To Sklar s credit, Safi Faye is mentioned , despite the fact that most scholars take little heed of the work of women when writing of African cinema. Still the gaps in this voluminous, all-purpose history are notable and painful. For despite their undeniable notoriety, neither Catherine Breillat s films nor her name can be found here. Indeed, no woman at all. Of course, it is not the purpose of this introduction to present a review of any particular recent study of world film: Sklar s book is targeted here to serve as an example of the current state of affairs.
In the domain of popular critics, the subjects addressed are much the same. Unlike Sklar, he is drawn to Breillat. Perhaps for similar reasons, he has devoted a hefty review to Romance. It must be admitted, however, that he has written a lengthy review as well on Emporte-moi Set Me Free.
Many of their films will appear on TV5 and Canal. We did not find any other works of hers in the guide. Egregiously, we have not found mention of a single French Canadian woman director: Not Marquise Lepage, whose Des marelles et des petites filles took prize after prize. Is it significant in view of all this that the racy films of Catherine Breillat, though not well thought of, are nonetheless to be found?
They are better than that! Films by Diane Kurys, which have been very popular in the U. We found no 4-star film by a French-speaking woman director. Dare one assert, then, that it is the big names of all these male directors that command stars no more deserved in reality than certain of the ones named above or studied in our guide?
The question is rhetorical, of course. But a recent article in the New Yorker shows a similar direction in critiquing the body of films we are discussing here: This kind of treatment hardly increases viewership, even though serious film scholars are busy studying these very films. On the other hand, one may frequently view francophone women s films on TV5, if in France, or if in America one is equipped with the right dish. But even in France some of the more explicit of these films have run into trouble. Because they are underfinanced, and certainly because of distribution problems related of course to under financing , the majority of the films cited in our guide are not treated in mainstream journals nor available in video shops.
Necessary because of the films themselves, which are not only needed but about which information is often lacking. We are concerned, then, with bringing references together in a readily usable format. And cannot the same be said for the splendid special showing of women directors films presented by the Sundance Channel in April, ? This not to mention frequent presentation on the Independent Film Channel of women s films not usually seen on the big screen in America, not even for rent in most video stores.
And, too, one might cite the Rocky Mountain Women s Film Festival dedicated to the drive, spirit and diversity of women. The fifteenth annual event took place in Colorado Springs, Colorado on November 1 3, For further information, visit: Within this framework, why concentrate especially on Frenchspeaking women directors?
Firstly, as a service to French teachers and professors who now incorporate film and women s art into many of their courses. This is from all sexes and countries. Virginie Despentes s sensational and controversial Baise-moi was ninth in the top ten rentals from all countries and figured as ninth of twenty-five top-selling foreign films. Striving to complete the picture through , it is compiled from many sources, and presents information in English, but with reference to French copy, in order to increase the guide s versatility.
Among other things, this facilitates indexing. On the web, there are sites devoted to women s films and women in films, many of which are cited in our bibliography. Catalogs and Web sites of the NFB ONF are also a rich source of information, and we are especially grateful to this entity for its kind permission to borrow generously from its copy.
We have excerpted material from all of these references, and from others besides whether in English or in French, for the convenience of those who wish to use this guide book. Wherever this has been done, the source of the information has been given. These variations in date occur for a number of reasons among which one might suggest that: For similar reasons the running time can vary from film to video, etc.
The information regarding them has been only partially reproduced here. Similarly, virtually all documentaries have been excluded here; they and their directors will be treated in a separate guide to Frenchspeaking women documentarians. One more note is in order here.
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Those referring to this guide should be aware that its use is maximized when it is consulted in tandem with the guide see note 1 below French-Speaking Women Film Directors; for it has been our intention to include here, by and large, only such filmmakers, films and critiques as did not figure in that volume. One should consult as well the Internet Movie Database Site some but not all of the information on certain directors has come from this site, and from other internet sites as indicated in the body of the guide.
AFinal Word We wish to close this preface by establishing what this book is, and what it is not. It is not intended to be a critique of films by women directors, but rather a compendium of their films and selected criti-. And indeed the establishment of this text has been an arduous job: As we sugested above, the internet was used extensively, along with many other guides, journals, catalogs, library resources consulted in situ and so forth.
In many cases, the information contained herein has not been easily established, even when found after extensive searches on the internet. Thus it is our hope that this guide, when used in conjunction with Pallister s French-Speaking Women Film Directors, will be an important and handy tool, a point of departure, a quick source of information; for that was our intention in preparing it.
We have refrained for the most part from entering into controversies or displaying our own likes and dislikes. Similarly, for the sake of remaining objective, we have chosen not to include our own analyses. Our views may be found in our other published writings on the subject at hand. Fairleigh Dickinson University Press, Supported by a subvention from Women in French.
All subsequent references to this work will be indicated by author Pallister Guide and page number. It is noteworthy, too, that despite the advances made by women filmmakers at the end of the twentieth and beginning of the twenty-first century, the jury of the Cannes Film Festival with David Lynch as president of the jury included only men filmmakers, though actresses did participate.
Screen Africa News Bulletin. The situation for is somewhat improved. Note also that Cinemalia in held an important festival of films by women directors, including: Philomene Esposito comes up with an ambitious as well as personal work after his [sic! But once again, he loses his grip on his film halfway through Signet, , Joseph L.
Donohoe, Jr East Lansing: Michigan State University Press, Such is the case in particular of the film Baise-moi. The film Romance, too, is regarded by many as demonstrating that sex is no longer faked in cinema. See one German description found on the internet: However, on the American front, some, if all too little, help is available. Still, on 10 July , NewFilmmakers New York hosted Cinewomen, which supports and encourages women in the film and entertainment industry.
Heralded as the most cutting-edge women s film festival, MadCat presents films and videos by women from around the globe. Additionally, from 30 October to 3 November Rochester, New York hosted the second annual High Falls Film Festival, which highlights work by female directors, producers, and screenwriters.
For details visit Facets Features Spring The American scene is viewed as dismal by Michelle Goldberg: Where are the women directors? In Arabic with some French. Raja Amari et Dorra Bouchoucha- Fourati; music: A widowed Tunisian seamstress takes an unlikely journey of self-discovery in Raja Amari s sumptuous and sensual Satin Rouge.
While investigating a suspected liaison between her headstrong teenaged daughter and a cabaret musician, young widow Lilia becomes drawn to an exotic nightclub netherworld of Rubenesque belly dancers and nocturnal pleasureseekers. She strikes up a friendship with one of the dancers, then eventually takes the stage herself, quickly becoming the favorite of both cabaret patrons and the club s hotblooded drummer. As she gradually sheds her shapeless, matronly house dresses for the flamboyantly sequined bar-girl garb, she also begins to emerge from her cocoon of melancholy and loneliness.
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Director Raja Amira is a dancer herself; she trained for many years at the Conservatoire de Tunis and clearly knows what a belly dance fan wants to see in a movie. The cabaret dressing room scenes, in particular, are filled with all the sparkling sequined costumes and heavily made up performers fans might hope for, says Bobbie Giarratana.
Synopsis in French at: Satin Rouge est un film de femmes: Self-Empowerment by Way of the Midriff; Raja Read the complete interview at indiewire. Several more sites on the internet regarding Amari and especially Satin Rouge. Venice may get the most international acclaim, but Italy s second-largest festival, the Torino Film Festival, offered plenty of cutting-edge international and domestic films during its twentieth event. The film claimed the 20, Euro prize at the event November 7 15 [].
Rachida , mins. Written by Yamina Bachir. A look at fundamentalist terrorism in Algeria through the eyes of Rachida, a teacher in one of the school districts. Studies in modern literature at the Univ. Une porte sur le ciel Sur la terrasse , 18 mins.? Short in the collective: Cinq films pour cent ans , 90 mins. Details in French at: Ruses de femmes, ou le conte de la fille au basilic aka Women s Wiles; aka L Astuzia delle donne , 90 mins. Morocco, Switzerland, Tunisia, France. An intriguing commentary on the power struggle between the sexes and the different classes in Morocco.
Adapted from the novel by Rida Lamrini, Les Puissants de Casablanca, this film studies several problems that stirred up Casablanca society at the time of the campaign for bettter sanitaziation. Read full details in French at: Fanta lives with her husband in Paris. They are having quarrels over money; and she wants to stop her acting lessons because they are so expensive. Keswa aka The Lost Thread, orle Fil perdu , 96 or mins.
Original version in Arab, subtitled in French. Ali Mosbah and Ahmed El Hafian. A young woman returns to Tunis for her brother s wedding. This film explores the lives of four modern Moroccan women as they intersect and reflect the social issues and conflicts experienced by North African women. N Golo dit Papa not Papi , 39 mins. Her films are discussed in Pallister, French- Speaking Women Film Directors, A Guide, 16, but the following supplementary information regarding her may prove useful as a quick reference. Julliard in and her second novel, Les Impatients Paris: In she directed her first film, La Nouba des femmes du Mont Chenoua and in directed her second film, La Zerda ou les chants de l oubli, a documentary juxtaposing French newsreels of World Wars I and II with Algerian women singing traditional songs Pallister Guide, Albin Michel , and in Vaste est la prison Paris: Djebar meditates on cinema in Un Regard de femme French edition, Internet portrait of Djebar on film.
Entre ombre et soleil ; 52 mins. Kamal Dehane; Shot in Algeria. The story of Assia Djebar s experience, her questioning about presentday Algeria and the future of its society. Film by Kamal Dehane: About five Algerian women, including Djebar. A criminal, coming out of prison and having lost his reputation, thinks he ll show the young people how to pull off a job. Karin Koch, Lotfi Layouni; screenwriter: Kahna Attia Riveille; camera: A first feature from Swiss- Tunisian Fares. Synopsis of one of the three stories: When she learns that her mother opposes her relationship with her lover, Leila decides to become a prostitute.
In negotiating her body, she is only transgressing the final taboos of a society that denies the most fundamental signs of expression. Follows the stories of three North African women Despite its tragic moments, the film delivers a message of hope. A compelling examination of female desire in male-dominated society, Honey and Ashes speaks to all cultures and genders. Faye, Safi Senegal Born , in Dakar. Supplement to Pallister Guide, Tesito , 27 mins.
Spelled Mossen, in Schmidt. Fourteen years old and possessed of natural, timeless beauty, Mossane excites by her mere presence. In this Wolof village between the sea and the savanna, such beauty proves tragic. Safi Faye s gorgeous, powerful film begins from a detailed observation of contemporary village life, but unfolds with the mounting force of ancient drama.
Mossane tempts fate when she refuses the man to whom she had been promised at birth; it s a desperate act, with desperate consequences. Astou For information on Safi Faye and her film Mossane see: Also see from the internet: Additional information from the internet: Filmmaker, ethnographer and mother.
She is one of the pioneers of the African cinema. She made her first steps in film direction in [In] La passante [], She will be studied in the forthcoming Guide to francophone women documentarians. The correct title of the film is Le Gardien des forces ; 52 mins. L Or du Liptako , 12 mins. Entre l arbre et la pirogue ; 52 mins. Projet Sambizanga , 12 mins. Sarah Maldoror ou la nostalgie de l Utopie ; 26 mins. L Une l est, l autre pas , 26 mins. Is concerned with excision. Koudil, Hafsa Zinai Algeria A novelist; her first feature film is: In Algiers in the s, Ali and Salina, a modern couple, drift to madness.
Ali is persuaded that his wife is possessed by the devil and, comforted by his son who frequents extremist religious milieus, he tries to make Salina remain in the house and wear the hid jab. When she refuses, he decides to have her exorcised. Culture 1 avril Raised by her grandparents in a traditional milieu. Has lived in Ivory Coast since Elle sera de jaspe et de corail is the most famous of this prolific writer s novels. She is also very active in African theater. Regard de fous , 93 mins. During a choral rehearsal Nemy gives her version of God, the devil and her vision of the world since its creation.
Werwere Liking 26 mins. Smahane La Houssine, Zakariya Gouram. Gloria Films Production; Contact: The film follows Abdel Salam s Abdesalam s final hours in Tangiers as he prepares to leave his lover, Rhimou, and his country for a questionably better life on the other side of the horizon. Deux cents dirhams , 14 mins. Ali is a young Moroccan shepherd who lives in the country.
One day as he is tending his sheep near the new turnpike which borders his village, he finds a 20 dirham bill. A true gift from heaven that will change his life. Meskaldji, Samia Algeria See France. Lionel, a young Frenchman, is charged with taking a car to Africa for resale. When he arrives in Cotonou, Benin, the vehicle. Desperate and penniless, Lionel crosses paths with an African couple, Zao and Loutaya.
They are planning to go to Ouagodougou, he to find his father and she to do movie costuming. A great friendship is born from the meeting of Lionel and Zao. Pas d histoires Participation with Yamina Benguigui. In French, Mori and Wolof. Salif, a dentist, leads a monotonous married life until he meets a prostitute; his wife Isa tries to understand why he prefers a second bureau as a mistress is sometimes called in Africa. Took Prix Images de Femmes. Les Films Du Defi.
Shot in Burkina Faso. After a stay in the city, Dieneba brings presents home to the village, including condoms for her husband Konate. But when Konate sees his present, he flies into a rage, saying that he will not change his habits. Dieneba then refuses to have intercourse with him and Konate, seeking consolation with his second wife, discovers that he has become impotent. See French synopsis at: La Tortue du monde , 33 mins. Shown at Amiens Film Festival ; allocation made to Nacro at this festival for development of script.
After a fictional ethnic war this night was to be one of reconciliation, but becomes one of intrigue. For more details of the plot, see, in French: Femmes capables , 33 mins. Barriga is a business woman, dealing in textiles. She tells of her daily life. Florence Barriga, las fantomas des nanas benz , 30 mins. Africa, Africas ; 62 mins.: Three episodes on 1 techniques for whitening the skin, 2 the suffering of women during war, and 3 the right of young men of Burkina Faso to work. In French, Mori and Ahmaric.
Bintou Close Up On Bintou ; 31 mins. Zimbabwe and Burkina Faso Written and directed by Nacro. Took the Licorne d or at Amiens Festival d Amiens A battered wife whose husband justifies himself by saying she has taken money to educate their daughter; he believes that a woman should not be educated. Screen Africa News Letter 7 May Read the complete review of Mama Africa indiewire. For additional information on Nacro, consult: Sahraoui, Djamila Algeria Born in in Algeria. Has lived in France since Has taken many prizes and was made the laureate of la Villa Medicis in for her documentary works.
Will be treated in the forthcoming guide to documentarians. Is presently learning the new techniques of computer animation. She made five animation clips for Sesame Street. She was also an assistant for the film Jonas et Lisa L Arre t d autobus ; 12 mins. L Enfant de la rue.
Among passengers waiting for the bus is an old woman who reflects upon her racist thoughts. A young black man comes and releases her from her stereotypes and makes a white dove appear as a symbol of peace: First made in English. Chris Crilly; producer and contact: Christopher hates his name it s just too common! When Aunt Gail from Trinidad tells him a story about a larger-thanlife character called Tiger, Christopher changes his name to Tiger.
But then he finds a better name. Sylla, Khady Senegal Born in A writer who also directs films. Les Bijoux ; , 22 mins. Short fictional film; in Wolof. Absa s mother gets out the family jewels for an important date her daughter is going to have with an important suitor. She also gets a wig. Returning from the hairdresser s she spends the afternoon chatting with her three sisters. Colobane express , 52 mins. Part fiction, part documentary. A day in the life of a driver of the traditional cars or taxis-brousses. For details in French see:.
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Returning to Tunisia, she edited films and collaborated with the best directors of Tunisian cinema. Her reputation made of her a sought-after professional, but she interrupted her activities as editor to turn to directing, and in produced the feature Les Silences du palais. Four years later she made La Saison des hommes to show the emotions of a married woman living with her co-sisters in Djerba. Youssef Ben Youssef; music: Distributed by Amorces Diffusion. Tlatli speaks to the press of the personal side of her life that fed into her films: After Les Silences du palais, Tlatli turns to family life in Tunisia.
M hamed opens a prosperous business selling his wife s carpets, but crisis is looming, as she gives birth to two daughters and a mentally handicapped boy. La Saison des hommes Tunisia, , mins. Original version in Arabic, subtitled in French. Youssef Ben Youssef; sound: Faouzi Thabet; film and sound editing: Isabelle Devinck and Mourad Louanchi; music: Khaled Joulak, Claude Bennys; mixing: Thierry Lebon, Bruno Mercere; costumes: Naama Mejri, Nadia Anane; makeup: Fatma Jaziri; hair stylist: The story takes place in Djerba, an island where women stay alone for eleven months out of twelve while the men go off to work in Tunis, France, or elsewhere.
Tlatli portrays these women under the yoke of a patriarchal system in which women themselves mothers-in-law, e. Women in French Newsletter [Spring ]: See for this film: A recent work of fiction is: An eleven-year-old girl, who works as a maid in a well-. Centering on the childhood slavery of Miriam, the short film appeals for clemency and affection to be shown toward children.
Belgium Readers are strongly urged to consult the following Web sites for further information regarding the Belgian directors, including their addresses and references to journal articles about them and their works. Le webzine Cinergie on line, Cinergie annuaire et magazine du cinema et de l audiovisuel For a biography in English and other works not listed here see Pallister Guide, Some film titles are repeated here for additional information, such as dates and timing.
Akerman has done quite a lot of work for television, including the following: Saute ma ville , 13 mins. La Chambre , 11 mins. Aujourd hui, dis-moi , 45 mins. J ai faim, j ai froid , 12 mins. Episode of Paris vu par Family Business , 18 mins. Nuit et jour Night and Day , 90 mins. Kodak Crystal Award for best artistic quality, Sur la terre comme au ciel , 80 mins. Contre l oubli , 3 mins. One of 30 short films for Amnesty International. Juliette Binoche and William Hurt.
He finds several major flaws. Chantal Akerman by Chantal Akerman France, , 64 mins. When asked to participate in the French television series Cinema de notre temps, Akerman jokingly chose herself as subject matter. When they insisted she include footage of herself, she grudgingly obliged them by dividing the film into two parts.
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The film opens with Akerman sitting in her apartment and looking squarely at the camera, explaining to the viewer her predicament. She then reads from a text she wrote about the problems she was having making this film. Un Divan a New York. Ultimately, Akerman switches to her original idea of letting her films speak for her, taking clips from her extensive filmography and linking them anonymously until they become part of a whole new film. Sud , 70 mins.
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La Captive The Captive ; or mins. Based on Proust s La Prisonnie re, The Captive is a meditation on desire, obsession, love and possession. A beautiful opening shows Ariane and her girlfriends frolicking on the beach. But, caught in an impossible relationship with the intense young Simon, Ariane can t fight her desire for women Akerman s mysterious reflection on otherness may remind some of her film The Letter.
Chicago Film Festival; frenchculture. Chantal Akerman s The Captive concerns a wealthy man s obsession with his lover, whom he suspects is involved in a lesbian affair A documentary in form of reportage conducted on the border between Mexico and the U. Third part of trilogy: Beyrouth , 52 mins. The story of two sisters, Dima, who leaves Lebanon in bitterness to study in Belgium, and Rim, who paints, stays in Beirut, a city she loves fiercely.
Both have felt deeply the drama of the war. They reunite, and renew their bonds. She directed La Mina , Avec de l Italie qui descendrait l Escaut , and Comme un air de retour , a trilogy on Italian immigration to Belgium. See Pallister Guide, La Mina , 58 or 62 mins. Comme un air de retour , mins. Do you remember revolution? Thierry de Halleux; editing: Karine Pourtaud; direction of production: Has taken several prizes. In Italy, during the s Adriana, Barbara, Nadia, and.
After many years in prison, they now attempt to tell about their existence. Madame P , 85 mins. Dans la ville In preparation. In , she studied editing at l Ecole de recherche graphique. Des rails sous la Senne , 30 mins. Le Saut dans la vie , 14 mins. Zigzag , 14 mins. Dakar-sida , 26 mins. La Folie des autres , 90 mins. Stars Sotigui Kouyate as a griot who tries unsuccessfully to reconnect Africans in Europe with their Sundiata narratives and inheritance. The great Senegalese actor Nar Sene plays one of them.
Le Centre de l audiovisuel Bruxelles;. In French, Fon and Yoruba with English subtitles. Available from California Newsreel. See the discussion in Library of African Cinema Les Fleurs du malt , 50 mins. Third episode of a series. Information in French at: She is also a photographer and producer.
Her documentaries other than Filmer are entered in our forthcoming guide to documentarians. The Man Who Thought too Much , 1 min. The Trouble with Mary , 9 mins. Judith , 13 mins. Pardon Cupidon , 84 mins. Prim Fuji de la meilleure photographie au festival international du film francophone de Namur Changing Places , 31 mins.
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