Ontdek de collectie

There, Roussel and Vuillard received the rudiments of artistic training. In Vuillard visited Venice and Florence.

Veel gezocht

The following year he made a trip to London. Later he went to Milan , Venice and Spain. Vuillard also traveled in Brittany and Normandy.

Les Nabis (artistic movement) - The Athenaeum

Subsequently he fulfilled many other commissions of this kind: In his paintings and decorative pieces, Vuillard depicted mostly interiors, streets, and gardens. Marked by a gentle humor, they are executed in the delicate range of soft, blurred colors characteristic of his art.

Pierre Bonnard

Living with his mother, a dressmaker, until the age of sixty, Vuillard was very familiar with interior and domestic spaces. Much of his art reflected this influence, largely decorative and often depicting very intricate patterns. Vuillard served as a juror with Florence Meyer Blumenthal in awarding the Prix Blumenthal , a grant given between — to young French painters, sculptors, decorators, engravers, writers, and musicians.

Navigation menu

Vuillard died in La Baule on 21 June With assistance from art experts, the program undertook an exhaustive investigation and analysis of the Tutt painting, as well as carrying out extensive research to establish the painting's provenance. These artists are often overlooked in blockbuster exhibitions, so is it pleasing to consider their works within their original, multilayered context, rather than as part of a larger show considering post-Impressionism as a whole.

This unusual exhibition highlights some fascinating continuities and parallels between seemingly distinct styles. In exploring the combination of Impressionist influences with design-oriented Japanese techniques, the curators reveal how Les Nabis managed to make their scenes of everyday life so strange, unsettling and captivating.

How the Japanese transformed French painting

Ethnographic collections need to be living collections, representative of cultural diversity and mindful of traditions. Your email address will not be published. Benin City will soon have a permanent display of its court bronzes for the first time in over a century. What makes these artworks so extraordinary?

Artists and auction houses alike contribute to the comic excesses of their world — but are they in on the joke?

Gabrielle Schwarz talks to Zoe Whitley, curator of international art at Tate Modern, about different approaches to exhibition-making. Natural history collections are uniquely placed to help us make sense of the relationship between humans and catastrophic climate change. Should we welcome the growing prevalence of public conservation? As film and video art moves into the mainstream, curators have to find new ways to keep viewers hooked.


  • Édouard Vuillard!
  • Portofino, Rapallo & Italys Riviera di Levante (Travel Adventures)?
  • Navigation menu!
  • Pierre Bonnard.

Want stories like this in your inbox? May madness gets underway in New York Plus: We need ethnographic museums today — whatever you think of their history Ethnographic collections need to be living collections, representative of cultural diversity and mindful of traditions. Leave a comment Cancel reply Your email address will not be published.