Retrieved March 14, , from http: Kutsujoku no seiji [The politics of humiliation: Shame and shaming in modern history]. Shiso , , Aus Politik und Zeitgeschichte , 68 , Ehre, Scham und die Wollust des Opferns]. Zwischen Traum und Alptraum: Marriage between confessions in the s. Le genre et l'histoire: L'exemple de la honte. Signaturen eines vergangenen Zeitalters Geschichte der Gegenwart No. Frankfurter Allgemeine Zeitung GmbH. Empathy in the theatre of horror, or civilizing the human heart. World History , , Rechtspraxis und -theorie in der Moderne.

Franz von Stuck bis Frida Kahlo pp. Men's fears and women's desires: The battle of the sexes from , pp. Battle of the sexes: Franz von Stuck to Frida Kahlo, by F. History of Emotions - Insights into Research. Retrieved November 6, , http: The national socialist politics of emotions , pp. Historicizing emotions in Berlin. Publications of the Modern Language Association , , The history of a European nation. Concepts and debates over three centuries.

Continuity and change in the vocabulary of feeling pp. Juden zwischen den Fronten. Rechtsgeschichte - Legal History , 22 , Children's literature and emotional socialization, pp. Owl Publishing House, , pp. Vertrauen in der Krise. November und am Juni Debatte No. Berlin-Brandenburgische Akademie der Wissenschaften.

Einleitung in den Schwerpunkt. Chaos und Ordnung im Land der Leidenschaften. Begleitbuch zur Ausstellung in Dresden vom Februar bis zum Geschichte einer wechselvollen Beziehung Vol. Jahrhundert und ein Postscript. Gunnar Heinsohn und Yilmaz Atmaca]. General conscription in the nineteenth and twentieth centuries. German theories and cultures of warfare from Frederick the Great to Clausewitz pp. Begriffe und Debatten aus drei Jahrhunderten. Eine lexikalische Spurensuche in der Moderne pp.

Wurzeln, Gegenwart, Zukunft pp. Leo Baeck Institute Yearbook , 56 , Moderne Politik, charismatische Herrschaft und die Vertrauensfalle. Aspekte einer Kulturgeschichte des Wunders. Ein Symposion in Bayreuth pp. Geschichte, Emotionen und die Macht der Bilder. Geschichte und Gesellschaft , 37 , Empathie und ihre Blockaden: Neue Erkenntnisse, neue Herausforderungen. Ein Report der Max-Planck-Gesellschaft pp.

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Traitors and internal enemies. Bildung in der neuen Welt. Nacije i nazionalisam [Nation and nationalism]. A reference book] pp. Zeit Geschichte , 4 , German History , 28 , Wer um Vertrauen wirbt, weckt Misstrauen: Retrieved February 12, , from http: Imperiale Ordnungen in der Moderne.

Vom heroischen Menschen zum "Helden des Alltags". Geschichte und Gesellschaft , 35 , In Deutscher Hochschulverband Ed. Europa ist eine Frau: Jung und aus Kleinasien. What European history can and cannot contribute. European Studies Forum , 38 , Spuren suchen , 22 , Heldentum und Opferwille, Ordnung und Disziplin: Schlaglichter des Wertewandels pp.

How to become a good European citizen: Present challenges and past experiences. New perspectives on citizenship education pp. Migration - history - diversity: National memories and cultural identities in Europe. Geschlecht in den Wissenskulturen um GenderCodes No. A poet for many German nations. Playwright, poet, philosopher, historian pp. Dichter, Denker, Vor- und Gegenbild. Deutsches Haus at NYU. Honor, gender, and power: The politics of satisfaction in pre-war Europe.

The outbreak of World War I and European political culture before pp. Reprinted Frevert, U. Ce que l'histoire peut, et ne peut pas, apporter. Rituale, Kultur und sozialer Wandel. Neue Folge , 93 , Was heisst und zu welchem Ende studiert man In Wissenschaftskolleg zu Berlin Ed. Schweizer Monatshefte , 86 , Does Europe need a cultural identity? What holds Europe together?. Central European University Press, , pp. Civil society and citizenship in Western democracies: Historical developments and recent challenges.

Dialogues and perceptions pp. GHI Bulletin , 36 , Europeanizing Germany's twentieth century. Perspektiven einer historischen Politikforschung Historische Politikforschung No. Clio , 20 , In Jahrbuch der Juristischen Zeitgeschichte Vol. Politische Kommunikation und ihre Medien. Changing masculinities in central Europe: Duelling and its aftermath. Changing values in Germany and India pp. Geschichtsvergessenheit und Geschichtsversessenheit revisited: Habitus und Signalzeichen im Vertrauen - eine historische Spurensuche.

Geschichte und Gegenwart eines sozialen Prinzips. Ein Schloss Elmau-Symposion pp. Vertrauen in historischer Perspektive. Soziale Grundlagen reflexiver Kooperation pp. Jahrhundertwenden und ihre Versuchungen. Die allgemeine Wehrpflicht und ihre geschlechtergeschichtlichen Implikationen. Die Sprache der Ehre: Heinrich von Kleist und die Duellpraxis seiner Zeit. In Kleist-Jahrbuch pp. Stadtwahrnehmungen romantischer Intellektueller in Deutschland. Die 60er Jahre als geschlechterpolitischer Experimentierraum.

Die Zukunft der Geschlechterordnung: Diagnosen und Erwartungen an der Jahrhundertwende. Treue - Ansichten des Entwicklung, Stand und Perspektiven der Gleichberechtigung in Deutschland. Alianza Editorial, , pp. Male crime in nineteenth-century Germany: Women and gender history in Germany: Developments, problems, perspectives [In Japanese]. Thought 4 , , Bismarck und die Deutschen - eine Erinnerungsgeschichte: Vor hundert Jahren starb der "Eiserne Kanzler".

Das Geschlecht des Politischen. Vom Aufstieg und Niedergang des Heroismus im Die Sprache des Volkes und die Rhetorik der Nation: Deutsch-deutsche Beziehungen - pp. Wie erforscht man Nostalgie? Im Alltagsgebrauch ist es ja ein nicht gerade trennscharf definierter Begriff? Das ist die zentrale Frage meines Projekts. Als ich damit anfing, wollte ich herausfinden, wie wir uns Vergangenheit nostalgisch aneignen. Ich meinte eine recht klare Vorstellung davon zu haben, was Nostalgie ist.

Doch je mehr ich las, desto mehr schwand meine Sicherheit. Anstatt zu fragen, wie und mit welchen Motivationen wir mit der Vergangenheit umgehen, wird kurzerhand von Nostalgie gesprochen. Die einen wollen zelebrieren, die anderen kontextualisieren.


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Jahrhundert in Jahrzehnten zu messen. Denn unsere Vorstellungen von Jahrzehnten ist offensichtlich stark von einzelnen Ereignissen dominiert. Zweitens fragt der Vortrag nach den Grenzen des Ereignisses: Und drittens diskutiert der Beitrag, wie Jahrzehnte erinnert werden.

Zwar werden auch heute noch einzelnen Ereignissen — dem Kriegsausbruch , der Reichskristallnacht, dem Fall der Mauer etc. Ceisel und Groebner teilen den ethnographischen Zugang und die eher unkonventionelle Darstellungsweise in der ersten Person. Allerdings funktioniert dies bei Groebner wesentlich besser als bei Ceisel. Diesem Anspruch wird er gerecht. Doch um welche Fragen geht es? Um die zentralen des Geschichtstourismus: Warum suchen wir auf Reisen so gern Orte mit Vergangenheit auf, und was genau suchen wir dort?

Das dritte Kapitel deutet das Warum lockt uns die Vergangenheit so? Aber ist sie nicht ebenso oft, wie in im vielzitierten Bonmot des britischen Schriftstellers L. Bei Christina Ceisel dagegen taucht sie bereits im Titel auf. Schwingt sich die Darstellung doch einmal zur kommentierenden Analyse auf, kippt diese schnell in Jargon oder Klischees Beispiel: Und so hilft das Buch nicht dabei, die Nostalgie oder den Tourismus wirklich besser zu verstehen. Umso wichtiger sind wissenschaftliche Expeditionen ins Retroland. Geschichtstourismus und die Sehnsucht nach dem Authentischen.

Tourism, Heritage, and the Politics of Place. Rymsza-Pawlowska, History Comes Alive. In September I took part in a seminar on popular culture at the annual conference of the German Studies Association in Pittsburgh. The seminar felt a bit like being back at university—only that everyone had read the text and engaged in the discussions. The gap between literature scholars and historians in evidence at other events at the GSA, was not a problem for us because we all felt like outsiders in our respective disciplines and faced similar problems not least the difficulties in finding sources.

We all felt thankful to the fans and enthusiasts, who had collected material that became our sources and without whose work ours would have been impossible. The conference also provided a welcome opportunity to do some research in archives and libraries in Washington and New York, the United States have become increasingly more important to my project. After three days in Pittsburgh I took an early Amtrak train to Washington. In search for coffee I stumbled upon the observation car.

But the view onto the Potomac and the forests of West Virginia was pretty impressive, too. As the train moved eastwards at a leisurely pace, I felt like travelling back in time. Eventually we arrived in Washington. On the following day, I had the good fortune of meeting a German colleague on the bus bringing researchers from the imposing building of the National Archives near the National Mall to a less imposing outpost some 45 minutes away in Maryland. She explained to me how the National Archives worked—so similar in many ways, every archive, every library has its own very distinctive ways of doing things—which saved me a lot of time.

Still, I frantically filled out call slips for some fifty boxes. In a rare case of archival luck, the very first box contained exactly what I was looking for. The literature did imply this without, however, going into detail or giving any examples. Now I had them in front of me neatly filed: From Washington I took the bus to New York, the last stop of my trip.

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To those doubters let me say that yes, New York also has a role to play in the history of historic preservation. In Britain, the destruction of the first Euston Station and particularly the big arch in front of it in had a galvanizing effect on the preservation movement. Nearby St Pancras Hotel and Station—desitined for the same fate—were saved by listing in A similar story unfolded in New York in the very same years.

In it was announced that Pennsylvania Station would be demolished and moved underground, to be replaced by the new Madison Square Garden. Thanks to it, Grand Central Terminal, also scheduled to be demolished, was declared a landmark in and survived. Examples like these show how attitudes towards the past shifted during the s. Initially accused of nostalgia, preservation gained a wider following and began to prevail over modernist planners and architects. This museum shows what it was like to live in a tenement in the early s as if frozen in time.

In , its owner, rather than modifying the building to conform to new laws, decided to evict the residents and to rent out only the ground-level shops. As a consequence, the flats above were preserved in the state the tenants left them. In the building was discovered by two women, who went on to found the museum.

To them they were sentimentalising and distorting rather than exploring the past. Describing them—and the people taking part in them—as nostalgic was a way of undermining and discrediting them. When historians realised such practices were here to stay, they began to re-examine their ideas about them. A new term, public history, emerged to describe the multiform ways, in which people outside of academia engaged with the past as well as the study and teaching of such practices at universities. As an academic subject public history often tends to concentrate on the here and now: However, public history practices have been evolving and changing over a long time and need to be seen in a more long-term perspective.

Public History and Popular Culture in the s does. It uses the nostalgia discourse of the s to capture a moment of cultural change. Yet, rather than accepting the contemporary interpretation, she questions it. For Rymsza-Pawlowska, nostalgia does not cover what was going on as. History Comes Alive charts this transition through a number of case studies.


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The first chapter looks at how the presentation of history on television changed from the s and s to the s. Here the United States Bicentennial already plays a role, which comes up again and again throughout the book, connecting the different case studies. It is most prominent in the second chapter, which looks at the commemoration of the bicentennial in The following four chapters deal with historic preservation, museums, re-enactments and archives—all of which confirm the general thesis of a more immediate and affective engagement with the past: Like their predecessors in the s many historians today will perhaps be critical about such approaches, preferring what they know best, the analysis of sources and the crafting of narratives in the form of books.

Rymsza-Pawlowska takes a not uncritical but more openminded position: There are different ways to engage with it and they all have their advantages and disadvantages.

A History of the Nostalgia Wave

The sharp lines drawn between history and public history in the s have increasingly started to fracture. History Comes Alive is an important contribution to the field of public history—showing how practices we encounter today have developed over time and putting them in a historic context—as well as to the field of nostalgia studies as it demonstrates that contemporary allegations of nostalgia need to be taken with more than a grain of salt. History Comes Alive is about public history in the United States.

Yet, the changes the book describes happened almost everywhere.

Transnational contacts between public history practitioners naturally lead to exchanges. The first open air museum, founded in Sweden in , was copied all over Europe and in the United States. Re-enactments, on the other hand, first became a popular pastime in the United States and from there inspired many followers across the globe. Such similarities and exchanges raise a number of questions namely why history became so popular and why at this very moment. Was it a reaction to accelerated social and cultural change as is often claimed?

Or is the answer more banal, rooted in social changes such as the expansion of education and the growth of wealth and leisure time? Rymsza-Pawlowska argument about the s as a crucial period of transformation is convincing. At the same time, many of the practices discussed here can be traced back to the nineteenth century and sometimes even to earlier periods.

It would be interesting, therefore, to widen the historical perspective even further. Rymsza-Pawlowska, History Comes Alive: The University of North Carolina Press Prisoners of the Past looks at the ways nostalgia has been used in conflicts within the Labour Party from the s almost to the immediate presen. Nostalgia has become a pervasive term in politics. For obvious reasons, right-wing and conservative parties and causes are more prone to accusations of nostalgia than left-wing ones, who on first glance at least seem to look to the future rather than the past.

And yet, the left has not been immune from the charge, as shown by the case of Jeremy Corbyn, who is frequently portrayed as an anachronistic relic, hell-bent on returning Britain to the s. As it turns out, Jeremy Corbyn, whose face adorns the cover, is by no means the first Labour politician to be accused of nostalgia. Surprisingly, even New Labour with its marked progressive, modernizing stance and its impiety towards cherished Labour values was not as straightforwardly anti-nostalgic as it may seem.

To read the whole review click here. Yesterday I had the pleasure of interviewing Sir Roy Strong for my book. Now 82 years old, the man who as a research student blew part of his grant on a Teddy Boy coat, remains true to himself. Increasingly hard to maintain since the First World War, they faced a new threat in the s in the guise of a proposed wealth tax. Conceived as a polemic—one room showed pictures of destroyed houses on a crumbling portico, while their names were being read in the background—the exhibition naturally faced a lot of criticism.

Browsing through the exhibition catalogue, I was struck by how hideous many of the destroyed houses were. Some heirs were only too glad to get rid of their impractical, draughty inheritance. Not to mention that many of them were built on the back of slavery and exploitation. However, an occasionally country house tourist myself, I can also see the point of those, who wanted to preserve them.

With participants from all over Europe as well as the United States, Turkey, China and Japan and with colleagues from literature, film and media departments, the conference was both extraordinary international and interdisciplinary. The topics of the papers were equally wide-ranging touching on poetry and crime fiction, autobiography and Ostalgie, digital kitsch and the Gothic for the full conference programme click here. I was speaking in the only panel directly dealing with politics, which shows that nostalgia studies are still primarily focused on culture—literature, film, TV, the internet etc.

However, Trump and Brexit were mentioned by many papers throughout the conference, which might suggest that nostalgia studies are increasingly discovering politics and the relationship between politics and culture. Whatever road nostalgia studies may take, I enjoyed the conference very much, all the more because I returned with two gifts: Nostalgia has become a new master narrative both in public discourse and academic research, serving as an explanation for trends in fields as different as popular culture, fashion, technology, and politics.

This essay criticizes the wide-ranging use of the term. It argues that nostalgia often does not adequately describe the diverse uses of the past to which it is applied. Building on this, the final section critically examines the nostalgia discourse before evaluating its continuing influence.

The concept of nostalgia has an invaluable advantage: In contrast to other cultural concepts, it has an exact date of birth. Most of the experts on nostalgia as a sickness during the last three and a half centuries did not diagnose themselves but others, quite often patients from rural areas who had to leave home to work abroad, where they became nostalgic. If we take a closer look at the nostalgia diagnosis and its consequences, we might also gain some ideas for our thinking about the theory of history.

The aim of this article is to explore the theoretical and practical differences between colonial and imperial nostalgia. It opens with a substantial theoretical discussion of the relevant scholarship followed by an analysis of the nostalgias of empire.

Homesick for Yesterday

Nostalgia, in relation to empire, is usually analyzed as a longing for a period of former imperial and colonial glory, thus blurring the various hegemonic practices associated with empire. This elision arises out of the fact colonialism was integral to European imperialism. Yet there is a significant distinction between imperial and colonial nostalgia.

With its main focus on postcolonial society in France and Britain, the article will theorize the differences between them, arguing that one is connected to the loss of global power and the other to the loss of a socioeconomic lifestyle. It will explore the way in which these two types of nostalgia are constructed and historicized, examining their differences from historical memory through the responses of both former colonizing and colonized individuals or groups.

In the historiography of the German engagement with the Nazi past, the s are usually a blank space, especially when compared to the s and s. Fed by the omnipresence of Hitler in the mass media and popular culture as well as the simultaneous rise of neo-Nazi groups, it was less concerned with Nazi crimes and retribution than with the representation of Hitler and the Nazi period in the mass media and the question whether Germans were still susceptible to fascism.

The new German television series Babylon Berlin , the most expensive ever to come out of Germany, has been a popular as well as critical success, celebrated for its high production values and style. Based on a series of detective novels by Volker Kutscher set in the dying days of the Weimar Republic, it has raised questions about the German past and the way it is represented today. Why does a television series like this come out now? And what does this say about our world today? These were questions, I was asked recently by the Wall Street Journal about the series. Personally, I always had a soft spot for the Weimar era, partly thanks to reading novels and autobiographies from the time at an impressionable age.

The only time I went to a s retro parties, I felt extremely uncomfortable. The whole event struck me as inauthentic and impious, well fed millennials trying to impersonate s Bohemians.