REACH OUT AND TOUCH

Diana Ross Number of Pages: A3-A5 Piano Guitar Scoring: Nickolas Ashford Valerie Simpson Lyricists: Nickolas Ashford Valerie Simpson Date: Reach out and touch somebody's hand. View All Product Type: In order to write a review on digital sheet music you must first have purchased the item.

Subscribe to our Newsletter Stay Connected. We think your country is: In , the same year that Diana released "Reach Out and Touch" as her first solo single, ironically the song was also covered by the group that she had just left at the start of that year, The Supremes now fronted by Jean Terrell, along with other members Mary Wilson and Cindy Birdsong.

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In one of her autobiographies, Mary Wilson mentioned that some fans at the post-Ross Supremes' concerts used to call out requesting that The Supremes would sing this record live, as some fans erroneously recalled that it had been The Supremes' version, and not Ross's, that had charted as a hit Billboard single in early ' From Wikipedia, the free encyclopedia.

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Reach Out (And Touch Me) - Hilary Duff - theranchhands.com

Archived from the original on No trace of humanity inside. A cloud kicks up in its wake, radiating out from behind and blanketing anything nearby with dust.

Every so often it makes a steering adjustment, jolting to the left or right to stay even with the road. Nothing could ever stop it.

The ASCAP Foundation "Reach Out And Touch" Award In Honor Of Nick Ashford

Nothing would cripple its ability to roll along indefinitely, to smash through any barrier in its way, man made or not, to deliberately seek out and crawl over land mines for the mere novelty of taking no damage from their blast. The Hercules has no cannon because it needs no cannon. It will come and go as it pleases. I brush myself off as the thing disappears down the road, a futile effort as more dust swirls around into my eyes and up my nose.

I cough and sneeze and spit, dirt crunching between my teeth.

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I pat my shirt and shorts and slap the side of the rifle to shake off some of the powder, and then something taps me on the head. Some dust still hangs in the air, but not enough to block my view of the immediate area.

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The Hercules engine fades off and now the tents flap around me and fill any silence not already filled by the constant drone of diesel generators in the distance. One of my sergeants believes in ghosts and says they touch his feet and his face during the night. Something taps my foot, and I jump and fling off my shower shoe thinking it might be a camel spider, the shoe bouncing against a nearby concrete barrier, the cold dirt sucking body heat from my bare foot.

The closer of the two cards sits with a white side facing up, some fine print stamped on it. Normally my parents mailed them to me and I used up the minutes at the phone center. You call an eight hundred number from a phone and the next thing you know your girlfriend or parents or future ex-wife or grandma could hear you out for a while. I pick up the cards and thumb the dust off. Another tap, this time on my shoulder.

A card spinning to the ground in my peripheral. The air works its way between and fans them out in scattered formations. They rock back and forth, some flipping end over end. More and more flutter in the air as if a giant bag of calling cards had ripped open in the sky. They land on our tents, sliding down the canvas. A few spin down the back of my shirt and I untuck it to make sure they fall out.

Reach Out (And Touch Me)

The shoe I kicked off a second ago is now covered by the cards, lost forever unless I sort my way through the pile. I kneel down and scoop up a handful as they fall around me like plastic snowflakes, all these calling cards and no phone to call with.

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John Milas grew up in Champaign, IL.