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Mouton and Company, For reviews, see below. Gives a comprehensive history of the Dante Society of America, with details of its various activities from the earliest informal beginnings and its organization in to its official incorporation in The Mask of Keats: Harvard University Press, A brief general introduction to Dante for the lay reader, with an annotated list of available English translations and three illustrations. Fire, Wind, and Ice in Milton and Shakespeare.
Of the two possible conclusions he proposes, viz.
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The similarities are striking, especially in the common pattern of a ladder of beauty as the means of ascension to the transcendent goal of Beauty, Goodness and Truth. For Plato, however, the poet and the lover, as also the philosopher and the prophets each take separate paths to the one goal, while for Dante, the poet, lover, and thinker are one. Dante fused and synthesized elements of two traditions: Dante recognized the value of metaphor as a means by which theology and philosophy and poetry can both express truths that would otherwise be inexpressible.
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Discusses the symbol of the sun in the history of Western light-symbolism down to the light-metaphysics of Saint Augustine and other medieval thinkers, who adopted the Platonic metaphor of the Good as the sun of the intellect, and shows how Dante used the sun-symbol with full awareness of the complex significance it had acquired in the tradition. Toward a Definition of Mystical Poetry.
Love in the Western World.
The National Idea in Italian Literature/Notes
Revised and Augmented Edition. Essays in Literary Criticism. Selected and Edited, with an Introduction, by Irving Singer.
Dissertation, University of Pennsylvania, Three Masters, Three Epochs. University of Pittsburgh Press, , Distinguishes in Italian literature three major epochs or moods , epitomized in the following epithets: University of Chicago Press: The Descent of the Dove: Rutgers University Press, Purgatory , translated by Dorothy L. Princeton University Press, Crisis of the Early Italian Renaissance Princeton: Other contemporaries specifically point up Molino's knowledge of theoretical and practical aspects of music. And certainly one sees that few today are found like you learned Del Lago's correspondence was theoretically oriented in church polyphony.
One of its most striking aspects is its recognition of connections between music and language that parallel those embodied in the new Venetian madrigal style.
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Del Lago insisted that vernacular poetry be complemented with suitable musical effects and verbal syntax with musical phrasing. In discussing these relationships he developed musically the Ciceronian ideals of propriety and varietas. His dedication to Molino therefore presents a fascinating bridge between patronage in Venier's circle and developments in Venetian music.
Yet taken in sum these sources show Molino's musical patronage embracing two different traditions, each quite distinct: The printing of the volume has been attributed to Comino da Trino, a typographer active in Venice from to , and probaly represents his last work cf. Biblioteca del libro italiano antico. Libri di poesia , Milan, , no.
Communication in Sixteenth Century Western Europe: Antiquarian bookseller Manuscripts - Early printed books.