Creating and Marketing Fear, …. By Robert Justin Goldstein.
Video Games In the Drama Studio more. Joseph Conrad's Laughing Anne more. Coryn Daniel was the production assis-tant and sound designer; Conor Plunkett was the assistant director and lighting designer; Coryn Daniel was the production assis-tant and sound designer; Conor Plunkett was the assistant director and lighting designer; Richard Hand was the director.
Studies in Theatre and Performance. Performance ethnography Theatre Studies. Frank Zappa and the Musical-Theatrical Gesture.
An appreciation of Frank Zappa the composer: Dissecting the Gash more. Conrad and the Reviewers: The Secret Agent on Stage more. The Society Publication Date: Theatres of Interactivity more. The meaning and culture of Grand theft auto: Frank Zappa and musical theatre: At first glance it probably seems implausible if not preposterous to associate Frank Zappa —93 with musical theatre.
Studies in Musical Theatre. Performance Studies and Musical Theatre. Soc French Studies Publication Date: French Studies , Literary studies , and Historical Studies. The Cinema Dreams Its Rivals: Science Fiction Film and Television. Abstract The stage dramatisation of fiction is a common and increasingly popular practice.
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Columbia University Press Publication Date: Horror, Adaptation and American Television more. This key note paper will examine the variety of adaptive strategies in examples of American television horror. Firstly, it will explore how American horror and fantasy radio drama was adapted for television in the s and s, Firstly, it will explore how American horror and fantasy radio drama was adapted for television in the s and s, outlining the challenges faced and the techniques deployed in this transmutation of media.
After this he will explore contemporary television works including Bates Motel and its relationship with the film Psycho — a relationship which is as playfully extrapolative and radical as much as it is builds on Robert Bloch and Alfred Hitchcock as its impetus and inspiration. After this, American Horror Story will also be considered in order to explore how multiple themes and motifs in popular horror culture and even US history have been appropriated to a very high level of complexity.
Television Studies , Horror Film , and Horror. This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors.
The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.
Adapting Graham Greene more. Graham Greene was one of the most versatile writers of the 20th century, and he remains a figure of particular interest to those concerned with the relationship between literature and cinema. As well as being a skilled screenwriter in his As well as being a skilled screenwriter in his own right, most famously with The Third Man, Greene's fiction has proved to be a perennially popular source for adaptation, appealing to the broadest range of filmmakers imaginable. In this engaging and accessibly written study, Richard J. Hand and Andrew Purssell introduce adaptation studies and its relation to Greene's works.
They present new and incisive readings of key texts, including the various screen versions of Brighton Rock, The End of the Affair and The Quiet American, among others, and offer a critical examination of the industries in which Greene functioned as author, screenwriter, film critic and cultural figure. By closely exploring the various critical aspects of Greene and adaptation, and by encouraging readers to engage with the topics discussed through the inclusion of innovative exercises, Adapting Graham Greene makes a significant contribution to Graham Greene Studies and Adaptation Studies, as well as to Film and Literary Studies more generally.
- THE FRESHWATER FISHING CONDITIONS BOOK.
- Terror on the Air! – McFarland?
- Terror on the Air!: Horror Radio in America, – - Richard J. Hand - Google Libri.
Adaptation , Graham Greene , and Film Adaptation. University of Exeter Press Publication Date: London's Grand Guignol and the Theatre of Horror more. Univ of Exeter Pr Publication Date: Terror on the Air! Of Jefferson, North Carolina, in Appalachia, McFarland is a publisher of reference, scholarly books for library, academic markets. Horror Radio in America. Joseph Conrad and the Performing Arts more. Joseph Conrad and the The Theatre of Joseph Conrad: Terror on the Air!: Horror Radio in America, Foreword by David Kogan.
The macabre world of monsters, killers on the loose and revenge from Horror Radio In America, more. Audio Drama in Context and Practice more. The book offers an instructive guide to the theory and practice of radio and audio drama from broadcasting to the internet, drawing on the diverse yet complementary skills of the authors. The book is structured into two clear sections The book is structured into two clear sections each of three chapters which lead, stepwise, to a full understanding of radio drama form in theory and practice.
Octave Mirbeau , the acclaimed Decadent novelist, was also a successful dramatist whose controversial plays have been shamefully overlooked in English cultures. The volume features Business is Business Les Affaires sont les affaires, , an extraordinarily dark comedy showing the life of the diabolical millionaire Isidore Lechat.
There he dwelt from to or '44, inviting the unwary in to hear his tales of the dark and the macabre. The stories often ended badly for the protagonists—much to the frenetic glee of our mentally unbalanced host. It's uncertain how many episodes were produced one episode, "The Professor's Elixir", mentions it as !
The series began as a 15 minute show, later evolving into a half hour format. Recent information has been unearthed—no doubt from a cave somewhere—by the folks over at Digital Deli Too. According to them, The Hermit's Cave was more like a franchise than a single series, with at least 5 identifiable phases spanning 14 years and over episodes: Ghosts Available for Listening Booth: Supernatural Available for Listening Booth: Washington Irving , The acting was fairly good, and once I bought into the premise I found the story not so bad as I expected.
Terror on the Air!: Horror Radio in America, by Richard J. Hand
The isolated and withdrawn student has been dreaming of a 'perfect' woman for months. Depending on your interpretation, this could be viewed as an escape from the brutal reality of the Reign of Terror , or an evil supernatural influence intended to snare the unsuspecting student, or the beginnings of madness. I also found it interesting that this something adaptation felt the need to marry off the couple in the middle of the night before they could become lovers. The Washington Irving version felt no such need: Old prejudices and superstitions were done away; everything was under the sway of the 'Goddess of Reason'.
Among other rubbish of the old times, the forms and ceremonies of marriage began to be considered superfluous bonds for honorable minds. Social compact were the vogue. Wolfgang was too much of theorist not to be tainted by the liberal doctrines of the day.
Horror Available for Listening Booth: Over-dramatized acting and simplistic dialog, combined with a totally unbelievable plot, yields a very silly result. Not bad for a very short story. A nicely paced opening followed by "Come over here Larry.
Terror on the Air!: Horror Radio in America, 1931-1952
There seems to be movement in this hole Available for Listening Booth: Occult Available for Listening Booth: This isn't the most original plot by a long stretch, but it does have creepy moments, especially when the children fear their father may not actually be dead. It was enjoyable but not the sort of thing you would listen to more than once.
The hokey accents of the farmer and his wife, combined with poor audio quality, made this episode difficult to understand. Nevertheless, found myself slightly intrigued with the meteor. Knew it was going to be trouble, just didn't know how. Unlike most surviving episodes, the Hermit delivers more than his usual quota of pseudo-ominous narration in the slow-moving early scenes. Fortunately, at least one wild pig is killed with an axe, if that's your idea of a good time, and then things get increasingly creepy after the middle commercial.
A very atmospheric little ghost story. The character of Phillip Hanson was perfectly portrayed. He was just the sort of old madman you'd expect to find attempting to summon dead souls to inhabit the bodies of living humans. The crazy old servant was also a very scary touch, but the characters of the old man's niece, and her husband could have been a bit more well written.
All and all, a perfect little story to listen to during a Halloween party, or other scary occasion. A slow-moving fatalistic tale lacking suspense, drama and horror, but with plenty of descriptive imagery and an interesting monologue about what it's like to be a ghost. Despite a bit of slightly silly dialogue, an overall interesting episode. Even when listening the second time and knowing it was coming, the laughter of the story's supernatural nasty still gave me the willies.
A by-the-numbers poltergeist tale, very routine even by the Hermit's low standards. A good yarn, well told. The acting and pacing are just right, and the ending surprised me. But then again, it was one of the first Hermit stories I ever listened to. Creatures Available for Listening Booth: Especially effective was Cecil Roy 's vocal performance as the creature. Though she performs only very briefly, Roy's vocal barely recognizable as human was cited by Dunning as still startling and chill-inducing even after decades.
According to Hand, Cooper's script for the episode was dizzyingly multilayered, blending authentic details of oil rig workers' daily activities, with elements of what might be termed " subterranea " or Hollow Earth lore, yet managing to faintly invoke nautical stories like the kraken. Cooper and Chappell remained friends after Quiet, Please went off the air, and even founded a production company , mainly to support their unsuccessful efforts to interest adapting Quiet, Please to television.
Though many radio programs used various meta-fictional ploys, Quiet, Please arguably offered some of the most effective and intriguing examples. Hand writes that Cooper "enjoys creating roles for the audience: On "The Other Side of the Stars", broadcast May 8, , Chappell appeared as Esau the name is another of Cooper's many Biblical touches , a character who narrates the story as though he were broadcasting it on live radio; a show within a show. Esau relates the tale of his girlfriend's odd fate after she discovered a conquistador's armor while exploring a well in Arizona , but he is repeatedly interrupted by her brother, who arrived uninvited for the broadcast.
Chappell's character in "Inquest" is forced to stand in front of a vast, visible radio audience, while being assured that he will be supplied with sound effects as they are necessary to accompany the story he tells. Several episodes blurred the distinction between performer and fictional character: For many years, the majority of the show's episodes were feared lost, with only 12 episodes in general circulation among collectors.
In the late s, more than 80 episodes were discovered, comprising the majority of the series' run. Many of the recordings are of rather poor sound quality, but are nonetheless treasured by collectors. Currently in circulation are 88 episodes, plus half of an 89th. All the episodes are believed to be in the public domain , and can be downloaded free of charge. Another 17 are presumed lost, though, according to Hand, scripts survive for all of them. The fact that any episodes of Quiet, Please survive in general circulation might well be due to Chappell's efforts.
He wrote to Cooper's widow Emily in to report that he owned copies of all but 11 episodes on transcription discs and had copied them all to reel to reel tape. Stating that he would happily copy any episodes for Emily, Chappell further wrote that "It took a lot of hours to make the tape transfers but I got a big thrill out of hearing them all over again and I want to say that there were many occasions when my emotions blew up and I just plain bawled. They brought back such wonderful times and so many intimate memories of such a treasured friend.
Writer Harlan Ellison has praised Quiet, Please and rates it as one of the finest and most effective programs in the history of radio or television. He discovered the show in his youth and states that even though the bulk of the episodes were lost for decades, several Quiet, Please episodes haunted his memory and exerted a strong influence on his writing.
In a column, Ellison wrote that he stumbled across one particular episode in his childhood, and afterwards, became a devoted Quiet, Please listener. He remembers the title of that episode as "Five Miles Down. What I heard that Sunday afternoon, so long ago, that has never left my thoughts for even one week, through all those years, was this:.
Ellison goes on to relate the plot at least as he remembers it after several decades, admitting that time might have altered some of the details , and asks, "[H]ow many stories you heard or saw or read fifteen years ago, ten years ago, even five years ago And I heard 'Five Miles Down' at least forty years ago. And it's still with me. Ellison's recollection is a little inaccurate: He "acted and helped direct the show" and recalled hearing the episode when he was growing up.
From Wikipedia, the free encyclopedia. This article is about the radio program. For the animated cartoon short, see Quiet Please! Terror on the Air!: