Caygill Howard, Reliquary art: Alfano Miglietti Francesca, Extreme Bodies: Stiles Kristine, Uncorrupted Joy: Weill Nicolas, Que reste-t-il de nos tabous? Buci-Glucksmann Christine, La Folie du voir.
Buci-Glucksmann Christine, Histoire florale de la peinture. Les Imaginaires du corps II. Warner Marien Mary, Photography: Zylinska Joanna, The Cyborg Experiments: Women Artists, Technology and the Monstrous-Feminine. Goldberg RoseLee, Performance Art: From Futurism to the Present.
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Un art contemporain, Editions Regard, p. Manchester University press p.
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Vergine Lea, Body Art and Performance. The Body as Language, Editions Skira, p.
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Live Art since , Editions Abrams, p. Auslander Philip, From Acting to Performance. Essays in Modernism and Postmodernism, Editions Routledge, p. Feminist Reading, Editions Routledge. Historians of early modern French architecture seem to have underemphasized the changes occurring in the profession between the late medieval and the early modern era as much as historians of Italian architecture have often overemphasized them.
A recent multi-authored overview that focuses on the relations of patrons and architects over five centuries, therefore offering a broader frame for the many study-cases, is Architectes et commanditaires: Yet this interest has taken new turns in recent years by focusing on previously overlooked categories of architectural patronage, by women and cardinals, for instance, as well as by extending the disciplinary spectrum to include the analysis of architectural patronage within artistic patronage at large.
Art and Power Richelieu , Because of their wealth and their access to networks of artists and art collectors, Renaissance cardinals are an ideal subject for exploring questions of patronage. Because of their peripatetic careers, cardinals also were crucial channels for the dissemination of artistic trends and ideas.
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Both volumes mentioned here provide the reader with good overviews of the topic and with a variety of detailed case studies mostly, but not exclusively, centered on Italy and France. Along with a number of volumes of collected essays dealing with early modern France and Europe — including Women and Art in Early Modern Europe: Strangely enough, none of the volumes listed here devote much space to architectural patronage specifically, even though the history of French early modern architecture from Delorme to Mansart is a history largely populated by buildings commissioned by women.
Traditional narratives have identified three main channels for the diffusion in France of classical and Italian models decorative motifs: It is now clear that these paradigms are outdated. It is also clear that a theoretical model that emphasizes Italy as the exclusive source of artistic knowledge in early modern France is, in and of itself, problematic. Northern Europe might have momentarily disappeared from the map of nineteenth- and twentieth-century scholars of French art, but it was powerfully present to fifteenth- and sixteenth-century French artists and patrons.
As of yet, however, new paradigms have failed to replace the old ones. Not because it is unclear how ideas and visual models travelled in early modern Europe they travelled mostly on paper, in the form of drawings and texts, both as manuscripts and printed, as well as through portable objects such as coins, medals, and sculptures , but because not much research has been dedicated to this topic and, where it has, as in the case of architectural treatises, very few surveys have been produced. Of course, the most studied are the bestsellers of early modern Europe: An important volume of collected essays has been dedicated to Jean Martin, the little studied but central figure of Renaissance humanism who translated into French the works of Vitruvius, Alberti, and Serlio, among others Cazauran , Yet the focus on the textual, theoretical aspects of the art does not leave much space for drawings themselves, and architectural drawings in particular are essentially absent.
In The Nature of the Book: Print and Knowledge in the Making Johns , , Adrian Johns has shown that early modern printed books shared many of the flexibilities of both content and layout not to speak of authorship claims of the manuscript books that they did not , in fact, replace.
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He has also shown that the overemphasis on printed material is the result of a projection of our own manuscript-less, contemporary culture onto a past in which manuscripts and printed books coexisted for a long time as non-mutually exclusive. The author explores a broad range of materials, from guidebooks to artifacts to drawings, and covers a vast array of literary and artistic figures, from Antoine Caron to Michel de Montaigne.
She thus provides readers with a most welcome and complex picture of the wealth of exchanges, reinterpretations, and reinventions that the revival of antiquity brought about in Renaissance Europe. Similar explorations on the reception and dissemination of Gallo-Roman antiquities have been undertaken by Lemerle herself Lemerle , , while Carolyn Yerkes has examined the circulation of drawings of Roman ancient and modern buildings in seventeenth-century France Yerkes , Christy Anderson, Renaissance Architecture , Oxford, Hilary Ballon, Louis Le Vau: Flaminia Bardati, Il bel palatio in forma di castello: Gaillon tra flamboyant e Rinascimento , Rome, Jules Hardouin-Mansart, , Alexandre Gady, exh.
Numéros à paraître
Anthony Blunt, Art and Architecture in France: Art et architecture en France: Joseph Boillot , Joseph Boillot: Mario Carpo, La maschera e il modello: Nicole Cazauran, Jean Martin: Saulnier 16 , Paris, Monique Chatenet, Chambord , Paris, Monique Chatenet et al. Monique Chatenet, Fabrice Henrion eds. Monique Chatenet, Claude Mignot eds. David Cowling, Building the Text: Isabelle de Conihout , Patrick Michel eds. Antoine Desgodets, Antoine Desgodets: Alain Erlande-Brandenburg et al eds.
Sebastiano Serlio, architecte de la Renaissance , Paris, ]. Sabine Frommel, Flaminia Bardati eds. Primatice architecte , Paris, ]. Sabine Frommel, Laurent Lecomte eds. Roberto Gargiani, Idea e costruzione del Louvre: Jean Guillaume, Peter Fuhring eds. Mary Hollingsworth, Carol M.
Jean-Pierre Jacquemart, Architectures comtoises de la Renaissance: Jacques Androuet du Cerceau: Adrian Johns, The Nature of the Book: Print and Knowledge in the Making , Chicago, Ethan Matt Kavaler, Renaissance Gothic: The Authority of Ornament, , New Haven, Laurent Lecomte, Religieuses dans la ville: Meredith Martin, Dairy Queens: Die Architekturzeichnungen, Entwurfsprozess und Planungspraxis, Regensburg,