Here, we see the ghoul, the summoned monster, and the mind fog from two different people. While some of the previous books focused more on the change to other people, here we have Harry change. He has a character arc that comes to a satisfying conclusion by the end. Harry starts the book depressed over Susan, and he alienates everyone.
Billy points it out. Given that Billy previously espoused the theme of the series, his reintroduction here is significant. Eventually, Harry accepts the help Billy offers, both in scheduling meetings, and with the fight at the end. His reunion with Eileen, his teenage flame, who he thought he killed alongside Justin also helps. But through the book, when she nominally serves as an opponent, the Summer Emissary to his Winter, her presence reassures him.
At the conclusion of the book, she gives him advice regarding Susan that builds to the catharsis detailed above. That help sends him in a new direction. While the information on the White Council is delightful, the Fae Court proves more valuable to the main plot. And we learn a lot about the Courts here.
She mentions again how she believes her actions last book only helped him as well. It gives insight to the alien nature of Fae morals. We also can draw conclusions about the structure of the Courts given all the information on how they organize themselves. Through the book, we learn about the Winter and Summer Courts, each with three Queens. The Mothers, the retired queens. The Queens, the current ruler. And the Ladies, the heir for the future. Their Knights that do their will in the mortal world, and the Emissaries chosen on special occasions.
That only highlights how serious a problem it is that the Summer Knight is dead, and the mantle gone. Beyond being a reference to Narnia, it also guarantees great power to whoever holds the table, and whoever sheds blood on it. So, the peaceful transfer of the table from Summer to Winter and back with the seasons preserves their equality.
Ones that will lead to the eventual conclusion of the series, yet to come. Given all that we know now about the Fae, it comes as no surprise that the worst worldbuilding also comes from that section of the story. The problems arise from how the narrative treats her, and the results of her half-Fae heritage. The problem with Meryl is that Meryl dies at the end of the story. She is the first person explicitly allied with Harry to die. The only previous person that was not an antagonist that died was MacFinn, and he attempted to murder them all because of an uncontrollable curse.
Meryl dying in and of itself is not the entire problem. Butcher directs the series in a darker direction, so deaths will come eventually.
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As a Changeling aligned with Winter, dearest friend of the new Summer Lady and Knight, the possibility of an inter-Fae alliance or Court would develop. The Changelings provide a glimpse of the Fae outside of the manipulation, outside of Court politics. Meryl could have been symbolic of that. Meryl Chooses to save Lily. She Chooses and she dies and all that hope with her.
- Human Nature.
- Chapter 1. Losing emotions;
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I will admit, this is a sticking point for me. I brought it up again in Fool Moon. Her absence had killed that for me, completely—except for rare moments during the damned dreams when my hormones came raging back up to the front of my thoughts again as though making up for lost time. He could have emphasized the alien way she moves, the details that make her decidedly not human, and dropped a one-liner about her being naked at the end. Instead, Butcher flips that script, focusing on the nakedness, with the inhumanity coming as an aside.
Not perfect, of course, but better. While the choices were somewhat limited compared to last book, the plot hangs together much better. That cohesive plot lent its voice to each category, and the worst moments were nitpicks and could-have-beens. His mastery of plot improved, with the motivations of the antagonists and the number being reasonable, instead of overwhelming. The knowledge about the Fae, about the Council, and about Elaine all help set up this next phase of the series. I look forward to hearing from you. The next morning, Walder Frey chats with Roose Bolton about their improved stations, now that Roose has become the Warden of the North.
Roose reveals that his bastard Ramsay was the one who got the Ironborn to surrender Winterfell, and the one keeping Theon hostage now. We check in with Theon and Ramsay, the latter of whom is still torturing the former. This leads to an unpleasant confrontation, which Tywin puts an end to by sending Joffrey to bed.
Later, Varys tries to bribe Shae to leave Westeros, since he believes Tyrion can help the land and Shae is a distraction to that end. Much later, Jaime arrives back in the city, and meets a stunned Cersei. He gives Bran and the Reeds his dragonglass to help protect them as they set out north of the Wall. That bit turns out to be wrong since she shoots him with arrows three times, though Jon still manages to ride back to the castle where he is greeted by Sam and Pyp.
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Down at Dragonstone, Davos struggles with Gendry as a prisoner. The two talk, and Davos reveals that he too was lowborn and from Flea Bottom. However, the news arrives that Robb has died, which means Stannis wants to sacrifice Gendry, since they now have a sign that the leech magic worked. Melisandre agrees with him, and tells Stannis that Davos has a part to play still.
Finally, in Yunkai, the now freed slaves come outside their gates to meet Danaerys. She leaves the protection of her Unsullied to walk among the Yunkish. This one was a roller coaster for me.
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It reminded me of a lot of the things I genuinely enjoyed about the earlier seasons of the show, but then Sansa would be sidelined, Ramsey would monologue, or oof, that whole last scene. All of this episode was mostly a need to set things up for the coming seasons. Okay, that was mostly the scene where Shae rejected those diamonds. Like, did they have a different plan for her at that point? Also how many times did Arya possibly stick poo in the mattress that Sansa was no doubt sharing with like, Jeyne Poole? You know, her whole thing in the books with her armor of courtesy. And you know, I actually really considered Sansa laughing and joking with Tyrion as a lowlight too?
First to make him look like a great guy, which is par for the course. But it gets even worse later when it turns out that Sansa heard the news of the Red Wedding off screen, and her sadness is not her own, instead is simply given the narrative function of bumming out Tyrion a bit more. That said, I have to pick the closing Mhysa scene. There were a lot of bad scenes in this episode, but this was the one that made me most actively angry. It may actually have been the worst closing shot of any season, now that I think about it.
Honorable mention to Davos and Shireen hanging out and reading together, because it was very sweet. Jack Gleeson is such an easy highlight to pick. He was just so happy and bouncy. And it helped that it was more or less just a book scene acted excellently. Remember when Davos actually did stuff? I used to love both these characters so much, and they have such great chemistry together. I still really liked it. It was just so long and so… Am I going insane, or did they play it for laughs?
I think they are playing it for laughs, at least kind of? But it leads to a full-on dramatic moment of Roose telling him to stop eating in Season 5. It is the lowest of low-hanging fruit, but can we talk about the Ramsay-Theon scene for a sec? The first shot of Theon in this episode is just a lingering shot on his crotch. We have an endless Ramsey monologue as he eats a pork sausage get it?
Yeah, the dialogue is cringy, but in terms of writing, the bigger question is why this scene, or this plotline even exists. GRRM puts a lot of disturbing stuff on the page far too much according to many people and even he chose to leave most of this stuff as implication. Perhaps they should have asked themselves why that was. Why they left the nickname in is beyond me, since they cut out Ramsay posing as Reek, and all that rather confusing backstory that came with it.
This one in particular was endless. It was very on-point for the Iron Islands attitudes. He seems eager to hold onto his name when he first gets hit in the face. Agreed about the Balon dialogue. They just feel very out of place. Tough to pick a theme in an episode that had roughly 36, plot lines happening at the same time. The closest I could come to was the emphasis on tension between valuing the Family Name and valuing family members themselves.
I suppose it works with Stannis and Gendry as well, with Davos playing the Yara figure. That still leaves out most of the episode? Gilly is a mother to the baby she just named Sam! Honestly, the title is feeling pretty peripheral to me. Katie gets full marks though, for sure.
The three Stark kids kinda have a mutual loss of innocence not than any of them are fully innocent at this point, of course. Tyrion is made a really, really, really nice guy who the audience loves, so any character we are meant to like must love him too. In this case, Sansa. I was shocked at how openly Sansa was used as an emotional prop in this episode. Ugh, I feel like I can rant about Saint Tyrion for hours. And make his actions make any kind of sense. At this point, I think many intelligent show-only watchers would be surprised to learn that Sansa is a POV character in her own right. Also, this is a very small detail, and nit-picky, but I think it illustrated well the problems the show increasingly ran into down the line.
I am not at all a fan of the choice to open the episode with… the mass slaughter of Northern extras. In large part because it keeps aiming for grand scale over the emotional horror of individual moments. Michelle Fairley did such a good job of selling those last few seconds of emotion in The Red Wedding. Opening this episode with anonymous extras screaming and dying is literal overkill: Rather than a clear, stark sorry , emotional moment, we get a frenetic, busy, overly-complicated scene.
Next season we get the sex loophole, and I feel like we had one more at that too. Maybe the implicit loophole that allowed Jon to quit? This is still pre-chicken joke GoT, remember. Minus the way he bonded with Davos, I guess. They bonded in both cases, but not in the same way. The small council scene about the Red Wedding was pretty good, at least until it became about how awesome Tyrion is for not raping a year-old, but other than that the stuff from KL was not super faithful.
Even if they did plan, does that mean they purposely set up Yara for a completely futile, one-off failed mission? Such big chunks of these finales focus on laying the groundwork for future plots. But in practice I think that sometimes bleeds over into just… setting up potential drama or tension? In retrospect, though, it does seem cruel of them to set Yara up like that.
As cruel as setting Shae up like that was.
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I think being even more generous is presuming that they had different plans for both these characters—they wanted Shae in particular to do something different during the trial and for Yara to maybe do something like her book plot with Stannis maybe—but audience reaction, or budget, or lack of writing skills made it impossible?
She reminded me of a mom who has been to so many grinding, exhausting parent-teacher conferences about her terrible kid. She knows the teacher is right, but she has to keep her game-face on? Imagine another hypothetical intelligent person, who only ever sees this episode of GoT, being told that Carol is supposed to be the villain.
Also, what on earth was that sleeveless number she was wearing in the last scene? And why was she looking at a seashell of some kind and smiling sadly? She was smiling sadly at seashells. She and Jaime used to sell seashells down by the seashore, or something. I feel like I remember that context being explained to us was that something they talked about in the pilot? Why was her scene with Tyrion even there? Was it all just so Tyrion can seem like a nice guy for not wanting to impregnate Sansa? What, talking about phantom cocks was not exposition?
Maybe Charles Dance is a Tyrion truther. And now his watch begins, after all. Though…Arya in Season 7 was not boring. Is this where we should talk about her kills in the book getting thrown in at random times and in random contexts? Thank you all for following along this season. A Culture of Acedia I highly recommend this book. Kill all the themes. Acedia Game of Thrones unabashed book snobbery. Game of Thrones Rewatch Season 3 Podcast. Reaction Vids of Castamere. The Bad and the Mostly Fair. I allow to create an account.
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Characters - The Fandomentals. The Auralnauts Star Wars Saga: Parody Project - The Fandomentals. Ballad of the Bastards Part 2: Why Did You Do it Jonny? Published 4 days ago on December 14, Images Courtesy of Image Comics. Published 5 days ago on December 13, After a Susan-vampire nightmare, Harry thinks. Published 1 week ago on December 11, Initial, quick reaction Kylie: Quality of writing Katie: Our 8th grade book report on themes Katie: The Butterfly Effect cracks in the plaster Kylie: Well, this section is getting harder and harder.
They talked about jumping off a cliff once.
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How was the pacing? Another week of no sex, baby Katie: I remember there being a chart. And I just remembered, the Pornish are coming soon! Images courtesy of HBO. Download e-book for kindle: Macedonia inherits 13 divining bones from her mom which have been passed all the way down to her by means of numerous generations.
She believes while she throws them she will be able to learn their which means. New York Girls by H. Abigail Westerhaus has every little thing she wishes and not anything she desires. Having left a disastrous marriage for an excellent new one, she sees her desires die in a hurricane at the Atlantic Ocean. A professor good friend is helping her locate new how one can show her local creativity. The horrors of conflict have for the main half left her untouched.
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