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Selling on eBay is the easy way to make extra money. Input what you want to sell Go. When you sell stuff online you aren't limited by time or distance; you can put your things up for sale on your schedule and let buyers bid on theirs. All you need is an Internet connection and you're instantly in touch with a whole world of people who are actively looking for what you're selling. With a yard sale you might be lucky to get a few dozen people; when you sell on eBay you can reach over a hundred million.
To succeed at selling, it takes a little more than just a quick description and post. You need to capture your audience's attention, and that takes communication. Start with the description; it's a great way to clarify things like size and technical specifications. Don't forget the pictures; they are key for how to sell online.
Good pictures show potential buyers exactly what you have to offer, not the general details but the specifics of the one you're selling. Photographs bring your item's history to life and let bidders see exactly what you're selling. This works whether you are selling clothes or electronics because people want to see what they're getting. Let them see the shoes, the tablet, or the sparkle in that ring. Your words may provide the details, but your choice of pictures is the tool you can use to capture their attention.
Switch to business tool We recommend that you don't switch listing tools. If you are a new seller or don't list many items, we recommend that you stay here. Selling on eBay is the easy way to make extra money. Input what you want to sell Go. Men's blue adidas glide running shoes size You want millions of people all over the world to see what you're selling?
You're in the right place. Snap some photos and write a great description. We'll help you price your item to sell. Kogaionon Tare incalcit proiectul lui Davide Borghi! Inceput in urma cu zece ani, se pare ca areusit sa se faca cunoscut in Italia prin cateva materiale underground. Cu o muzica mai degraba de film, soundtrack melodic, axat pe chitara, keyboards, flaut si pian, echipa lui Davide ne prezinta acum cateva piese interesante, ce penduleaza intre Dark, NeoFolk si Ambient, cu un accent pedimensiunea teatrala, cam greu de descris in cuvinte.
Nota Dark este uneori balansata de aroma unor balade remarcabile si unde vocea interesanta a lui Davide pare sa graviteze in jurul unui sound exclusivist, elitist. Destul de greu de inteles acest proiect, cu un mesaj deloc comercial si o abordare originala… dar pentru cei interesati in ciudatenii, ALBIREON poate fi o alegere inspirata. Quello che ci ha fatto ballare dalla fine degli anni '80 e che ancora oggi riscontra apprezzamenti sul dancefloor, sebbene la proposta artistica sia ridotta all'osso.
Dopo varie produzioni, tributi a band come Cure e Mission e comparse su varie compilation, senza dimenticare i tre album precedenti, questo gruppo americano merita in pieno la propria consacrazione ed un posto legittimo sotto i riflettori. Darksite Welcome to those good'ol'days. Good, I hear you say? Death punk-goth-rock of vintage connotations can be classified as good, specially when conceived and executed with a good dose of know-how. Second Skin do know their way to the market square, selling unsuspecting 'ballads' manufactured with a perverse sense of cartoonesque malevolence that is subtly scaring.
From Rozz Williams through Virgin Prunes all the way to very early Sisters of Mercy , they pick and mix clues of a musical past and revive them with nonchalance in a work that is bound to titillate abundantly the batcave-styled posse that still crawls impudently the underground scenes worldwide. Anyone else might find this simply anachronistic. But then, they simply need no apply. Gothtronic Illa Exuro In Silentium is the fourth album by these stylish deathrockers. The sound of Second Skin is reminiscent of the late 80's and early 90's goth-rock, with Rozz Williams' Christian Death as a clear point of reference.
The band performed live with Christian Death in the 90's, so the musical connection went beyond mere inspiration. The album kicks off with the alienating, ominous sounds of "She burns", after which "The West" and the driving "Kick and scream" treat us to swinging and melodious deathrock. After the dramatic tunes of "Unwritten" the more restrained sounds of "Prince harming" and the wry "Birthday girl" make for a placid landing.
In comparison to many current acts this piece of skilfully crafted goth-rock appears very serious and confident.
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Great care has been taken for the CD-booklet, the fold out insert is even so bulky that it hardly fits in. With this strong album Second Sking can attract a new following, embarking on a tour with these new tunes is highly advisable. This work is F I have to say that Second Skin makes my day opening a whole world of great media icons like: I cannot say bullshit, all the tracks are hypnotic, pure controlled madness inside the perfect dome of wave-death-rock.
Thank you Second Skin. Versacrum Anche i Ghoultown qualcheduno se li ricorda? A me erano simpatici! Produzione ottima, grande cura nel packaging, i Second Skin li promuoviamo senza titubanze! DSide Dalle incandescenti lande dell'Arizona i SS propongono il loro quarto studio-album battezzato dalla label italiana Palace of Worms: In particolare, Arron, ha suonato al fianco di illustri nomi dello spessore di Rozz Williams, Shadow Project e The Mission UK, sviluppando progressivamente ulteriore esperienza nella manipolazione del dark sound accorpandolo a misurati influssi wave-goth.
Song di chiusura "Birthday Girl" muove meccaniche scansioni ritmiche su un comparto vocale appassionato e visionario dalle trame decadenti. Una performnce di tutto rispetto, elaborata senza gratuiti virtuosismi. Siamo ad un solo soffio dall'eccellenza.
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The ancients celebrated it as the dawn of a new year. A time when the veils between the worlds are thinnest, when otherworldly entities walk among us. I could go on and on with accolades for this album! This album immediately demands to find its way frequently into the CD player.
Doch da es diese ja durchaus gibt…. Rosa Selvaggia Siamo al secondo lavoro uscito con la Palace of Worms per il trio proveniente dall'Arizona. Insomma, un lavoro musicalmente ottimo al quale per esser perfetto manca forse solo un po'di polvere sulle spalle Well, that describes Second Skin's music — shining and fresh! A prime example is their fourth full-length album, Illa Exuro In Silentium. The atmospheric She Burns ushers in disembodied spirits, who guide us on this dark journey. The West conjures dusty images of the Old West, but with an ominous, Vampiric feel.
I love the deep vox in Kick And Scream, which has a hint of an Adam Ant feel; and the title is just what you'd be doing if someone tried to stop you from dancing to this song. The luxurious, decadent The Narcissist takes us through the looking glass darkly.
The seedy, decadent London Bridges conjures images of Jack the Ripper. A Methunderstanding has a psychedelic edge, coming at you in a haze. I love the guitars and vocal harmonies in Black Picket Fence, which delivers the classic American Dream- Gothic style.
Unwritten is ominous and desolate. There is a bit of an Eastern flavor to Prince Harming — one where you hope the dragon slays the prince! Birthday Girl is the opposite of a celebration.. Death Rocks wieder neu zu beleben bzw. While this band is mainly active in the writing for compilations and movie soundtracks, they're also a band properly speaking.
I don't exactly know what I've to figure from such a label, but musical wise I heard a sound reminding to the good-old new-wave decade. Some Sisters Of Mercy perfume hangs over this album, which will definitely please to some heavy nostalgic. Most of the songs remain rather quiet while some songs don't contain that much vocals.
Dark guitar wave is the main characteristic for those Americans, which bring us back in time. It's not bad, but not setting the world alight! Pe un Schelet Death Rock dar si cu trimiteri spre Dark Gothic, trupa ne prezinta un sound modern, bazat pe chitari electrice explozive, baterie ritmata, keyboard bombastic si voce masculina impunatoare!
Avem si piese industrializate, si cu iz Electronic dar si pasaje lente, la limita melodiei… totul este intr-o nota destul de intunecata, glaciala, sobra! Din alt punct de vedere, s-ar putea ca albumul sa fie o mica bijuterie iar fanii sa-l considere un album cult! Their music always bring a heavenly mixture between medieval music and other ethereal waves. The medieval influences and other troubadour ballads remain the main source of inspiration, but the writing evolved a bit.
O Quam Tristis still plays different authentic instruments, but the electronic input becomes more important.
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Some might find it regrettable, but I think it's a kind of process in constant evolution. There've been always more resemblances between both bands, which here again appears quite fast. The female and male vocals are like pure troubadour chants. The songs remain mainly inspired by old secular and liturgical poems from the Middle Ages. You definitely sometimes feel like being in the Middle Ages by the simple force of the O Quam Tristis music! I definitely remain a lover of their music! A bit comparable to Qntal and Helium Vola but with a more acoustic sound. Les Chants Funestes is their fourth album and this again features the sacral atmosphere created by a well balanced momentum of medieval instrumentation and modern electronic influences.
The presence of a bass guitar next to synthesizer sounds and male and female polyphone singing with the use of the Latin language, adds an extra dimension. The musical bandwith goes from medieval times until the baroque age and on Les Chants Funestes for the first time even rock and darkwave influences can be traced in the atmosphere of some of the tracks. O Quam Tristis really delivers in again adding extra elements to their enchanting musical world, which makes Xymox atmospheres, meet those of Dead Can Dance and Estampie.
The music of this outfit is mandatory stuff for those who love danceable medieval sounds. Another peculiarity is to have lyrics in Latin language and this unusual characteristic enrich a formula which already was really interesting. Jahrhunderts zu verbinden ist ebenfalls offensichtlich. Alle Klangcollagen auf dem Oeuvre weisen einen alten fast vergessenen Geist auf, der damals wie heute unter der Begrifflichkeit Dark Wave kursiert e und mit dem heutigen Gothic- bzw.
Mittelalterkram keine Gemeinsamkeiten hat — hier trifft der Terminus Old School definitiv zu! Ou seja, bem ao estilo da banda mesmo, num misto de Darkwave, Medieval e Gothic.
Chaque morceau est un moment de jouissance. Un album tout simplement magnifique. Ecco un link per ascoltare e scaricare alcuni loro brani: Kogaionon Noul album al acestor muzicieni insista parca mai mult ca niciodata pe latura Rock amestecata cu Electronic, insa intr-o forma originala, mixand inedita Ethereal, Folk Medieval si Electro-Soft. Vocile feminine au savoarea lor, cele masculine intervin pe alocuri inteligent, avem clapa, atmosfera, mandolina, chitra bass, chitara acustica, elemente baroc… de toate pentru toti.
Cel de-al patrulea album al muzicienilor pare a fi cel mai reusit dintre toate, insa ceva tot le lipseste pentru a putea spune ca acestia au ajuns la apogeu.. Poate cu celelalte proiecte in care canta: No obstante siguen fieles a sus principios. Darksite Fourth full-length effort by this French outfit, offering their own take on darkwave, combinincg electric and electronic with a good dose of medieval thematic, and an intricate vocal performance combining male and dual female vocalists contributing a blueprint for a sound that the band is continuously shaping into an own direction.
The building blocks are the tested and tried ideas that bands such as Qntal and Collection D'Arnell Andrea have uniquely shaped up over several years and I suppose I can be forgiven if I state that O Quam Tristis Not the most original trail one could think of, but truth is that the album is sparkly and enchanting, and despite the obvious references to other acts pursuing the same wave, it does not sound much derivative, more like belonging to a certain school and building on it with a very own sensibility.
Middle age poetry and liturgical texts mean the focus is on spirituality, but the loud interaction between traditional and modern instrumentation leaves the formed quite scarred, as the electronic elements tend to prevail, primarily in the form of atmospheric synths and a geometric drum machine that could do with a bit of thickening to better fit the bill. On the whole, I do enjoy the uplifting character of the twelve tracks on Les Chants Funestes , which ends up being a bit at odd with the album title after all!
DSide Ensemble francese che accorpa sia voci maschili che femminili di evidente ispirazione medievale e barocca. La line-up conta cinque elementi: Edito dall'ormai leggendaria Palace of Worms questo collage dei OQT utilizza strumentazioni acustiche medievali sapientemente miscelate a moderne trame elettroniche edificando un insieme compositivo dalle mosse maestose e perfettamente scorporate da imprecisioni. Raggiungiamo "O Abies" che ricorre a strategie di sottile programming, riverberi vocali delle coriste subito raggiunti dall'ormai inconfondibile timbrica del singer, lontane distorsioni chitarristiche, electro effects e drumming robotico: The actual name of the band has an imposed ellipsis after the last word, even though leaving it out would have been simpler for everyone.
It certainly would have been for me, anyway. Therefore I'm going to be pettily rebellious by forgetting it ever existed, and if some ardent perfectionist fans feel cheated by its removal or my lack of respect then feel free to make your own stand and mentally insert it. I'm sure the band would have wanted it that way. Though going by the sound of their latest disc, an omitted punctuation mark is going to be the least of their problems. However, I've never really been able to understand the justification behind the following unless it's all made up of close friends, family members and random reviewers giving them high ratings under duress.
Their style mixes subtle electro with clean, guitar-driven medieval music in the vein of a watered-down Qntal, each song being led my an intermingling of male and female voices which lend the songs an edge of Gregorian chant. It's certainly a good idea but as with many of these 'medieval' bands, what seems fantastic on paper ends up aurally as little more than a bland, underbuffed musical exercise which never quite manages to go the distance it should.
The electro elements aren't there all the time, though. There are numbers that don't feature them at all and contain purely vocals and clean, plucked guitars such as the opener Oriens, or O Vox Prophetica which features purely female vocals and synthesised pianos and wind instruments. The rest of the time the electro is there in full force, more so than in previous releases, but it's not the type of full-on, harsh industrial style that some bands experiment with. I always found Qntal's earlier works to be a bit too heavy on the electro which is certainly something that one couldn't accuse O Quam Trsitis of since the electro is always subtle and even refreshing at times and there are moments such as in O Abies and Verna Redit Temperies where it's quite refreshing on top of the medieval underlay.
The main problem for O Quam Tristis lies in the album's nature to create songs which are far too similar to each other and this, coupled with rather dull singing, doesn't do them a whole lot of favours. The guitar playing may be excellently done and the synth playing quite accomplished but the vocals are dreary and even dirgelike at times, creating quite a soporific aura. It's also common for both voices to fall below the notes they're trying to project and there are few things less inspiring than a song sung with no pep or vigour, and if the vocalists seem to be losing interest every so often it doesn't provide much hope for the rest of us.
There's normally a chance with some bands that things will improve in the long term, but for O Quam Tristis this isn't necessarily the case. Les Chants Funestes is their fourth album and doesn't stray at all from their previous material. I'd love there to be some beacon or semblance of promise here since the band can go further if they chose to unlock some kind of emotion - some spark of feeling - anything other than the dingy haze of tedium that gums up Les Chants Funestes.
Even though they may have an interest in medieval themes and music, this doesn't mean that this interest translates particularly well onto CD. The disappointing vocals and doggerel, tiresome compositions make this is a very lukewarm addition to the darkwave genre where the splendid work of other bands such as Dominion III and Helium Vola ruthlessly outshine it. Filth forge "Les Chants Funestes" is the fourth album by "O Quam Tristis… , where mixed female and male vocals, inspired by atmospheres going from the Middle Ages down to the Baroque, where acoustic traditional or medieval instruments combined with modern electronics never fail to conjure the sacral character of the music.
Due to the presence of synthesizers and bass guitar, this album has more rock and electronic influences than the previous ones. But like their whole production, medieval and aethereal sounds together with other troubadour ballads remain their main source of inspiration. Some of the songs evoke somehow the latest works of another important band called Qntal: The retreating Italian 8th Army's Alpini Corps succeeded in driving the Russian forces out of Nikolaevka, thus allowing the Italians to retreat to Axis lines.
However this was at a huge cost - only a fraction of the original number of troops survived. Now Italian label Palace of Worms has produced this compilation album which is loosely themed around the battle. There are eighteen tracks from as many Italian acts running the gamut from neofolk to darkwave to neoclassical and all points in between. This is a fantastic compilation, brimming over with creativity and imagination, showcasing the best in dark Italian sounds. Darkroom Si apre con un bel brano di Albireon la compilation tutta italiana della label lombarda Palace Of Worms: Nikolaevka nel 26 gennaio del vide la ritirata dell'esercito italiano dal fronte russo sul Don, lasciando sul suolo diverse decine di cadaveri.
Il disco si apre quindi con la forza evocativa del brano "Il Deserto Dei Tartari" a firma Albireon, e la successione delle tracce si nutre di immagini idilliache e inquiete nelle quali la scelta dei singoli brani si dipana come se un sottile filo artistico legasse il sampler nei piccoli dettagli, mai trascurati. La quarta traccia, "Der Morgen" dei Der Feuerkreiner, s'incastona perfettamente nel computo generale per la sua ipnosi, merito in gran parte degli equilibri tra voce e pianoforte e delle percussioni incalzanti ma delicate.
Gran ritmo di sarabanda rinascimentale per Emanuele Buresta, che dietro il monicker L'Effet C'Est Moi esalta la sua terra e la propria storia; araldi e vessilli propri delle Marche e di tutta quell'Italia in cui sventolavano fieri, accompagnati da suoni di rullante, trombe e tamburi la cui digitalizzazione contemporanea non ne rovina affatto il senso rievocativo.
Nel momento in cui iniziano le prime note di "The Warm Whisper Of The Wind", brano firmato Hexperos, l'incanto raggiunge apici che in Europa poche voci femminili possono esprimere: Elane, Priscilla Hernandez e pochi altri possono vantare una tecnica vocale simile.
Il classicismo eccelso degli Hexperos merita lo stesso prepotente successo che negli ultimi tempi, sia come Corde Oblique o in passato come Lupercalia, ha dato lustro all'arte di Riccardo Prencipe. Ostico ma dal carattere fortemente evocativo e funereo il brano di Symbiosis: Struggente come fosse la soundtrack di una maledizione immaginaria la musica del triestino At The Funeral Of My Violet Rabbit, che riporta la memoria verso le mestizie desolate dell'animo di Le Triste Sire. Januar die 8. Wem dieser inhaltliche Ansatz zu abschreckend bzw. Januar in Nikolayevka als Teil der Schlacht um Stalingrad gegen vier Sovietarmeen behaupten musste.
Rock Underground A Batalha de Nikolaevka foi travada em 26 de janeiro de como pequena parte da maior Batalha de Stalingrado. Mas na Europa tem se cultuado. Kogaionon Bazata pe un titlu din istoria celui de-al doilea razboi mondial, aceasta compilatie ne prezinta o suma de trupe italiene ce abordeaza partea NeoFolk, Martial si Ambient Gothic a muzicii.
Un material destul de atractiv, cu trupe underground ce par a avea ceva de spus… Rating: Darksite The latest sampler by cult Italian label Palace of Worms features no less than 18 artists belonging to the Italian dark underground, each contributing a track for a generous minute of sinister entertainment. The themes covered range from martial through neoclassical over to apocalyptic and neo folk. No pop I'm afraid, quite the antithesis, in fact.
The compilation is a rich listening, offering a truthful overview on the state of affair of the Italian scene. The majority of the acts on display are new to me, so it's brilliant to get the chance to know new artists in this context, which I'm positive is a good incentive to look in detail at this product.
There's a running theme of grandeur and desolation, capturing the essence of war which is the theme of the sample, in the form of the battle of Nikolaevka which took place in a cold January around the small village, seeing Italian and Soviet troops fighting heroically if there's such a thing at the huge irrelevant cost of thousands of human lives. Palace of Worms and its Italian contingent catapult themselves into the international scene armed with music instruments rather than cannons, painting on their pentagrams the despair tied to such chapters of history.
A very worthwhile album offering lots to discover under dimmed lights. Sideline This sampler is all about the battle of Nikolaevka that was fought on January 26th, This battle was just a fragment of the larger and famous battle of Stalingrad. It was a battle between the Italian and Russian armies, which now, nearly 66 years later seems to get a second life.
Martial and apocalyptic neo-folk music have been launched by 18 projects. This sampler reaches some peaks, but unfortunately depths as well. Let's concentrate on the best parts and especially the one delivered by Symbiosis. This is definitely the absolute masterpiece from this conceptual sampler.
I heard too much uninspired and flat compositions. I guess it's not a question to be into this genre of music or not, but I simply heard much better neo-folk and martial releases! Gothtronic The self-willed Greek combo Daemonia Nymphe that strifes to let music from the ancient Hellenistic times revive with the use of specially prepared reproductions of authentic instruments releases their music through the French label Prikosnovenie, but this album with remixes from the releases on Prikosnovenie is released through the Italian Palace of Worms label.
This has been done beautifully and very well. This is great stuff! De Subjectivisten Caleidoscoop Het is bekend dat de groep Dead Can Dance vele volgelingen heeft gehad en nog steeds komen er nieuwe bij. Daaronder zitten heel aardige bands, maar de leukste zijn juist die groepen die er een eigen invulling aan geven. Vaak zijn dat ook groepen die met klassieke instrumenten werken. De Grieken mengen op ingetogen haast kale wijze gotiek met Griekse folk.
De stemmige muziek leent zich door dat ingetogen karakter ook goed voor mixen. Op Remixes , u raadt het al, worden hun nummers -van met name de eerste cd- geremixed. Erg leuke en uiteenlopende mixen zelfs. Geen van allen is bij hun folk-achtige muziek blijven hangen.
Vrijwel iedereen heeft er met elektronica aan gesleuteld en de muziek van Daemonia Nymphe op eigen wijze ingekleurd. Peekay Tayloh Pantelis Kakaroglou doet dat zelfs tweemaal. De twee elektronica specialisten van het opgeheven Beefcake nu spelen de heren in Kattoo , Freude Am Tanzen en Wighnomy Brothers samplen de Grieken op subtiele wijze binnen hun mix van spannende idm en donkere ambient. Hun verrassende verschijning op deze compilatie komt waarschijnlijk door hun werk met Peekay Tayloh.
De mooiste mix komt van ene Basilis die heel fijntjes glitch rondstrooit door het uitgeklede origineel. Ook de andere onbekende mixers Nikodemos , Dani Joss en Supermarket gooien er op fijne wijze elektronica doorheen, die in het geval van Dani Joss zelfs aardig dansbaar wordt. Het is een verrassende remix-cd geworden, die misschien nauwelijks aansluit bij de originele muziek, maar wel erg lekker is en iets nieuws toevoegt aan de Daemonia Nymphe discografie.
Auralpressure Daemonia Nymphe remixed seems an odd release to come from this recondite neoclassical stable, yet the myriad of artists attempt to retain the Hellenistic mystery and mastery. For the most part all the remixes feature electronic qualities bringing Daemonia Nymphe to a newer audience. Von Magnet, under the guise of Von Nymph for this remix, mixes female cries into the pulsating electronic rhythms weaving lyre and the powerful recitation of Phil Von in a sinuous orientalism. Nikodemos goths up ' Summoning Divine Selene ' with mock-industrial percussion and softly skirling synthesized sweeps.
Contributing two tracks to the remix album, Peekay Tayloh fuse folk guitar to trip-hop cadence and rasped noise with their ' Hymn to Bacchus ' remix. Gelid winds announce the ensorcelling remix of ' Nymphs of the ' by Basilis, retaining strong elements of the original with the flourish of the many stringed instrumentation and percussive hand drums. Mimetic Fake drive a club track out of ' Message Horn's Enchanting Echo ' broken by moments of pan-fluted reflection before launching back into heavy bass and beat. In their second contributing track, Peekay Taylor contracts and shudders with a noisier glitch remix of ' Deads are Dead ' while preserving the loose folds of esotericism.
Supermarket continues the modern electronic soundscape of eerie unresolving atmosphere and melody. Lastly, Dani Joss, delivers one of the darker mixes on the album with plodding percussive hypnotism broken in fragments of isolated vocals and shimmering oscillations. The release is presented as an eight page full colour booklet, roughly DVD sized with the CD itself affixed to the last inside page.
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Rubicund, earthy tones saturate the booklet with the familiar silhouettes of the band composited artfully throughout. Sensorium Gli ellenici Daemonia Nymphe, da Atene, sono attivi sin dal ed hanno dato alle stampe due full-lenght "The Bacchic Dance of The Nymphs" del , recentemente ristampato in digipack col mini "Tyrvasia", risalente al , nonche eacute; il tomo omonimo di tre anni fa per Prikosnovenie: Riti dionisiaci e ninfe fascinose impalmano in guisa suadente tali ambientazioni soniche, ricreate impeccabilmente per tramite di una strumentazione tradizionale arpa, lira, percussioni e canto femminile in un idillio pastorale dai riflessi esoterici.
In questa occasione, il leader Spyros Giasafakis ha contattato alcuni dei suoi act elettronici preferiti al fine di reinterpretare una selezione delle composizioni dell'ensemble in chiave contemporanea: Tra le sortite piu ugrave; rappresentative vanno debitamente segnalate l'onirico adattamento di "Hypnos" a cura di Beefcake, il delicato ed avvolgente mix de "Nymphs Of The" effettuato da Basilis ed il trattamento crepuscolare riservato al "Dance of the Satyrs Prayer Mix " da parte di Supermarket.
In linea di massima, le restanti tracce non deludono e certificano l'evidenza di un lavoro di gran classe. Un esperimento riuscito, peraltro forte di uno splendido artwork, al quale eacute; lecito augurare un pronto seguito. Roberto Alessandro Filippozzi 8. Dette er, som man kan se av tittelen, en remixplate. Music club Quando l'impossibile non solo diventa probabile, ma pure reale. Formazione in grado di coniare un suono tradizionale in tutto e per tutto, ma al tempo stesso perfettamente attuale e carico di forza creativa. Daemonia Nymphe intoxicates the senses with aged instrumentation, spoken words, deep chanting and a sultry and ritualistic sound, with the lyrics based on mythology.
Sideline As an experiment Daemonia Nymphe were asked to provide samples of their handmade Ancient Greek instruments. The results were so exciting that front man Nikos Brass approached several artists, mainly from the electronic scene, such as Von Magnet, Beefcake and Mimetic Mute, to name just a few, to remix some of his tracks. And see how the mix of analogue and digital instruments could fuse into the rebirth of his songs. This remix album contains honest re-interpretations, each track keeping their spirit but interestingly flavoured by their remixers.
Though the originality resides in the fact that this is really a clash of both styles, and the electronics are far more present. I have been approached in the past to give samples of our songs to musicians, so that our music could be used for composin electro-acoustic compositions. The sound of the reproductions of ancient Greek instruments we use is extraordinary and could easily be used for contemporary music.
This gave me the idea to approach musicians mostly from the electronic genre, so that our songs take a different form and re-birth, having a new result combining the ancient sounds with modern ones. All musicians who contribute to this work are some of our favourite, and each gives his own approach to our music, creating variety.
Lucas Nülle - News
Their voices are combined with Latin chants by male voices and very rich and versatile music to which the bandwith of the musical spectrum stretches from pure medieval folk on to modern electronic interpretations. At other moments as a listener you find yourself watching a medieval tournament where heralds sound their horns. O Quam Tristis is a band that until now still is a relatively well kept musical secret outside the electronic medieval scene but this could change permanently with this album. Musically speaking this album is better than the previous cd of Q Quam Tristis and therefore this is a recommendation to everyone that can relate to the above description.
This is a lovely record! Alleen met een gymnasiumdiploma kom je in de band, aangezien alle teksten in het Latijn zijn. De teksten, gezongen door zowel robuuste mannen en engelachtige vrouwen, zijn dan ook gebaseerd op liturgische en seculiere gedichten uit de Middeleeuwen. Anders is het gebruik van moderne elektronica naast de klassieke en oude instrumenten. Zo zijn twee nummers haast dansbaar, terwijl het decor eeuwenoud is. Je zou het een moderne interpretatie van Middeleeuwse muziek kunnen noemen. Overigens is het op vele momenten ook heerlijk sereen en sacraal, ondanks de onderliggende beats.
Een origineel album, vol onaardse schoonheid.
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Als Thy Violent Vanities opereren ze om die te vertolken middels liederen. Ze gebruiken op Come To Dust een gelijksoortig instrumentarium als bij hun moederband, dat wil zeggen moderne en traditionele instrumenten. De zang, vaak meerstemmig, is dan ook een sterk onderdeel van de cd; zeker Liesbeth's heldere stem is een mooi aanvulling op die van de zware jongens. Voor de zware stof die ze behandelen is het redelijk opgewekt en up-tempo. Desondanks zou je de muziek als dark folk kunnen bestempelen, maar dan van het soort dat het daglicht prima verdragen kan.
While listening to O Quam Tristis I've been thrown back in the middle age. It's medieval folk with latin lyrics, if you're familiar with bands such as like Ataraxia, Qntal e Dead Can Dance "Aion" era you probably know what we're talking about. I like this album: Palace of Worms describes this record as "a modern interpretation of medieval and ancient folk music" and after all it's the best possible definition for a work like that.
The most interesting thing of this release obviously is represented by the vocal parts gregorian chant have been a real turning point in the history of music since the male singers are good, but the female ones are even better. This' the third cd by O Quam Tristis and the band shows how maturity helps to refine the "modus operandi" in songwriting. The funny thing is that while one may expect an epic record with a completely ethereal mood, "Mediationes ultimes" is full of mid-tempo "danceable" tracks Quoniam tu solus, Terrae for exemple.
If you imagine a cd overwhelmed with evocative songs give it a chance since in the past some songs would have been a great soundtrack for a banquet. Come definire altrimenti l'incanto di tracce del calibro di "O Langueo" semplicemente irresistibile , "Quoniam Tu Solus" e "Confiteor", laddove l'incastro dei vocalizzi maschili e femminili, la perizia strumentale e la suggestione dei testi in latino ricreano scenari estatici di grande impatto emotivo.
Un'opera eccellente, peraltro forte di un ottimo, evocativo artwork: Female and male vocal polyphonies inspired by musics going from the Middle Age down to the Baroque Era. But the main goal is still not to create "authentic" ancient music because the band is mixing old instruments such as mandolas, psaltry, dulcimer and recorders with traditional electric ones lying on electronic loops and rythm patterns.
In the beginning, the songs were quite only using anonymous medieval liturgic lyrics Heathen Harvest When medieval music comes to mind images of dusty churches and Gregorian chants instantly spring into the imagination. Personally I have a penchant for medieval instrumentation though I have often found the vocals and lyricism used by many medieval musicians to be overbearingly liturgical as they often invoke images of Christian religious ceremonies taking place under the vaulted ceilings of ancient European cathedrals.
For the last decade the neoclassical music genre has been experiencing a small renaissance of Neo-Medieval music led by artists inspired by the music and culture of the middle ages. Musicians such as O Quam Tristis and The Soil bleeds Black have been working hard to bring an appreciation of medieval inspired music into our modern age.
O Quam Tristis has entered this emerging music arena and firmly established themselves. This French ensemble comprised of five talented French musicians and vocalists have quickly made a name for themselves by offering listeners medieval inspired music that detours from the standard. Meditations Ultimes is O Quam Tristis third full length album and it sees the band coming to full maturity.
Meditations Ultimes brings together fourteen medieval secular, liturgical and poetry inspired tracks in a very long album that is sure to satiate even the most demanding music listener. If O Quam Tristis simply regurgitated a handful of medieval liturgical songs I would not be writing this review right now.
What makes the music of O Quam Tristis inspiring and engaging is the band reworking of original medieval material. Utilizing modern technology and their own unique creative sensibilities O Quam Tristis transforms the dated material they use for inspiration into modern compositions filled with new life and vitality.