Hollywood. I expect that I will finish this book in the next week or so, but that I will keep it and pick it up at random for the rest of my life. As I struggle with my own creativity, I think this will be a book that offers enlightenment for each new struggle. Jul 21, Scott rated it really liked it. Obviously outdated it only covers up to Ed Wood , but it covers Burton's "golden age" in my opinion. Burton is very straightforward and gives some interesting insights. He seems like a relatively normal person who just happens to like monster movies.
He also is genuinely humble, and seems like he downplays these genius films he's gotten all this acclaim for. I just finished a book on Stanley Kubrick, and much of his interviews were him addressing critics' comments on his movies. He g Great book. He got a little defensive about them--but each of his movies have, over time, become acclaimed and almost universally loved by critics. It seems to me that the same thing is happening to many of Burton's films. I was surprised to hear some of the critic's assessments of his films.
But they don't seem to really faze Burton. I was also interested in his philosophy of film: Really a fascinating book about a fascinating filmmaker.