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- What are the best practices in bouncing a project for outside mix??
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Call the guy doing it and verify what he wants. Does disabling "fast bounce" options in "bounce to tracks" increase quality? Here's a rough outline of what I do. Freeze all tracks you want to bounce with effects which most of the time is none as whoever is mixing will add effects 2. Freeze all vsti tracks if you haevn't done so already freeze by right clicking track panel, or hitting the snowflake button next to mute solo record 3.
Make sure all tracks are labeled for the engineer 4. Most likely you will have both mono and stereo tracks in your session. These have to be bounced separately. At this point I will drag tracks up and down to group all mono and stereo tracks together.
Highlight everything you are going to bounce - lets say stereo first. This is important - make sure the timeline selection coincides with the start point of your track. At this point you are ready to export. Make sure all Mix enables are unselected except maybe 64 bit engine - I sometimes use fast bounce also but probably not recommended Bounce Repeat from step 5 for Mono tracks again timeline selection dictates the start and end of the track so make sure this is consistent and choose Mono as the channel format Thats my method anyways.
As far as your questions concerning bouncing to tracks and clips - I dont do any of that, just freeze. Bouncing from zero - this is dictated by the timeline selection, which will be highlighted when you select all the tracks to export. Upgrading - I was on 6 and as far as i can remember there may not have been a freeze button on all tracks.
Could be wrong though. This is really helpful. Hey Nick, Just a few things to add to what has already been said: Also, exporting from the start of the timeline is a good idea to keep things in sync. Exporting the tracks will bounce everything into their corresponding file as long as you select "Tracks" as the export option. That way nothing is left behind or omitted from the final export. However, some softsynth don't like Fast Bounce, so using Real Time is the safest way to avoid any issues. I believe Perfect gave you a good method for going about this procedure.
You may want to re-import each song after bouncing just to make sure that everything sounds the way you want it before sending it to the engineer. These are very helpful. The mixer guy is a pro.
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I discussed OMF format, but he clearly wanted raw wave files of each track. They will be flattened by "export" process. Sometimes when I open a project I find AP clips out of whack, same for v-vocals. I was thinking, go back to each project and bounce those clips. I'd still keep the originals as archived tracks.
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By the way, I keep originals of every track as archived tracks. Before editing, chopping, dicing If I'm exporting in same resolution, do I still need to enable dithering? If so, Is Triangular better than Powr-3? As I understand, unchecking "fast bounce" in export dialog box makes the bouncing "real-time". For a 5-minute song with 25 tracks, it is almost 2 hours. I think I'd bounce audio tracks fast, and synths in real-time. I have a few synths, when I freeze them, their timing gets screwed.
From what Jose said, Fast freezing bounce could be the reason. I've never had problems with V-Vocal nor AS clips, but you can certainly bounce them inside the project if that's what you want. However, instead of archiving these tracks, I suggest using project versioning. That way the project's track count remains the same and looks cleaner. For example, "Project 1" is the original and "Project 2" would be the bounced version, etc.
You can of course use a different naming system that's more descriptive. I don't believe there is a limitation. There may be an effect on HDD performance though I can't remember. Uncle John's Plunges into California. Secrets of the Golden Gate Bridge. San Francisco Fire Department. My Box of Chocolates. Las Vegas Has a Bad Knee. Paris of the Plains. Thirty One Lives, - Blood, Bone, and Marrow. Los Angeles in the s.
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Bounce Flash Secrets – Bouncing Your Way to Better Photography
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