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- Changing the Score?
Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia.
The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
- Changing the Score.
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A Discourse of Change 2. Selecting a "Perfect Entrance": Carolina Ungher and Marino Falier 3. Making Their Way through the World: Italian One-Hit Wonders 4. The Lesson Scene of Il barbiere di Siviglia 6.
Musicology Now
Her research interests focus primarily on nineteenth-century Italian opera and on diva culture. She is the author of articles in many books and journals, and she is the co-editor of Fashions and Legacies of Nineteenth-Century Italian Opera and The Arts of the Prima Donna, Hilary Poriss approaches her theme with engaging energy and perception.
The book reveals the value of understanding the performance practice of Italian opera in the 19th century and the important role of the singers, especially the prima donnas. If contemporary operatic practice considers reviving the use of insertion arias, Changing the Score will have accomplished its objective.
Changing the score : arias, prima donnas, and the authority of performance
One for scholars and opera-goers alike. Oxford University Press is a department of the University of Oxford. Summary This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas.
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Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia.
The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period [Publisher description] This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas.
This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Extent viii, pages. Label Changing the score: This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period Member of AMS studies in music Cataloging source DLC Dewey number Carolina Ungher and Marino Faliero -- Making their way through the world: Library Locations Map Details. Thomas Jefferson Library Borrow it. Louis , MO , , US.
