O invisível mundo dos abusos contra as trabalhadoras domésticas
I am always trying to build new ways of looking at reality and the space that is presented to me. Essentially, I search for spaces and moments that have been forgotten or rejected, where there is a certain suspension. Those things that belong to us, that we are used to look at.
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- The Last Stop.
My interest lies in the sense that I am obliged to create an image and relate to its space, trying to forget its history and original reception contexts. With my only focus on light, space and time, I feel more freedom to create new contexts for the images, as if this almost sculptural treatment would render a dignity apparently forgotten or neglected. And so, these images become moments that propitiate a wider reflection on the way we build our cultural, social and political identity. I speak about things that are common to all places and are easily found, but difficult to select and interpret.
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- Democracia formal, cultura política informal e capital social no Brasil.
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I have been giving special attention to the accuracy of the publication and the importance of an international distributor capable of transmitting the social, historical, political and aesthetic components that my projects hold, and therefore stating my artistic path, so that it is in fact a mark in my career and not merely a passing by experience. I have been working with photography, exhibiting and publishing.
The 16mm and super8 film have always made part of my experiences and are very important to the way I understand the space I define to work with. He currently lives and works in Porto, Portugal.
In the November 2018 Gartner Magic Quadrant for Hyperconverged Infrastructure
He has been showing his work regularly, in Portugal and abroad, since Or does it instead involve the world of ideas and imagination? The answer is perhaps in a stupefying final revelation.
Accept Find out more. Sergio Da Costa, Maya Kosa. Premiere status at VdR: Sa 22 April Su 23 April In the same section One Day in Aleppo.
Anthony, the Invisible One. One of the roughs, a kosmos.