Establishing generic concepts thus allows us to reconstruct past worldviews, because the various formal registers dependent on the choice of genre are organic carriers of a historically determined content, not mere outward staffage. Edition Reichenberger, revised English edition of Don Quixote og romangenren, trans. Third monograph comprehending work done within the framework of my Carlsberg fellowship and my Marie Curie fellowship It was presented as Habilitation thesis to the University of Copenhagen and defended 26 September Olsen, Bulletin of the Comediantes Museum Tusculanum Press, University of Copenhagen, University of Copenhagen Gold Medal Dissertation.
University of Copenhagen Silver Medal Diss. Historical Mimesis in La aurora en Copacabana". Bulletin of the Comediantes xx forthcom. Charles Scribner's Sons, , Vol. Barbara Mujica Washington DC: Georgetown University Press, , pp. University Press of the South, , pp. Juan Bautista Avalle-Arce Ed. Transcrita, editada y cotejada por D. McPheeters New York, In Journal of Hispanic Philology 1 , In Hispania 60 , In Journal of Hispanic Philology 3 , Damiani, Francisco Delicado New York, Teatro del siglo de oro Miami, In Journal of Hispanic Philology 4 , In Yearbook for Comparative and General Literature 29 , Portuondo, Diez comedias atribuidas a Lope de Vega: Estudio de su autenticidad Charlottesville, Virgina In Bulletin of the Comediantes 33 , Symbols in Hispanic and European Balladry Kentucky, In Journal of Hispanic Philology 8 , In South Central Review 1 , In Hispania 67 , Cascardi, The Limits of illusion: In Hispanic Review 54 , In Journal of Hispanic Philology 10 , May, Wit of the Golden Age: Articles on Spanish Literature Kassel, In Hispanic Review 55 , Alhambra, in Hispania 71 , Lope de Vega, Lo fingido verdadero.
Acting is Believing, trans. In Bulletin of Hispanic Studies 65 , Elliott, The Count-Duke of Olivares. In Hispania 72 , Lope de Vega, El anzuelo de Fenisa. Gitlitz San Antonio, Charles Ganelin London, In Hispania 73 , Lope de Vega, La noche de San Juan.
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Anita Stoll Kassel, In Bulletin of Hispanic Studies 67 , In Hispania 74 , Art and History New York, In Journal of Hispanic Philology 16 , La fiera el rayo y la piedra. Aurora Egido Bulletin of Hispanic Studies 69 , Parr, After its Kind. Approaches to the Comedia Kassel, In Hispania 76 , Michael Nerlich and Nicholas Spadaccini.
Hispanic Issues 6 Minneapolis, In Cervantes 13 , In Comparative Literature Studies 30 , In Bulletin of Hispanic Studies 70 , In Hispania 77 , Paterson Warminster, England, In Modern Language Review 89 , Gongorismo and the Comedia. Purdue University Monographs in Romance Languages, no. In Bulletin of Hispanic Studies 71 , In Hispanic Review 63 Enrique Rull Madrid, Rabell, Lope de Vega. Ignacio Navarrete, Orphans of Petrarch: Poetry and Theory in the Spanish Renaissance Berkeley, In Yearbook of Comparative and General Literature 43 In Afro-Hispanic Review 16 Brownlee and Hans Ulrich Gumbrecht, eds.
Cultural Authority in Golden Age Spain. Baltimore and London, In Hispania 80 Dorothy Sherman Severin, Witchcraft in Celestina. Papers of the Medieval Hispanic Research Seminar 1.
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In Hispanic Review 65 In South Atlantic Review 62 In Hispania 81 In Hispania 84 Margit Frenk, Entre la voz y el silencio. Biblioteca de estudios cervantinos, In Hispanic Review 70 Melveena McKendrick, Playing the King.
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Lope de Vega and the Limits of Conformity. In Bulletin of the Comediantes 54 In Renaissance Quarterly 55 In Bulletin of Spanish Studies 80 La imaginacion emblematica en el drama de Tirso de Molina. In Hispania 86 In Bulletin of Hispanic Studies 80 Vanderbilt University Press, In Renaissance Quarterly Adultery and Inquisition in Early Modern Spain. Duke University Press, In Modern Philology A New Reading of Don Quijote.
Yale University Press, In Studies in the Novel Francisco Vivar, La Numancia de Cervantes y la memoria de un mito. In Bulletin of Hispanic Studies 82 Textual Images and Visual Readings. In Anuario de Estudios Cervantinos 3 Friedman, Cervantes in the Middle: In Bulletin of Hispanic Studies University of Missouri Press, Hillaire Kallendorf, Conscience on Stage: In Bulletin of the Comediantes Graf, Cervantes and Modernity: Four Essays on Don Quijote.
Rewriting Classical Mythology in the Hispanic Baroque. In Bulletin of Spanish Studies Bass, The Drama of the Portrait: Penn State University Press, In Hispanic Review In a new edition was published under the title: Life Is a Dream and Other Spanish Classics — last two plays of the edition were not included.
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At the time of his death, he was 55 years old and was working upon translations of 16th- and 17th-century Spanish plays. Roy Campbell was a real character of his own: His live reflects a personal scale version of shaken twenty century. It is highly recommendable to know more of his biography here. Not only did he lose his life By shots assassinated: But with a hammer and a knife Was after that—translated. I defy anyone to read it through. In trying to reproduce the sound of the Spanish, he effectively prevented himself from writing English. For a while the effect must have seemed to be one of brilliance: In ranging pretty widely over the field of Spanish classics in English, I found most enjoyable a volume entitled Three Comedies from the Spanish , published anonymously in London in and known to be the work of Lord Holland.
Unfortunately, Lord Holland did not choose to include a single major play. What was needed, I thought, was fresh air, such as flooded into the translated Greek drama a generation ago when Cocteau and Yeats applied themselves to it. I got hold of some translations which Roy Campbell had recently made for the B. Fuente Ovejuna and The Trickster of Seville , flat and even absurd in the earlier translations I had read, came alive.
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Campbell was in love with old Spain and was one of the few poets writing English in our day who had a touch of bravado, a vein of bravura. Even qualities I had disliked in certain poems of his own were turned to account in the translations.
Campbell was killed, with all the sudden, sprawling violence of Spanish life and literature, some 18 months later. The translations were done, but, as they were not revised, let alone polished and fully prepared for the press, the responsibility devolved upon me of editing manuscripts without being able to consult their author. Should research students ever compare the manuscripts with the texts here published, some of them will wish, I imagine, that I had meddled more, others will conclude that I have already meddled too much. The task being impossible, the solutions found were at best partial and questionable.
But in human affairs this is not an unusual situation.