Run for Your Life
Mark Cucuzzella explains the simple mechanics of how our bodies have evolved and adapted to run. Despite our natural ability and our human need to run, each year more than half of all runners suffer injuries. Pain and discouragement inevitably follow. With an annotated list of videos and other innovative, book-Internet links.
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Run For Your Life Charlotte's Source For All Things Running
Views Read Edit View history. This page was last edited on 17 December , at By using this site, you agree to the Terms of Use and Privacy Policy. Cover of the song's sheet music. Am I the only one who hears a homosexual meaning in this song: This song is good because its honest. Although John, or the character whom John is speaking through in this song, would most likely NOT kill his love interest, the words are effective because it blatantly states whats going through his mind, rather than censoring it to be more reasonable.
John captures the frantic, jealous, passion the speaker feels by giving an honest stream of consciousness. I believe that John always kind of considered this song somewhat of a throwaway. This song is insanely underrated. Michelle is the worst song on Rubber Soul? You are entitled to your opinion, of course, but you may be very much alone in it. I would say that What Goes On is by far the worst.
It is a bit creepy 2. It seems retro compared to the rest of RS. Yet I really like it.
MARK CUCUZZELLA, M. D.
The writer of the song was Arthur Gunter not Richard Gunther. It might be the least adventurous and most formulaic song that Lennon ever wrote. But lyrically and musically, the song is very ordinary. Just one more little note…I used to write songs sometimes. I always figured Revolver as a Pot and Acid album. But they were not always on drugs I bet.
I can live with the lyrics. My bigger concern is that Lennon ripped off a line from a young songwriter who died in his late 40s. And the songwriter Arthur Gunter lived until the late s. Judge the Beatles by what they did, not necessarily what they said, and what they DID is, they purposely chose this as the outro to their amazing Rubber Soul album. John Lennon says he hated it? Yeah, and I know a certain girl in the sky who toootally had nothing to do with drugs! As for the negative content of the lyrics: I agree with the comments praising the vocal harmonies and driving folk-rock or even rockabilly arrangement.
While the words are disturbing, they have artistic merit. This is a cautionary tale, told in the first person, of they type of monster that insane jealousy can create. We usually associate The Beatles with love songs and positive feelings.
And which Beatle better able to convey that emotion than John. Better to sing about it than actually do it. And that is George doing that high falsetto?
Run For Your Life
The guitar licks are pretty darn good, too. The fact that his characterisation is delivered with powerful conviction is simply evidence that Lennon was a fine vocalist as, for example, Frank Sinatra was rather than someone who, in his private life, wholeheartedly identified with the explicit message of the song. Sinatra was actually a good deal less tender in real life than he seems to be in song.
It is quite likely that she would have made a facile equation between the surface sentiments of the lyric and the deeper attitudes and dispositions of its singer. This song, to me, was the last stand of the old moptop Beatles. Everything after this was the more mature, evolving, experimental Beatles. I love the screaming, somewhat-phasey and sloppy guitar sound of Run For Your Life! Totally spine-chilling and effective IMO. Now listen to me baby Try to understand I'd rather see you dead, little girl Than to be with another man Now baby Come back, baby, come Come back, baby come Come back, baby I wanna play house with you.
It was inspired from — this is a very vague connection — from Baby Let's Play House. There was a line on it — I used to like specific lines from songs — 'I'd rather see you dead, little girl, than to be with another man' — so I wrote it around that but I didn't think it was that important. Just a sort of throwaway song of mine that I never thought much of, but it was always a favourite of George's. John was always on the run, running for his life. He was married; whereas none of my songs would have 'catch you with another man'. It was never a concern of mine, at all, because I had a girlfriend and I would go with other girls; it was a perfectly open relationship so I wasn't as worried about that as John was.