Crazy Credits The opening 20th Century Fox logo has a ocher-yellow tint added to it. In all, 45 minutes of new scenes have been added, with the biggest addition, as Ridley Scott acknowledges in the introduction, being the subplot of Sibylla's son. Also, there is now more graphic violence in all the battle scenes, with newly added shots of spurting blood and new close-ups of wounds being inflicted.
The primary additional scenes in the Director's Cut are: In the opening scene, there is a shot of the Priest Michael Sheen splitting open his apple only to find that it is rotten. Also, newly added dialogue with the gravedigger Martin Hancock reveals that the woman being buried was married to the Priest's brother, Balian the Blacksmith Orlando Bloom.
There is a new scene where the bishop of the town Bill Paterson orders Balian's brother to release Balian from prison so the blacksmith can aid him in completing the construction of the new abbey. There is a new scene of Balian looking at the sapling planted by his wife Nathalie Cox , coupled with a flashback of her planting it. The guard of the prison 'Tim Barlow' then comes in to Balian's cell and releases Balian. There are several newly added shots of the French village as Balian walks away from the prison.
These shots help to establish the local geography more clearly than in the theatrical version. After Godfrey Liam Neeson and his men arrive, there is a new scene of them having dinner with Godfrey's elder brother Robert Pugh. While Godfrey is away from the table, the elder brother and his son Nikolaj Coster-Waldau conspire to kill Godfrey and take the mantle of Baron of Ibelin for themselves, which creates an additional reason for the forest ambush later in the film in the theatrical cut, the ambush seems based purely upon an attempt to arrest Balian.
A new scene shows Balian being verbally abused by his brother whilst sitting at the crossroads looking at his wife's grave.
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The following day, the Priest gives the Crusaders some background information on Balian, including his role as an engineer and how he used to build towers that could fling "the largest stones. Immediately after Odo's conversation with Balian, there is a brief flashback of Godfrey saying goodbye to Balian's mother before he left for Jerusalem.
The subsequent exchange between Godfrey and the Hospitaler David Thewlis has been shortened in the Director's Cut, as some of the exposition given in that scene in the theatrical version has already been revealed in other newly added scenes, and their conversation is now much more oblique. Godfrey's line "I am your father" in the theatrical cut is substituted with "I knew your namesake" in the Director's Cut.
After Godfrey and his men leave for Messina, there are a few additional shots of Balian's assistant Bronson Webb watching them leave and then looking back at Balian. Later that night, the scene where Balian kills his brother is longer, with much more dialogue and additional taunting from the Priest prior to Balian's attack. Several additional shots of Godfrey's men at camp have been added; the Hospitaler brushing his teeth; Firuz Eriq Ebouaney shouting at one of the men for urinating upstream of the camp; the English Sergeant Kevin McKidd greasing Godfrey's armor this explains why Godfrey is hurt so badly by the arrow in the subsequent ambush - he is not wearing his chain-mail.
The ambush scene has several new additions. Roger's son greets Godfrey as "Uncle" and mentions his father Godfrey's brother ; as Roger's son leaves he says "You are my uncle, I must give you the road" as opposed to the theatrical "You are a knight, I must give you the road"; a new close-up of the horse crossing the river with the Hospitaler hiding by hanging off the left flank; a new shot of Godfrey chasing Roger's son, and saying "Thank my brother for his love"; a new execution scene where the son of Roger de Cormier Paul Brightwell is stabbed in the back of the head by the English Sergeant after he demands the right to be held to ransom.
The ambush is also considerably bloodier than in the theatrical cut. On the pilgrim's road, the acolyte 'Steven Robertson' now says "To kill an infidel, the Pope has said, is not murder. It is the path to heaven. Additionally, there are a few more shots of Godfrey's tent prior to the arrival of Guy de Lusignan Marton Csokas. At Messina, the English Sergeant gives Balian some background information about local trade and why the port is so busy. After waking up, Balian has a bath, but is embarrassed at having to get out of it naked in front of the servant girls.
When he does finally get out, he is extremely uncomfortable in allowing them to dry him, so he grabs the towel and walks off, much to their amusement. Also at Balian's house, there is a new scene where the Hospitaler discusses faith, remarking that he doesn't put much stock in religion anymore because he has seen too many fanatics use religion as an excuse for killing. When the Hospitaler brings Balian to see Tiberias Jeremy Irons , the title card 'Office of The Marshal of Jerusalem' appears later, closer to the actual introduction of Tiberias himself.
After Tiberias has told Raynald de Chatillon 'Brendan Gleeson' that one day, his title will no longer protect him, there is a short new scene where the witness Nasser Memarzia to Raynald's attack on the caravan complains to Tiberias about Raynald walking free, and Tiberias pays him off to keep quiet. The scene where Balian meets Baldwin IV Edward Norton is longer, with several new lines of dialogue scattered throughout.
Additionally, there is a new section of the scene where Balian gives the King advice on how best to protect the city from a massive attack. After speaking with Baldwin, as Balian leaves, he stumbles over a small toy soldier. As he scoops down to pick it up, he sees Sibylla's son Alexander Potts - although we don't know who he is yet. Balian smiles at the boy and puts the toy back down. After Balian has gone, the boy comes and gets the toy.
The close-up of Balian as he looks at the tableaux on the wall in his father's house at Ibelin has been extended, and there are a number of shots which serve to lay out the geography of the house in more detail than in the theatrical cut. As Balian and Almaric survey the land at Ibelin, Almaric has a line not in the theatrical version; "My lord, this is a poor and dusty place. There is a new scene between Balian and Sibylla 'Eva Green' where she washes his face after he comes in from working on the land, and she tells him that she is free to do as she pleases due to her being the King's sister.
The scene between Balian and Sibylla as Balian watches the Muslim servants performing their prayers has some additional dialogue where she tells him about her son. There is a new scene with Balian where he is walking by the irrigation system and sees the toy boat that the boy used earlier when the water pumps were first set up.
He picks the boat up and looks at it for a moment, before returning it to the water and watching it float away. After the battle of Kerak, as the army leaves, Guy looks at Balian and then at Sibylla and notices them looking at one another; the implication being that he knows Balian and Sibylla have been together. As the Saracen doctors enter Baldwin's chamber, there is a newly added scene of Guy practicing with his sword in the hallway.
Immediately after this, there is a new scene of Raynald walking around in circles in his cell repeatedly shouting out his name. The jail-keeper is trying to have his dinner and looses patience, slamming the inner door of the prison shut. Eraclius leaves the chamber in disgust and meets Guy outside.
After the departure of Eraclius, there is another new scene in which Guy rather unceremoniously seduces Sibylla's maid Samira Draa. There is then a new scene between Balian and Sibylla where Sibylla points out that, as Regent, she is going to have to run the Kingdom until her son is ready to do it himself.
Balian asks what role Guy will have in this new government, but Sibylla doesn't answer him. After leaving Balian, Sibylla arrives at the palace in the early morning. Once inside, she sees Guy with her son, followed by a scene in which Guy attempts to force her to accept his knights' allegiance, threatening that if she does not, her son's reign as King will be "brief and bloody.
There is a new scene of Sibylla teaching her son about England and France. Tiberias arrives and tells her that if she wants to say goodbye to her brother, she had better do it now. At first, she is reluctant, but Tiberias persuades her to go. After she and Tiberias leave, the boy places his palm on top of the fire lamp and feels no pain, despite blistering his flesh - thus indicating that he, like his uncle Baldwin IV, has leprosy. Baldwin IV's death scene is slightly longer than in the theatrical cut, with some additional moments of silence between him and Sibylla.
When Guy confronts Sibylla after Baldwin's death, an additional line of dialogue has been added; "If my son has your knights, you have your wife. In this version, after she removes the mask to look at his face, she then gently places the mask back on, and tucks it in under his hood. There is a new scene showing Baldwin V's coronation. Immediately after the coronation, an interesting new scene between Balian and the Hospitaler has been added. Quai D'orsay, Tome 2: Die Uhr Und Die Zeit: Die Tote Vom Naschmarkt: Das Geheimnis Der Papiermacherin: The Year Of Reading Dangerously: Artists Of The Newlyn School Katholisches Gebet- Und Gesangbuch.
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