Road Trips Vol. 2

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The composition takes a basic blues shuffle, you can hear the same sequence in Freddie King's Hide Away. Instead, this is a completely original take and frankly where the Grateful Dead really shine. The next track is weird. The vocal exchange reminds me of some early Frank Zappa. Lucky the song is only a few minutes, vocal harmonies are not their strong point. If I was at the concert I think it would frighten me. It builds slowly, starting with a militant drum beat. In no hurry the band plays on the theme with Phil really nailing the song.

I think this song is one reason. The intensity continues to build with Jerry attempting to match Phil with searing, penetrating, biting guitar riffs. I always enjoy hearing the section of "Alligator" where they tackle instrumentally "There Is a Mountain," a song by Donovan. These melodic riffs would be used by the Allman Brothers Band for their live concert epic "Mountain Jam.

I would rank this as the top live Grateful Dead release available.

The performance is outstanding as is the mix. If that isn't enough the filler on disc one, if it's not worth shouting from the roof top about, it unquestionably deserves a letter home. This release is nearly perfect. The one small exception is the unavoidable patches where the reels needed flipped. Bonus Disc The bonus disc that came with early orders includes additional live tracks from the Northwest Tour.

All of the songs were included on the featured discs, no new songs.

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Those these are quite rare. Much of it may not have circulated previously. The songs are a bit longer in length than the featured disc. I haven't had a chance to explore this in great detail yet. Though, from a distant listen, it comes from good quality source tape and is as lively as the featured show. The "Dark Star" has a some awesome bass on it and Phil and Jerry really get into it. Good Morning Little Schoolgirl 3. Lead Guitar, Vocals Mickey Hart: Electric Bass, Vocals Bob Weir: From Deadlists - set lists - These don't seem complete.

But the bands played like beasts in Washington and Oregon, spreading San Francisco magic in an assortment of small auditoriums and ballrooms. But beyond that there is more good material from the Garden to expand it to even more discs.

There are plenty more. I'm not sure those shows are in the vault.

What I've heard of it is really good. Here are the set lists from the shows. There is no doubt that the selection and combination of the material from Road Trips Vol. It also flows quite nicely as opposed to some Road Trips that are more segments of shows. The band is very tight, and sharp throughout. The whole band contributes. Nearly all of the transitions are executed with mind-blowing precision.

A few drawbacks, Jerry's voice is not what it once was, and I don't care for some of Vince's parts.

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Add it up and you have what I consider essential listening. With barely a dull moment this release gets my highest rating. The second set material is really kind. All of pre-drums material is generously included. The "Eyes" is at clocks in at around 20 minutes and is exploratory and inspirational, The post "Foolish Heart" jam features Jerry and Bruce. Lead Guitar, Vocals Mickey Hart: Electric Bass, Vocals Bob Weir: You'll recall the unusual historical circumstances surrounding this famous series of shows: In July, Brent Mydland had died tragically after a glorious year stint as the Dead's keyboardist.

With both the band and Dead Heads in shock, a few planned summer shows were cancelled, and it looked as though the group's long-scheduled tour of Europe might be in jeopardy, as well.

But then, two things happened: Fortunately, he was a quick study! By early September, Vince had played his first shows with the Dead in Cleveland and Philadelphia , and then the band moved on to Madison Square Garden -- always one of the most magical places the group played-- for a series of six shows spanning September , before jetting off for the big European tour.

Bruce joined the band beginning with the second concert in that series, and immediately the chemistry of this new septet was apparent. Bruce was a bold and assertive player who really pushed the band--and particularly Garcia--in some fascinating new directions, and the combination of his grand piano and Vince's electronic keyboard textures made for a big and dynamic sound.

There were smiles all around as the new unit found its footing and with surprising confidence ushered in a new era of Grateful Dead music before roaring New York crowds!

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Included are spacey and beautifully developed journeys through "Dark Star" and "Playing in the Band"; a rare second set "Let It Grow" that rolls into a fantastic improvisation that really shows off the chops of the "new" band; a rousing "Uncle John's Band"; rockin' tunes like "Truckin'" and "Turn on Your Lovelight," and more. The spirit and life on these tracks is amazing! You can find the entire track listing below.