During these years the initial Expressionistic style of this avant-garde centre evolved towards greater commitment to the Constructivist aesthetic which was spreading internationally. In , Rebay, who was involved in a relationship with Bauer, established the non-Objective private art museum in Berlin called Das Geistreich The realm of the spirit , closed by the Nazis in , where his exhibition Werke von Kandinsky und Bauer was shown in After emigrating to the United States, she became the director and curator of the new Solomon R.
Guggenheim Foundation and the organiser of the exhibition entitled The Solomon R. Guggenheim Collection of Non-Objective Paintings at the Gibbes Memorial Art Gallery in Charleston, which included the present watercolour as part of the Guggenheim collection, to which it belonged from to Therefore, regardless of the conditions of use of the images set out by the Foundation, it is necessary to obtain a license from VEGAP www. For commercial uses including publications and advertising, requests must be addressed to Scala Archives Image Library exclusive agent of the Museum for worldwide distribution of its images and for the management of its rights of reproduction.
Watercolor and ink on paper. Full size image Download image View in virtual tour Print page. Colours on the painter's palette evoke a double effect: This effect can be much deeper, however, causing a vibration of the soul or an "inner resonance"—a spiritual effect in which the colour touches the soul itself. He defines it as the principle of efficient contact of the form with the human soul. The obvious properties we can see when we look at an isolated colour and let it act alone, on one side is the warmth or coldness of the colour tone, and on the other side is the clarity or obscurity of that tone.
Clarity is a tendency towards white, and obscurity is a tendency towards black. White and black form the second great contrast, which is static. Any other colour resonates strongly on its neighbors. Gray corresponds to immobility without hope; it tends to despair when it becomes dark, regaining little hope when it lightens. Red is a warm colour, lively and agitated; it is forceful, a movement in itself.
In his writings, Kandinsky analyzed the geometrical elements which make up every painting—the point and the line.
He called the physical support and the material surface on which the artist draws or paints the basic plane , or BP. A point is a small bit of colour put by the artist on the canvas. It is neither a geometric point nor a mathematical abstraction; it is extension, form and colour. This form can be a square, a triangle, a circle, a star or something more complex. The point is the most concise form but, according to its placement on the basic plane, it will take a different tonality. It can be isolated or resonate with other points or lines. A line is the product of a force which has been applied in a given direction: The produced linear forms may be of several types: A plane may be obtained by condensation from a line rotated around one of its ends.
The subjective effect produced by a line depends on its orientation: A vertical line corresponds with height, and offers no support; it possesses a luminous, warm tonality close to white and yellow.
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A diagonal possesses a more-or-less warm or cold tonality, according to its inclination toward the horizontal or the vertical. A force which deploys itself, without obstacle, as the one which produces a straight line corresponds with lyricism ; several forces which confront or annoy each other form a drama.
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The basic plane is, in general, rectangular or square. This tonality is determined by the relative importance of horizontal and vertical lines: Kandinsky considered the basic plane a living being, which the artist "fertilizes" and feels "breathing". Each part of the basic plane possesses an affective colouration; this influences the tonality of the pictorial elements which will be drawn on it, and contributes to the richness of the composition resulting from their juxtaposition on the canvas.
The above of the basic plane corresponds with looseness and to lightness, while the below evokes condensation and heaviness. The painter's job is to listen and know these effects to produce paintings which are not just the effect of a random process, but the fruit of authentic work and the result of an effort towards inner beauty. The painting had been on loan to the Kunstmuseum Winterthur , Switzerland, since and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers.
Guggenheim originally purchased the painting directly from the artist in , but it was not exhibited after , and was then sold at auction to a private collector in by the Solomon R. The play Six Degrees of Separation refers to a "double-sided Kandinsky" painting. The film Double Jeopardy makes numerous references to Kandinsky, and a piece of his, Sketch , figures prominently in the plotline. The protagonist, Elizabeth Parsons Ashley Judd , utilizes the registry entry for the work to track down her husband under his new alias.
Two variations of the almanac cover of Blue Rider are also featured in the film. In , Google commemorated Kandinsky's th birthday by featuring a Google Doodle based on his abstract paintings. A picture-book biography entitled The Noisy Paint Box: His grandson was musicology professor and writer Aleksey Ivanovich Kandinsky — , whose career was both focused on and centered in Russia. Guggenheim Museum held a major retrospective of Kandinsky's work from , called Kandinsky.
Creating a Modern Guggenheim.
Several sections of this article have been translated from its French version: Theoretical writings on art , The Bauhaus and The great synthesis artistic periods. For complete detailed references in French, see the original version at fr: From Wikipedia, the free encyclopedia. For other uses, see Kandinsky disambiguation.
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Moscow , Russian Empire. The Cow , , Lenbachhaus , Munich. And it's not Kandinsky - Tate". Complete Writings on Art. Da Capo Press, Books and Writers kirjasto. Archived from the original on 26 February A Dissection of Modern Art , A. Knopf , p. Concerning the Spiritual in Art.
Retrieved 26 December A Revolution in Painting. Retrieved 30 November Master of the Mystic Arts".
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Retrieved 12 February Archived from the original on 12 February Why is the painter is being celebrated in a Google Doodle? Retrieved 16 December Retrieved 19 November The New York Times.
Wassily Kandinsky and his paintings
Creating a Modern Guggenheim". Wassily Kandinsky Franz Marc. Anna Akhmatova Richard Aldington W. Retrieved from " https: Similar to music that has no concrete form but is a direct expression of the composer's perceptions, Kandinsky's abstract art sought to eliminate the intermediary, objective world and portray his inner vision directly on the canvas, expressed in terms of color and motion. He believed that abstract art could establish a line of communication directly from the artist's inner vision to the viewer's imagination and elicit a specific emotional response. In , the New Artists of Munich rejected one of Kandinsky's entries for their exhibit.
Kandinsky's first book exploring abstract art theory, "Concerning the Spiritual in Art," was published in In it, he explained the method behind what many critics of the time considered to be his madness: In the treatise, Kandinsky seeks to vanquish what he terms the nightmare of materialism in favor of enlightened spiritualism in art, and makes a case for the similarity of music and visual art in terms of expression.
Wassily Kandinsky: Famous Paintings Analysis and Biography
The artist used musical terms such as "improvisation" and "composition" in the titles of his pre-war paintings, emphasizing the link between the two art forms. As a result, some of the pieces he produced during the second decade of the 20th century retained a few recognizable objects. For example, Winter Landscape from contains the outline of a house and triangular trees while Sketch A from contains a stylized image of a troika pulled by a trio of horses, which are represented by three lines and three indistinct heads.
In , Kandinsky returned to Moscow to wait out the war. He also directed the Moscow Museum for Pictorial Culture.
50 Most popular paintings
In , he established the Russian Academy of Artistic Sciences. In his own art, he was drawing ever closer to complete abstraction. By the time he left Moscow in , his paintings, such as "White Line" and "Red Spot," contained no recognizable objects. In , Kandinsky began teaching at the Bauhaus school of applied art and architecture in Weimar, Germany. Bauhaus focused on the unification of the arts for practical applications. When the school moved to Dessau in , Kandinsky followed.
He published his second treatise on art theory the following year, entitled "Point to Line to Art. Among his paintings of this period was "Development in Brown," a somber collage of rectangles and circles surrounding a colorful banner of triangles. Historians draw a connection between the painting and the brown-uniformed Nazi soldiers who had been appearing throughout Germany in growing numbers.