As might be expected with a book by an academic, much care has been taken to give considerable background to the development of styles of composition and situations involving contemporary influences. Appendices cover Hymn titles, dates and publishers; Alternative lyrics; Background analysis of the St Clement tune; Sacred song authors and dates; Prodigal Son musical numbers and sources; Light of the World musical numbers and sources; Anthem lists, dates and publisher; and select bibliographies of reference sources and CD recordings.
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This is a good reference volume to grace any bookcase. Some items to consider Brahms Symphony 4 Dvorak Symphony 9. IL Carnevale di Venezia Clarinet with orchestra. Sinfonie Concertanti for two flutes and orchestra. Support us financially by purchasing this book from. Lost Chords and Christian Soldiers: Ian Bradley is no newcomer to the world of Sullivan, having written extensively on the composer in a number of forms.
Some items to consider.
Soldiers Lyrics & Chords | Martin Smith | WeAreWorship UK
Subscribe to our free weekly review listing sample Sample: Tension between the sacred and secular marked Sullivan's life, says Ronald Corp. The book reviewed left considers the spirituality of Arthur Sullivan, seen above, c.
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- Un rendez-vous surprise (Harlequin Horizon) (French Edition).
- Onward, Christian Soldiers: Arthur Sullivan’s greatest hit.
- Lost chords, new-found technology.
Lost Chords and Christian Soldiers: How wrong he was on most counts. Did he not know of the efforts of Hullah and the Oxford Movement to improve church music; or the government initiative to make singing compulsory in all schools? Did he not consider the concert halls including the Royal Albert Hall , the flourishing orchestras, and the emerging music conservatories; and did he not know that the country was a magnet to a host of visiting musicians who enjoyed great acclaim in these isles?
This book is very good at providing the context in which 19th- century musicians worked, and is a very good rebuff to the German critic. But - and it's a big but - it could be argued that Britain did not produce the equivalent of a Mendelssohn, Schumann, or Brahms during the Victorian era.
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I am sure Ian Bradley, however, would want to place Sullivan in this company. His book looks specifically and for the first time at Sullivan's sacred music, but nods frequently at the other works, including those that propelled Sullivan on to the musical map. These begin in with The Tempest somehow omitted from the index , which was composed when he was only Of course, the "problem" with Sullivan was that he was soon seduced into composing comic operas with W. Gilbert; and there have always been those who thought he should have concentrated more on his serious music.
Sullivan himself was mortified when Ethel Smyth said that she considered The Mikado to be his masterpiece. Bradley has already produced a book on Victorian hymns, and is steeped in music of this kind from the period.
Forsaking choirs for choruses
This present book analyses Sullivan's sacred music in all its guises, not just the hymns which get a whole chapter to themselves , but also the anthems, sacred ballads, and part-songs, the oratorios and cantatas The Golden Legend is included because of its religious "atmosphere". Listen out for that breath control issue again.
In the aftermath of The Lost Chord being featured on that recording for the London press conference, Sullivan himself recorded a phonograph message for Edison at an event held later in the year by the Edison corporation. This is what he had to say:.
The Lost Chord
Your email address will not be published. Notify me of follow-up comments by email. Notify me of new posts by email. Primary Menu Skip to content. Home About Naxos Records. The opening stanza sets the scene: This is what he had to say: