David Keith , Robert Prosky , G. Spradlin , Barbara Babcock. Disgusted with criminals escaping the judicial system via technicalities, an idealistic young judge investigates an alternative method for punishing the guilty. A young actor's obsession with spying on a beautiful woman who lives nearby leads to a baffling series of events with drastic consequences. R min Drama, Romance, Thriller. A mysterious woman, fashion designer by day and prostitute by night, is hounded by two men: An American Actress with a penchant for lying is forceably recruited by Mosad, the Israeli intelligence agency to trap a Palestinian bomber, by pretending to be the girlfriend of his dead brother.
George Roy Hill Stars: R min Action, Mystery, Thriller. Chicago psychiatrist Judd Stevens is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to convince two R min Drama, Thriller, Crime. A woman trapped in a boring marriage begins an affair with a handsome man who seems able to read her mind. She doesn't know that he has broken into her house and read her diaries, where she Douglas Day Stewart Stars: A young, naive woman falls for and marries a doctor but then she realizes that he is not what he seemed.
David Warbeck stars as an instructor who marries a traumatized, crippled woman. The wife suffers from PTSD and is tormented by a traumatic event that happened in her past. What is even more Alberto De Martino Stars: R min Action, Adventure, Drama. Two escaped convicts and a female railway worker find themselves trapped on a train with no brakes and nobody driving. R min Crime, Drama, Romance. A young Amish boy is sole witness to a murder; policeman John Book goes into hiding in Amish country to protect him until the trial.
PG 96 min Thriller. After a newspaper reporter helps expose a Member of Parliament as a possible spy, he finds that there's much more to the story than that. R 89 min Drama, Thriller. R 90 min Drama, Thriller. A brilliant researcher in London who works as a high-class hooker in her spare time, becomes a pawn in a dangerous political game, when her latest client, a nobleman who is negotiating an Arab-Israeli peace treaty, falls for her. Not Rated min Action, Drama, Thriller. Chronicles a Mossad team hand picked to hunt down the terrorists involved in the Munich Olympic massacre of Israeli athletes.
Unrated 78 min Thriller. A young woman abducts and subjects a doctor to various sexual torture acts whom she holds responsible for the death of her boyfriend. R min Drama, Thriller. A married man's one-night stand comes back to haunt him when that lover begins to stalk him and his family. PG 93 min Drama, Mystery, Thriller. R 92 min Action, Drama, Thriller. When she is abducted, Creasy's fiery rage is unleashed, and despite being badly wounded, embarks on a bloody revenge spree. R min Action, Crime, Drama.
R 97 min Drama, Thriller.
Liberal district attorney decides to seek the death penalty for a man who slaughtered a family at Christmastime, then drank their blood. He escapes, though, and starts killing again.
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R 88 min Crime, Drama, Horror. When Detective Cody Sheehan discovers the body of a stripper from the Rock Bottom dance club, she wants the case. All articles with unsourced statements Articles with unsourced statements from May Official website different in Wikidata and Wikipedia. Views Read Edit View history. This page was last edited on 23 November , at By using this site, you agree to the Terms of Use and Privacy Policy.
A red heifer is born in Norway. Peter Connelly begins investigating the death of a young archaeology student who is searching for the Ark of the Covenant , whom he met while chasing a Palestinian Christian. A young boy named Josh runs away from an apparent cult in New Mexico. Cohen deduces that Peter is the man who was with Emma the night she was killed. Avram begins his journey to Jerusalem with the red heifer. Debbie discovers another young boy named Josh, and he attends his Bar Mitzvah.
Yusuf delivers the stone to the American ambassador. The film itself revolves around the idea that certain humans have developed their latent psychic abilities to such a degree that they can read the minds of others and thus help them overcome traumas and illnesses of the mind. Yeah, it's a bit Inception-esque, but it's different enough in style and atmosphere that you won't mind. Still, the best part about this film is Mark Strong.
His quiet dignified performance holds almost all of the scenes together and his interactions with Farmiga are very interesting to witness. Farmiga's performance suffers a touch from her relative inexperience, at least compared to Strong. You can definitely tell that she's acting in the earlier scenes, but she gets better quickly and her character as a whole nails the eery wonder child trope. Plot-wise the film is nothing special, being relatively easy to predict and offering no real twists, but it's more of a moodpiece in any case. I would have liked for the actual mindscape scenes to be a bit more creative and the story as a whole to be a bit more overreaching in scope, but those lacks only mean that the film is merely good instead of great.
Mindscape is worth a watch if you're looking for a thriller with a more thoughtful tone and lacking in excessive brutality and gore. This movie has a 6. I have noticed that thrillers, unless they are great thrillers like The Usual Suspects etc.. Firstly thrillers are general slow paced at first and build suspense and tension. Some people lose interest quickly.
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Secondly, some people just don't get it. Due to the audience not following the dynamics of the thriller they score it low. The title Anna is a better title than Mindscape in my opinion because the story is a personal story about the character Anna and the main character's memory of his past love also named Anna.
The main concept of Anna is not original and there are little things in the movies that require you to suspend belief etc etc etc I think the acting was great from Mark Strong and the support cast.. I didn't know that the young girl, played by Taissa Farmiga, is the younger sister of Vera Farmiga. I think the story was predictable and I would have done something slightly different to make it less predictable but I can't explain further without spoiling.
Having said that I still really enjoyed the movie. It is much better than most thrillers out there, some with much bigger budgets. Some reviewers have posted on the message board that they didn't like the details.. I loved the details, this is what elevates the movie above most.. It is a really interesting thriller that is well acted and despite being predictable it has a very clever plot versus underlying plot script I recommend it above the majority of thrillers out there Mark Strong has a loyal cult following, and I can get on board with that.
He's interesting to watch. But this film isn't worthy of its leads. The whole film, complete with blue filters and a couple of outdoor shots of some American Metropolis with no name it's filmed in Spain , is a kind of inauthentic American thriller. The premise is clunky, requiring some awkward exposition from the outset. This must be some time in the future, because detectives can read minds now. Strong's "John," no last name , while recovering from a personal tragedy which is interfering with his work, is assigned to "Anna" also no last name , a teenager with an eating disorder. Even the names in this movie are generic.
In a plot device shamelessly lifted from "Inception," the film that "Anna" desperately wants to be, John's wife loses a child and uses her husband's gifts to live in her memories, ultimately unable to escape her virtual reality. We never meet her. Anna's messed-up parents never really get their comeuppance, which is unsatisfying. In her home, she's monitored by a nurse, Judith Varma , through a camera installed in her bedroom.
I've never heard of such a thing happening in real life. The nurse hits it off with John instantly, although there's zero chemistry on camera, and after a perfunctory date in a depressing bar, John politely declines an invitation to "come upstairs" within 24 hours of meeting her. These people are all very unprofessional. When the nurse is thrown down the stairs, purportedly by Anna we never actually find out whether she did this or any of the other horrible things she's been accused of , John goes to the hospital and clutches Judith's hand as though she's the love of his life.
She spends about 5 minutes on screen throughout the whole film. Cox is similarly underused.
Thriller Films of The 80's
Accused of serious misconduct which later proves to be groundless, we're never really sure what to make of him, and ultimately it's not pertinent to the plot anyway. The film requires serious suspension of disbelief. For an empathic detective, John is bafflingly obtuse. He treats a young girl with a history of sexual abuse by an older teacher in her bedroom, of all places.
The treatment requires them to hold hands. Anna flirts brazenly with him from day one, but a few mumbled comments about transference notwithstanding, he never distances himself from her. She sketches him, watches him sleep, and at the end of their treatment, she hugs him, as does her mother. He's a detective, not a psychiatrist. Who gives children sedatives after a trauma anyway, outside of an intensive car unit?
And how is this new, unproven method of entering a person's mind and witnessing their memories deemed appropriate for an unbalanced juvenile? And how does it actually work?
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However it works, Anna seems to be more cunning than everyone else in this film, which beggars belief. John makes so many obvious missteps you wonder if he's ever seen a movie before. I felt like yelling at him, like you do in pantomimes. The twist towards the end neatly resolves all of the outstanding plot holes, in the same way that finding out the whole movie has been a dream is a resolution. It was profoundly unsatisfying.
John, released from the pain that's been haunting him for years, celebrates his new-found freedom by "going upstairs" with the nurse we forgot existed. It's almost identical to the ending of the underwhelming "Blood," in which he also plays a detective, also with Brian Cox. None of the characters in this film are developed in a way that makes them relatable, and you never invest emotionally in them. Anna herself is cold and robotic rather than engaging and seductive, and despite Strong's tangible talent, and a lot of superfluous smouldering, we never really get a handle on his character.
He's just a cardboard cut-out of an American detective with personal issues. Maybe if we'd seen more of his relationship with his wife, instead of just a glimpse of blurry memories and a photo that could have been clipped from a catalog. The nurse was more of a plot device than a person, so we never get to see John engage with anyone on a human level. Strong and Cox are actors of substance, and it's a pity to see them wasted on an underdeveloped story.
Farmiga isn't bad, but she's too young and inexperienced to carry a film. I'm not sure who they're pitching this to: Why they changed the name "Mindscape" to the mindlessly generic and well nigh unGooglable "Anna" is beyond me. But Dorado's attempt at a Hitchcockian suspense movie falls flat. If you want to see Strong in a moody noir-ish thriller, try "Welcome to the Punch," a proper British film where everybody uses their real accent. Or just watch "Tinker Tailor Soldier Spy" again. Based on the reviews of this movie that I read on this site, I went into this film with high hopes.
Maybe films today are so bad that even "average" rates as "very good"? Well, I don't know, and while the film was not a total waste of time, it had little to offer,and was not as half as interesting as the reviews had lead me to believe it would be. The beginning of the movie is very well set up: The protagonist of the movie is a broken down memory reader in need of money and so he goes back to his old employer in search of a job.
He is given a "simple" assignment: Both the male lead the returning memory recovery expert and female lead "Anna",the teenager are played very well. Very convoluted plot, which devised to make the movie intriguing,in the end was a little over the top and maybe too clever for its own good. Much ado about nothing. I was surprised that after all the complex twists and turns in the move it all came down to what was in my opinion an ending that is simple but unfortunately didn't really make much sense.
Thriller Films of The 80's - IMDb
First let's get the whole "dynasty" issue out of the way. For example, in other reviews, I commented negatively on Will Smith's courageous attempts to turn his son into the next de Niro. Not going to happen, sorry Will.. This is a different story. Taissa Farmiga has got spark, she's got grit, she's got glow. This is a dynasty that just might find some traction. Next let's talk about the science because most people won't even know there actually is science. Using double-blind protocols, their work established for the first time the scientific validity of the RV phenomenon, even though the media mocked them for years afterwards.
In other words, the science for this film is not necessarily from Crazytown. That's helpful to know. As for the film itself, it is surprisingly engaging given its very strange pedigree.
Directed by a Spanish director, the film has not one but three major British talents Mark Strong, Brian Cox and Indira Varma-- all going "accentless" just for this production. Overall, this film is also unusual in that it faithfully demonstrates the stoic and disciplined direction one generally associates with British TV drama -- although clearly intended for US audiences.
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The above comment is actually not a criticism at all, but to be fair US viewers may find the pacing slow. It is just very, very, controlled. Mark Strong's character is the "glue" that keeps the film together This requires him to be simpatico with the audience, and he is. Ironically, the actual script requires Strong's character to "have trouble staying grounded" quote , yet it is precisely Strong's ability to ground the film that keeps it flowing.
As for the story itself, to go into detail would likely spoil it. I would really really like to tell you that the theme behind it is new but it simply isn't. But what this film will be remembered for is young Farmiga. I like the idea of reading one memories. Although an old concept from cinematic point of view, I have always found a memory reader interesting, because memories are not a recollection of events.
It is an interpretation. Hence, the concept of a memory reader is a trickier than one would expect. Most of the films and TV shows get this concept completely wrong. It actually showed how memories are interpretations of past events. The psychiatrist in a bid to find out the deep rooted issues of the teenage girl realizes how her memory cannot be completely trusted to figure out time-line of events that made her psychologically disturbed.
The movie was extremely engaging till the climax ruined it all. I would try not to give away any spoilers but all I can say is the ending is utterly insipid, lack-lustrous and a total spoilsport to what could have been an inspiring psychological thriller. It seems as if the director Jorge Dorado did not wish to provide a twist in the end but did it just for the sake of giving one! What a sad sad way to make a disaster! Do not waste time on this movie. John Washington is a memory detective - he is able to access memories in order to solve crimes. Traumatised by the death of his wife and baby son, he is given an "easy" case - assisting Anna, the daughter of wealthy parents, who is refusing to eat.
But the case proves to be far less straightforward than anticipated: Mark Strong is Washington and Taissa Farmiga Vera's younger sister is Anna in a strongly acted thriller with mildly supernatural overtones, which keeps you guessing all the way through. There is relatively little action or violence, but that doesn't really matter- this is primarily a thoughtful piece, and a mildly unusual one.
This is a highly suspenseful and cerebral mystery , filled with red herrings , twists and turns. It is an agreeable if overly familiar story about a "memory detective" charged with rummaging through the repressed recall of a troubled young woman accused of a terrible crime. Exciting and moving picture with a complex intrigue , nice character studio , suspense , a lot of killings and full of flashbacks with a peculiar spectator: As its deals with John, a mind detective Mark Strong, in his first leading role in a feature film , plays paid to enter people's memories and uncover the reality behind their alleged crimes.
As John enters her mind and becomes more involved in her sometimes brutal memories , he must decide if she is indeed the victim of unspeakable trauma or a very clever and manipulative sociopath. With a combination of hand-holding and a little bit of coaxing he can enter a person's memories, whether they be formative or traumatic, and while he can't interact with them his observations reveal information that can be used later in therapy or criminal trials.
Due to a traumatizing event in his past that ends up coming back to haunt him, and ultimately negatively affecting a session. But what will he make of his new assignment, the brilliant but troubled teenager Anna? Taissa Farmiga as Anna, as the picture is known here in the States, is called by its original title of Mindscape. Jorge Dorado's brain-twisting horror-thriller , from the beginning, the film keeps the audience interested, hooking you immediately with a strong start.