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We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. Dispatched from the UK in 11 business days When will my order arrive? Home Contact Us Help Free delivery worldwide. Description Samantha Nogueira Joyce's Brazilian Telenovelas and the Myth of Racial Democracy traces the representations of Afro-Brazilians on television, culminating with the telenovela Duas Caras , and reveals how telenovelas contribute to social change in ways that have not been fully explored in previous scholarship.

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It also provides a comparative analysis between the representation of Blacks in Brazil and in the United States while it tracks the dynamic process through which Duas Caras worked to debunk the myth and ideology of racial democracy in Brazil. The international media were already in the country for the Confederation Cup. They simply had to rotate their cameras to send home powerful protest footage. In some places the protesters surrounded the soccer stadiums they have turned into symbols of a government that chooses expensive and glamorous sport over its people.

The below review offers a glimpse of this complicated, compelling, and increasingly influential country by examining the Brazilian telenovela, or soap opera—a popular prime-time cultural form that not unlike street protest helps propel social change. Telenovelas , or soap operas, are the main staple of television entertainment throughout Brazil and in many other Latin American countries. Unlike in the United States, where soap operas can run for decades, in Brazil telenovelas end after presenting their storyline over a six- to eight-month period.

Often Latin American telenovelas have served as vehicles to introduce social issues by depicting a common problem, such as gender inequality or limited access for the disabled, in order to raise awareness and stimulate discussion.

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Running for eight months in —8, this telenovela deserves particular scrutiny because it was the first to include an Afro-Brazilian actor as the lead character and the first to make race relations and racism a constant theme. Joyce uses this telenovela as an opportunity to examine the role of television in contemporary currents of social change in Brazil. Put simply, it is generally thought that the Brazilian populace and culture emerged from a mixing of European, indigenous, and African people.

Many believe that because there are no rigid racial lines that delineate black from white in Brazil, racism and racial discrimination do not exist there.

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Typically, Brazilians explain inequality on the basis of hereditary social class and income distribution rather than race. However, like the United States, Brazil has a history of slavery.

After slavery was abolished in , Afro-Brazilians were integrated into the labor market unevenly. Social scientists have uncovered entrenched and consistent forms of racial inequality that continue to relegate the Afro-Brazilian population to the economic, political, and social margins. Summary Samantha Nogueira Joyce's Brazilian Telenovelas and the Myth of Racial Democracy traces the representations of Afro-Brazilians on television, culminating with the telenovela Duas Caras , and reveals how telenovelas contribute to social change in ways that have not been fully explored in previous scholarship.

It also provides a comparative analysis between the representation of Blacks in Brazil and in the United States while it tracks the dynamic process thr.

Review of Brazilian Telenovelas and the Myth of Racial Democracy by Samantha Nogueira Joyce

And let there be white Black flows: Duas caras, the legacy of whitening and racial democracy "My little whitey", "my big, delicious negro": Notes Includes bibliographical references p. Available via World Wide Web.

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