New York Public only. Quarter morocco, edges of boards rubbed, library stamp on endpaper and title, otherwise very good. The chante-fable of Aucassin et Nicolette was written by an unknown author probably of the early 13th century and survived in a single manuscript rediscovered in which Delvau here translates. Alfred Delvau , remembered for his charming studies of Parisian modes and manners, wrote works on the sonnets of the 16th century, the Revolution of , biographies of Nerval and Murger, and a dictionary of eroticism.
A collection of short theatrical scenes, reflections, bonmots and short stories, describing, in ironic tones, Parisian society with portraits of de Musset, Balzac, Prudhomme and others. Very attractive copy of this famous illustrated text, first published in parts from to This copy is sumptuously bound in the style of Thouvenin. NUC notes three copies of this edition. Red quarter morroco over contemporary marbled paper, orig.
Both copies bound together and warmly inscribed by the author to his friend Georges Laudry. Becque, Paul Bourget, de Banville, R. Light foxing, otherwise a very good copy. Leur Histoire et leurs Travaux. Small 4to, lithograph title plus 16 lithograph plates. Quarter cloth, marbled boards, title lettered in gilt, orig.
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Folio, 4 , viii, pp, 82 large plates incl. Traduction de Louis Viardot. Quarter-calf, a fine copy. Dubocage draws a vivid and colorful picture of the encounter between the conqueror and the conquered; this contact is also the theme of the engravings which depict the important events of the conquest. Dubocage was a moderately successful author, who gained a reputation with this allegorical journey. John Carter Brown Quarter calf, marbled boards. It is dedicated by the author to Cesare Lombroso. Rare; OCLC note only a microfilm. Scarce; OCLC notes only one copy. Dumas, Hugo, Lamartine, Nodier, Sue et al.
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April 5, - June 30, Folio, pp, 2nd series, nos. Quarter calf over marbled boards. ULS lists four libraries with some copies of a similarly titled journal, published in Leipzig; however, the dates of those do not correspond with our dates. Quarter cloth over marbled boards, gilt letter on morocco spine label. Old half calf, backstrip gilt, sm. Dutens analyzed history, especially in terms of religion, philosophy, science, and medicine, and showed that the new ideas of such as Newton, Descartes, Leibnitz, Harvey, Linnaeus, etc.
Librairie Academique Didier, Perrin, Light foxing on the few first pages. Quarter cloth over boards. Spine lightly soiled, bookplate on front pastedown. Half brown morocco over marbled boards by V.
Champs, gilt lettering and dec. The notable history painter Merson also illustrated works by Hugo, Merimee, and Musset. Three copies in OCLC. Recent half vellum lettered in gilt, gilt top, orig. Gosse and Neaulme, Cohen-De Ricci notes that large-paper copies are in folio with the text enclosed within a typographic border; regular copies were in quarto.
The illustrations by Bernard Picart whom Ray I, p.
Fontenelle was a nephew of Corneille and a leader in the attack by scientists on the credulity of the public in relation to religion and the supernatural. His Plurality of Worlds was a very early attempt to popularize the scientific system of inquiry and to encourage freedom of thought. Original wrappers, backstrip worn, wrappers soiled, contents very good with fine impressions of the plates.
Half red morocco over marbled boards, backstrip gilt, green morocco label. Waterstain in upper corner of last few leaves, 2 final leaves reparied in outer margin not affecting text , otherwise very good. It was followed by German and Swedish editions; the first edition in English did not appear until , and the complete edition was not printed until None of these editions were from a complete original manuscript; it was not until that the first complete edition was printed from the original manuscript.
This manuscript is now in the Huntington Library. The complications surrounding the various printings of this work cannot be briefly summarized, but it is clear from all accounts that this edition of is of great importance not only as the first printing but also in terms of establishing the validity of textual variants in later editions and translations. Grolier, American, From the collection of Edouard Champion.
Dedicated to George Sand. After Dominique, Fromentin felt unable to satisfy his high literary standards and returned to his original pursuit of painting. Later wrappers, some foxing. With an inserted engraved title after B. Curiously this work appeared in the same year in which Rousseau himself was banished from France for satirical couplets ascribed to him attacking prominent men of letters. Marbled boards, gilt morocco spine label. Preliminary signatures foxed, spine a little faded, otherwise very good. Contemporary calf, gilt spine, remnants of gilt dentelles, speckled edges.
Prelims chipped, ink scribbles on title, small sections missing from pp , with loss of a few letters on p. Chez tous les Libraires, Paris, Impr. The French poet Glatigny frequented Parnassian circles and his verse was strongly influenced by Banville and Leconte de Lisle. Contemporary vellum, marbled endpapers, elaborate lettered spine, some foxing scattered in the text, light wear to the orig.
From the library of Edouard Champion. The minor Parnassian Glatigny was strongly influenced by Banville, whose copy this was. With 10 full-page etched plates by Muller after Jeanniot. Half red morocco, backstrip panelled in gilt, gilt top, orig. Backstrip just fading to brown, otherwise a fine copy. This is the best-known novel of the Goncourt brothers and and a cornerstone in the emergence of the realism or naturalism movement; it tells the double-life of one of their own servants. Jeanniot left the military to pursue an artistic career and became a successful and popular illustrator.
This is one of his earliest works; his first illustrations were published in Librairie de Firmin Didot, Contemporary half morocco over marbled boards, raised bands, title in gilt, by Canape, a very good copy. Edition du Mercure de France, Cloth backed marbled boards, orig. Quarter vellum over orig. Light wear, otherwise very good. A prospective frontispiece to the work depicts the "Modes futures: Leon Techener Fils Librairie, A very good copy. In this overview of the rule of Louis XV, one finds, according to Michaud "the views, the ardor, and the sentiments of a great citizen.
It is, or rather ought to be, a tableau of the progress of the human spirit in the 18th century. Quarter calf over marbled boards, spine tooled in gilt, red morocco label. Light external wear, some browning, otherwise very good. The true first, Utrecht , is extremely rare. Handsomely printed by Bulmer. Very good with the orig. Not in The Private Case. Compositions de Bieler, Myrbach et Rossi. Half cloth, brown morocco labels, orig. Paper a little browned, otherwise an excellent copy. He was one of the French writers of this century whose conversion to Catholicism became a literary event.
NUC lists 3 copies. He is best remembered for his vaudevilles, comic operas, and a tragedy. This work of erotica was not included in his collected works. Kearney, The Private Case, Quarter calf over marbled boards, gilt title on spine. Final leaves loose, upper boards loose, extremities worn. Charpentier et Fasquelle, Half calf, marbled boards, orig. Renduel published many of the works of the Romantics. KOCK, Paul de, et al. Nouveau Tableau de Paris. Comique, Critique et Philosophique.
Uniform contemporary quarter calf, gilt, very good. The abundant illustrations by Gavarni, V. Adam, Daumier with 58 wood-engravings , Daubigny, Emy, Travies and Monnier show the modes, manners, foibles and glory of midth century Parisians. In addition, there are chapters on restaurants, boats, auctions, the Jockey-Club, crime, courtesans and prostitution by Dumas , and an important chapter on printing by Balzac, failed printer that he was, with some of his axioms: NUC cites one set only.
Old calf, rebacked and rebordered, marbled endpapers, gilt titles. Armorial bookplates of the Marquis Cornwallis. After becoming director of the Beauvais tapestry factory the French painter Jean-Baptiste Oudry amused himself in making sketches to the Fables. Cochin copied the drawings and oversaw the remarkable engravings, particularly famous for the renderings of animals. The Oudry engravings are complemented by the beautiful fleurons following each fable engraved by J. Bachelier, "among the most splendid woodcut decorations of their kind known" Updike, Printing Types, Ray, Art of the French Book, 5.
Bassey, Les Fables de La Fontaine: Oudry Ft Worth p. An acclaimed critic and dramatist and member of the Academie, Laharpe was a friend and disciple of Voltaire. One of the four great French Romantic poets, Lamartine was a man of action as well as a lyric poet. Mottled calf, red morocco labels to spine, spines stamped in gitl, edges tinted red, red paste-papers. Even light external wear, moderate wear to headcap of vol.
I, back cover of vol. Completed in , the present volumes incorporate material from the supplements of earlier editions and are greatly expanded beyond them. Though unimaginably prolific, he was called by Laharpe "the most energetic second-hand clothes dealer [fripier] of French literature" Barbier II, pp.
The caption title reads: Silvain Bailly, Maire de Paris. Grisettes, the young shopgirls of the Latin Quarter, were known to be always ready for love and gaiety, always cheerful and loyal to their lovers of the moment. We wonder if de Launay was so against the "filles de joie" how he happened to have so many of their names in his address book!
Lacombe, Bibliographie Parisienne, NUC records only the Harvard copy. Edges rubbed, othewise very good. Quarter morocco, gilt spine. The author Le Suire was a professor of law at Rouen. Preface de Albert Sorel. Quarter red calf, cloth sides, gilt lettering, marbled endpapers, orig.
Printed throughout on citron paper. Old quarter green morocco, gilt top, a fine copy. A very rare work on marriage customs by the author of Cuckoldiana No copy is recorded in bibliographies of erotica. Quarter calf, marbled boards, numerous illustrations throughout. Some foxing, otherwise a very good set. The first volume does deal with punctuation and other technical matters; subsequent volumes branch out into an encyclopedic treatment of heraldry, botany, astronomy, scientific terms, etc. Volume 3 begins with a glossary of musical terms and biographies including one "famous German composer," Louis van Beethoven.
Leger urges the reader to learn the "divine art" of dance and quotes his own poetry at every opportunity. French, he insists, is the most beautiful, precise, clear, majestic, varied in its forms, noble and well-spoken of all languages. NUC lists no copies of this edition and only 2 copies of an edition. Old mottled calf, covers panelled in gilt, backstrip gilt, label, a pleasant copy.
Duplessi-Bertraux is regarded as one of the most brilliant exponents of engraving. The lovely plates are signed V. Cordier I, , Partout et Nulle Part [Henry Kistemackers] With the autofellating faun vignette to titlepage. Perceau , , Negley, Utopia Collection, p. Scattered marginalia, occasional ownership stamp throughout text, exteriors soiled, edge of wrapper torn. Red quarter-morocco over marbled boards, marbled endpapers. Leszczynski , king of Poland from to , settled in France in where he patronized arts and letters. In his daughter Marie became the wife of Louis XV. Decorated boards, a very good uncut copy.
Various editions appeared with the date This curious work recounts the adventures of a prostitute who give up a life of licentiousness for one of virtue. A note at the end favors Masonry. A copy of this book was in the collection of the Goncourt brothers no. Not in Barbier or supplements ; not in Querard or the BN catalogue. Gay , in error, list the first edition as NUC which has the title entry only, with 4 locations.
Some foxing and crinkling of text, otherwise very good. Half blue morocco, marbled boards, t. This edition not in Pia. Half-cloth, illustration to front board. Hundreds of engraved vignettes ornament the text. NUC cites three copies only. Cox et les Travaux de la Science Moderne. Contemporary mottled calf, gilt backs, light rubbing, very good. Cohen de Ricci declared them among the most beautiful that Gravelot made. Ray, Art of the French Illustrated Book, A la Haye, 2 vols, 12mo, xiv, ; 2 , pp.
Old patterned boards, labels, a good set.
William Dailey Rare Books, Ltd. - French Literature of the 18th & 19th Centuries
Not in Barbier or BL. Imprimerie de Lebeau, This work collects fragments of verse and prose translated from, or in imitation of, Italian literature. Minor foxing to prelims, inscription cut from upper right corner of front free endpaper, spine very lightly faded. French red morocco, covers backstrip panelled in gilt, gilt edges, dentelles, frontispiece slightly foxed, occasional browning or offsetting of plates into text, otherwise a very good copy in a gorgeous unsigned binding typical of the period. Towards the end there is an interesting and very early article on lithography, mentioning the experiments of Lasteyrie and Engelmann and wholeheartedly endorsing the new technique as an art form worthy of the most serious attention pp.
There are also essays on enamels, mosaics, Gobelin tapestries, medal engravings, and music. Not in the standard lithography references. Marbled boards rebacked in red morocco, gilt title, very good with orig. Very good set with the bookplates of H. The eminent encyclopedist Paul Lacroix, known as "Le Bibliophile Jacob," wrote books on the eighteenth century, the middle ages, and a monumental compilation on the trades and crafts of France. Oblong 12mo, 40 tinted lithographs with tissue guards.
Original embossed cloth, gilt, spine somewhat frayed, occasional foxing, but plates in fine condition. Other views include the Bourse, rue de Rivoli, Porte St. Cloud, Versailles, and Fontainebleu. Not copy in NUC. Rebound in red boards with brown morocco label. Les Filles du Feu. Full red crushed morocco, gilt borders, spine gilt, full green crushed morocco dentelles gilt, a. The illustrations, comprising engravings in all, are after Raffet, Dauzat, and Decamps: Raffet did most of the plates with figures and Dauzat specialized in the landscapes, and Ray comments on their accuracy and spirit while noting the superb quality of engraving by the best engravers at the Imprimerie Royale.
Au Bureau du Journal Le Charivari, [n. Late 19th century half burgundy morocco over marbled boards, gilt lettering, raised bands, some foxing, occasional age-toned leaves, original wrappers preserved, bookplates, otherwise very good. Half calf over marbled boards, raised bands with gilt title on the spine. Light foxing, some edge wear, interior clean. Old quarter blue morocco, paper manuscript label, lacks front free endpaper, occasional light soiling, but quite a pleasant copy. Later red cloth, orig. Piron , a witty poet and playwright, enemy of Voltaire, is remembered for Les Fils Ingrats and Arlequiin Deucalion Bonhomme, an antiquarian and poet, was the authority on Piron.
These studies of many different aspects of life in Paris were renowned in their time and brought their author great fame and little else. First published in , this second edition is unrecorded by NUC. Included are five poems by Baudelaire, appearing here anonymously for the first time: Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Set up a giveaway.
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