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In June, I had the chance to attend a watercolor workshop with one of the greatest master of our time: The main thing to say is: Did you participate to that event too?

Watercolor landscape stock photos

I decided to participate, even if I regretted the many people of India always eager to pose! At last, I reached the sketches! In fact, it was not on purpose but I changed the medium each day, funnily! The gloomy rainy weather were really discouraging but, thanks to the OneWeekPeople challenge, I forced myself to go out and find a cafe spot where I could sketch people. All of it is really stunning! The dreamy atmosphere, the smile of people, the colors, the business… This is so impressive!!

Drawing and Sketching Paper

I am really happy to share with you some of my loose work in this colorful and exciting country. He explains how to approach even a very complex scene, how to simplify it so that I don't feel scared and overwhelmed, but I feel encouraged to try it out.


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  • Akonis Adventure (my scooter).

I found myself going over the same lesson and students critique sessions multiple times and still finding valuable points I missed the first time. He is one of the best teachers I had and makes me enjoy working on my homework.

Watercolor Sketching & Journaling - Part 1 - Gay Kraeger

Click here for Course Details. In my first lecture I'll give an introduction and class overview including materials, process and procedures. From there, we will find solutions to the greatest challenge of landscape painting: We'll focus on finding a clear simple statement within the complexities of our landscape. When we see a landscape, our first read is based on its overall value structure the term value refers to the scale from light to dark.

Drawing Materials: Handy tools for sketching - theranchhands.com

In this lesson I'll show you how to use the simple statement of light and shadow as a foundation for the nuances of color, texture and detail. We'll also study more nuanced value structure for subtlety of mood and atmosphere in our work. As we introduce color into our paintings, we'll limit our palette to just six pigments: This will have the benefits of making color mixing manageable while having enough range to paint most of what we see.

From landscapes of high drama to scenes of calm tranquility, each of our pictures must be designed to capture the inspirational quality of each place we paint. In lesson 4 we'll explore ways of capturing the visual interest and primary areas of importance in our pictures.

Instructor

For lesson five I'll demonstrate the importance of edges to give a special emphasis to the design of our landscapes and to create the subtleties and softness of nature. Color design is potentially complex and confusing but there are simple principles that can make color manageable for you. In this lecture, I'll show you concepts for organizing the complexities of color to recreate the harmonies found in nature as well as a sense of mood and environment in your work.


  • The Whisper Theory.
  • Drawing Materials: Handy tools for sketching.
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I'll demonstrate how to use and mix a full color palette to represent the color subtleties we see.