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Film adaptation - Wikipedia
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- Lists of fiction works made into feature films.
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Life Of Pi Yann Martel. Cloud Atlas David Mitchell. Rust and Bone Craig Davidson. Breaking Dawn Stephenie Meyer. Anna Karenina Leo Tolstoy. The Lucky One Nicholas Sparks. The Book Thief Markus Zusak. Catching Fire Suzanne Collins. The Sting Man Robert W. Villainous Victorians Terry Deary. Me Before You Jojo Moyes. Looking for Alaska John Green.
The 5th Wave Book 1 Rick Yancey. Into the Forest Jean Hegland. Throne of Glass Sarah J. How to Be Single Liz Tuccillo. Let It Snow Maureen Johnson. The Choice Nicholas Sparks. Fragile Things Neil Gaiman. Tony and Susan Austin M. The Oath Brian K. Moments that Made the Movies David Thomson.
As You Wish Cary Elwes. Down and Dirty Pictures Peter Biskind. Hollywood Babylon Kenneth Anger. The Wes Anderson Collection: My Lunches with Orson Peter Biskind. From Wikipedia, the free encyclopedia. This literature-related list is incomplete ; you can help by expanding it. This film-related list is incomplete ; you can help by expanding it. List of fiction works made into feature films 0—9 and A—C. List of fiction works made into feature films D-J.
List of fiction works made into feature films K-R. List of fiction works made into feature films S-Z. In those cases, adaptation is a form of criticism and recreation as well as translation. Change is essential and practically unavoidable, mandated both by the constraints of time and medium, but how much is always a balance.
Some film theorists have argued that a director should be entirely unconcerned with the source, as a novel is a novel and a film is a film, and the two works of art must be seen as separate entities. Since a transcription of a novel into film is impossible, even holding up a goal of "accuracy" is absurd.
Others argue that what a film adaptation does is change to fit literally, adapt , and the film must be accurate to the effect aesthetics , the theme, or the message of a novel and that the filmmaker must introduce changes, if necessary, to fit the demands of time and to maximize faithfulness along one of those axes. In most cases adaptation, the films are required to create identities for example, a characters' costume or set decor since they are not specified in the original material. Then, the influence of film-makers may go unrecognised because there is no comparison in the original material even though the new visual identities will affect narrative interpretation.
An often overlooked aspect of film adaptation is the inclusion of sound and music. In a literary text, a specific sound effect can often be implied or specified by an event, but in the process of adaptation, filmmakers must determine specific the sound characteristics that subliminally affects narrative interpretation. In some cases of adaptation, music may have been specified in the original material usually diegetic music. While Clair de lune was a pre-existing piece of music, Bella's Lullaby was not and required original music to be composed for the movie adaptation.
In the sci-fi film 2BR02B: To Be or Naught to Be adapted from the story by Kurt Vonnegut , the film-makers decided to abandon Vonnegut's choice of music.
Film adaptation
They stated that they felt that it worked in his prose only because it was not actually heard. Filmmakers' test screenings found that Vonnegut's style of music confused audiences and detracted from narrative comprehension. Many of William Shakespeare 's plays, including Hamlet , Romeo and Juliet , and Othello , have been adapted into films.
The Taming of the Shrew was again retold in as a teen comedy set in a high school in 10 Things I Hate about You , and also in as an urban romantic comedy, Deliver Us from Eva. The musical film West Side Story was adapted from Romeo and Juliet , with its first incarnation as a Broadway musical play that opened in The animated film The Lion King was inspired by Hamlet as well as various traditional African myths, and 's O was based on Othello.
Another way in which Shakespearean texts have been incorporated in films is to feature characters who are either actors performing those texts or characters who are somehow influenced or effected by seeing one of Shakespeare's plays, within a larger non-Shakespearean story.
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Generally, Shakespeare's basic themes or certain elements of the plot will parallel the main plot of the film or become part of a character's development in some way. Hamlet and Romeo and Juliet are the two plays which have most often been used in this way.
Rohmer uses one scene from Shakepeare's A Winter's Tale as a major plot device within a story that is not based on the play at all. In Britain, where stage plays tend to be more popular as a form of entertainment than currently in the United States, many films began as a stage productions. Similarly, hit Broadway plays are often adapted into films, whether from musicals or dramas.
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On one hand, theatrical adaptation does not involve as many interpolations or elisions as novel adaptation, but on the other, the demands of scenery and possibilities of motion frequently entail changes from one medium to the other. Film critics will often mention if an adapted play has a static camera or emulates a proscenium arch.
Laurence Olivier consciously imitated the arch with his Henry V , having the camera begin to move and to use color stock after the prologue, indicating the passage from physical to imaginative space. Sometimes, the adaptive process can continue after one translation. Mel Brooks' The Producers began as a film in , was adapted into a Broadway musical in , and then adapted again in as a musical film.
Feature films are occasionally created from television series or television segments. In the adaptation of The X-Files to film, for example, greater effects and a longer plotline were involved. Additionally, adaptations of television shows will offer the viewer the opportunity to see the television show's characters without broadcast restrictions. These additions nudity, profanity, explicit drug use, and explicit violence are only rarely a featured adaptive addition film versions of "procedurals" such as Miami Vice are most inclined to such additions as featured adaptations — South Park: At the same time, some theatrically released films are adaptations of television miniseries events.
When national film boards and state-controlled television networks co-exist, filmmakers can sometimes create very long films for television that they may adapt solely for time for theatrical release. Both Ingmar Bergman notably with Fanny and Alexander but with other films as well and Lars von Trier have created long television films that they then recut for international distribution. Even segments of television series have been adapted into feature films. The American television variety show Saturday Night Live has been the origin of a number of films, beginning with The Blues Brothers, which began as a one-off performance by Dan Aykroyd and John Belushi.
Bean was adapted into Bean and the sequel, Mr. Radio narratives have also provided the basis of film adaptation. The Hitchhiker's Guide to the Galaxy, for example, began as a radio series for the BBC and then became a novel that was adapted to film. In the heyday of radio, radio segments, like television segments today, translated to film on several occasions, usually as shorts.
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Dialog-heavy stories and fantastic stories from radio also adapted to film e. Comic book characters, particularly superheroes , have long been adapted into film, beginning in the s with Saturday movie serials aimed at children. Superman and Batman are two later successful movie adaptations of famous comic book characters. In the early s, blockbusters such as X-Men and Spider-Man have led to dozens of superhero films.
The success of these films has also led to other comic books not necessarily about superheroes being adapted for the big screen, such as Ghost World , From Hell , American Splendor , Sin City , , Wanted , and Whiteout The adaptation process for comics is different from that of novels. Many successful comic book series last for several decades and have featured several variations of the characters in that time.