The New York Times reviewer wrote: The musical opened on Broadway at the Longacre Theatre on May 9, , and transferred to the Plymouth Theatre and then to the Belasco Theatre and closed on February 21, , after performances and fourteen previews.
Fats Waller
Maltby was the director, with musical staging and choreography by Arthur Faria. Luther Henderson , who adapted Waller's music for the revue, appeared as the production's original pianist. An original cast recording was released by RCA Victor. A Broadway revival with the same director, choreographer, and cast as the original production opened on August 15, , at the Ambassador Theatre , where it ran for performances and eight previews.
Frank Rich , in his review for The New York Times , wrote "In their scrupulous re-creation of the Fats Waller show that first electrified Broadway a decade ago, the original cast and creators have conjured the same between-the-wars dream world as before Though almost bereft of dialogue, this musical anthology expands beyond its form to become a resurrection of a great black artist's soul.
Perhaps the key to the musical's approach, as conceived by the director Richard Maltby Jr. Although it never reached Broadway as originally planned, a recording of highlights from the show was released by RCA.
Two hours of sublime singing and dynamic dancing at the service of Fats Waller's music
Beginning in November and lasting until at least May , season two American Idol contestants Frenchie Davis , Trenyce Cobbins and winner Ruben Studdard starred in the 30th anniversary national tour of the show. From Wikipedia, the free encyclopedia. These represent the first time syncopated jazz compositions were performed on a full-sized church organ. Albans, Queens , a New York City community with racially restrictive covenants.
Waller contracted pneumonia and died on December 15, , while traveling aboard the famous cross-country train the Super Chief near Kansas City, Missouri. His final recording session was with an interracial group in Detroit , Michigan , that included white trumpeter Don Hirleman. One descendant is professional football player Darren Waller , who is Fats' great-grandson.
A Broadway musical showcasing Waller tunes entitled Ain't Misbehavin' was produced in The show and a star of the show, Nell Carter , won Tony Awards. The show opened at the Longacre Theatre and ran for more than performances. It was revived on Broadway in Recordings of Fats Waller were inducted into the Grammy Hall of Fame which is a special Grammy Award established in to honour recordings that are at least 25 years old and that have "qualitative or historical significance".
Ain't Misbehavin' (musical) - Wikipedia
Probably the most talented pianist to keep the music of "Fats" Waller alive in the years after his death was Ralph Sutton , who focused his career on playing stride piano. Sutton was a great admirer of Waller, saying "I've never heard a piano man swing any better than Fats — or swing a band better than he could. I never get tired of him. Fats has been with me from the first, and he'll be with me as long as I live.
In , as an year-old, Janis put together a band of aging jazz greats, consisting of James P. Thomas Wright "Fats" Waller May 21, — December 15, was an American jazz pianist, organist, composer, singer, and comedic entertainer. He played college football at Georgia Tech. On July 1, , Waller was suspended for the first four games of the NFL season for violating the substance-abuse policy. Plays Fats Waller is an album by American jazz organist Jimmy Smith featuring performances of tunes associated with Fats Waller recorded in and released on the Blue Note label.
That's what you want, and that's what you get here". His rendition of it is distinct from that of Edith Wilson due to his omission of a lot of the context of the song. Blues singer Ethel Waters's version of the song became a hit, and the song has been recorded by many artists since then. Frankie Laine's version was featured in the video game L. Noire, as part of the in-game radio station, K. The song is also featured in the prologue of Ralph Ellison's novel Invisible Man as its protagonist, while hiding underground, listens to the song being played very loudly and descends into a dream regarding "the blackness of Blackness," all after smoking a ma Antoine "Fats" Domino Jr.
One of the pioneers of rock and roll music, Domino sold more than 65 million records. Billboard Top 40, and five of his pre records sold more than a million copies, being certified gold. Fats or FATS may refer to: Stormy Weather is a American musical film produced and released by 20th Century Fox. The film is considered a primary showcase of some of the top African-American performers of the time, during an era when African-American actors and singers rarely appeared in lead roles in mainstream Hollywood productions, especially those of the musical genre.
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Stormy Weather takes its title from the song of the same title, which is performed near the end of the film. It is based upon the life and times of its star, dancer Bill "Bojangles" Robinson. Robinson plays "Bill Williamson", a talented born dancer who returns home in after fighting in World War I and tries to pursue a career as a performer. Along the way, he approaches a beautiful singer named Selina Rogers, played by Lena Horne in one of her few non-MGM film appearances and one of only two films from the ss In the album Washington covers 12 songs, which have been penned or performed by jazz pianist, organist, singer and songwriter Fats Waller.
Allmusic details the album in its review as saying: The jazz diva effortlessly handles Waller classics while turning in particularly emotive renditions. Adding nice variety to the already strong set, Washington's husband at the time, saxophonist Eddie Chamblee, joins the singer for playful duets on "Honeysuckle Rose" and "Everybody Loves My Baby". A fat, or triglyceride, molecule. Note the three fatty acid chains attached to the central glycerol portion of the molecule. Composition of fats from various foods, as percentage of their total fat. Fat is one of the three main macronutrients, along with the other two: Examples include cholesterol, phospholipids and triglycerides.
The terms "lipid", "oil" and "fat" are often confused.
Fats, like other lipids, are generally hydrophobic, and are soluble in organic solvents and insoluble in water. The song was a hit for Smith[1] and is one of the most frequently covered songs about marijuana smoking in American popular music. In its early history the song was identified with Rosetta Howard's recording and sometimes still is.
Fats Waller, who recorded the song in for a V-Disc session, closely followed the Howard arrangement, and his version, which has been commercially released numerous times since the s, has kept the song in circulation. Waller's track is also a small footnote in the story of Harry J. The musical is a tribute to the black musicians of the s and s who were part of the Harlem Renaissance, an era of growing creativity, cultural awareness, and ethnic pride, and takes its title from the Waller song "Ain't Misbehavin'".
It was a time when Manhattan nightclubs like the Cotton Club and the Savoy Ballroom were the playgrounds of high society and Lenox Avenue dives were filled with piano players banging out the new beat known as swing. Five performers present an evening of rowdy, raunchy, and humorous songs that encapsulate the various moods of the era and reflect Waller's view of life as a journey meant for pleasure and play.
Harlem Stride Piano, stride piano, commonly abbreviated to stride, is a jazz piano style that was developed in the large cities of the East Coast of the United States, mainly New York City, during the s and s. The left hand characteristically plays a four-beat pulse with a single bass note, octave, major seventh or major tenth Interval on the first and third beats, and a chord on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the downbeat and bass note s on the upbeat.
Ain’t Misbehavin’ – The Fats Waller Musical Show
Unlike performers of the ragtime popularized by Scott Joplin and unlike much early jazz, stride players' left hands often leapt greater distances on the keyboard,[1] and they played in a wider range of tempos and with a greater emphasis on improvisation. Thomas "Fats" Waller — , a student of James P. Johnson, was an important contributor to the stride piano style. A Handful of Keys is an album of live performances by Fats Waller and His Rhythm, the only authorized live performances of the musician.
It features previously unreleased live radio transcriptions originally broadcast in A pioneer of the stride style of jazz piano, he was one of the most important pianists who bridged the ragtime and jazz eras, and, with Jelly Roll Morton, one of the two most important catalysts in the evolution of ragtime piano into jazz. Johnson's artistry, his significance in the subsequent development of jazz piano, and his large contribution to American musical theatre, are often overlooked, and as such, he has been referred to by Reed College musicologist David Schiff, as "The Invisible Pianist".
When Waller composed "Jitterbug Waltz" he was 38 years old and at the high point of his career as a veteran recording artist for RCA Victor, making the occasional movie appearance, broadcasting on radio, and traveling the United States and Europe on a hectic and tiring schedule. It is notable for being one of the first jazz records recorded with a Hammond organ, an instrument that gained popularity in the genre soon after.
Retrieved April 6, The Importance of Being Eric Dolphy. External links "Jitterbug Waltz" at JazzStan Eraserhead is a American body horror film written, produced, and directed by David Lynch. Shot in black and white, Eraserhead is Lynch's first feature-length film, following several short works.
The film nonetheless spent several years in principal photography because of funding difficulties; donations from Fisk and his wife Sissy Spacek kept production afloat. It was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of disused stables in which Lynch lived.
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Lynch and sound designer Alan Splet spent a year working on the film's audio after their studio was soundproofed. The soundtrack features organ music by Fats This album isn't full of stride piano, but it is full of Fats Waller's larger persona as a performer It's a stunning mix of piano jazz with moody, winsome late-night vocals, and it has plenty of get-up-and-go when it's time for it.
If it doesn't sound much like Waller, one could imagine Waller would love it, and his Chronological Classics was a French compact disc reissue label. By the time the label suspended operations in July , its scope had extended into the LP era. An unaffiliated label, Neatworks, released alternate takes and misidentified master takes of jazz artists previously issued on Chronological Classics. In , Chronological Classics also issued a CD set that included tracks previously not available in the regular series, and a bonus cd with corrected tracks from previous releases.
The jazz series started with number , and includes the following albums: Thomas Waller may refer to: Waller — , American politician Thomas Waller fl. It has a thirty-two-bar form AABA at a slow-to-moderate tempo. Waller said the song was written while "lodging" in prison for an alimony violation , and that is why he was not "misbehaving". Connie's Hot Chocolates was transferred to the Hudson Theatre on Broadway during June , where it was renamed to Hot Chocolates and where Louis Armstrong became the orchestra director.
The script also required Armstrong to play "Ain't Misbehavin'" in a trumpet solo, and although this was initially slated only to be a reprise of the opening song, Armstrong's performance was The song became associated with Waller who ad-libbed his own lyrics such as "Your pedal extremities are colossal, to me you look just like a fossil" and his catchphrase, "One never knows, do one? He worked with Eddie Durham and Eddie Barefield in the s, and remained active almost up until his death, though he never recorded as a leader.
References Donald Clarke writer. Retrieved November 8, Oxford Index, Oxford University Press. Scott Yanow, Slick Jones at Allmusic The song was copyrighted in November, Copyright Office, The Library of Congress, A Discography of Recordings, - Volume 2: New York Sessions It is built on the call "Water boy, where are you hidin'? From onwards, many blues and folk artists have performed their own arrangements of it.
The opening call to the "water boy" has been said to bear a resemblance to melodies found in classical works by Cui, Tchaikovsky and Liszt, as well as a Jewish marriage song and a Native American tune. Fats Waller - Fats Waller in Lon Some authors say that Fats Waller was the composer, but he sold the rights to the song. Richman and Ted Lewis enjoyed hit records with the song in In , right after its publication, a very large number of different recordings were made see below ; afterwards, the song has become a popular standard, recorded by many people.
Recorded versions Gene Austin recorded June 26, , released by Victor Records as catalog number , with the flip side "Maybe Who Knows"[1] Smith Ballew and his orchestra recorded April 3, , released by OKeh Records as catalog number , with the flip side "A Garden in the Rain"[2] Continental Dance Orchestra recorded April 17, , released by Oriole Records as catalog number , with the flip side "She's Got Great Ideas",[3] also by Jewel Records as catalog number , with the flip side "Huggable Kissable You"[4] Jesse Crawford organ instrumental; recorded May 7, , released by Victor Records as catalog number , with the flip side "She's a New Kind of And when the five black singers sit on stools and, without embellishment, in harmony sing "Black and Blue," about wishing one's skin were a different color and the sadness accompanying that wish, you will marvel at the courage of the performers and the emotional power of the moment.
Equity rehearsal periods are short, but what you get here is five actors who look about as polished as five performers can. That's passion and commitment. And while it might have been nice to see them go even further with the almost overriding sexuality in Waller's music, what you get is titillation instead of outright sensuality, which is certainly an appropriate choice.
Two hours of sublime singing and dynamic dancing at the service of incredible material: This show is a gift you'll smile your way through and probably tap your feet, shout your approval, and even dance around in your seat a bit, too. A note to readers: Now more than ever, we need your support to continue supplying Austin with independent, free press.
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