Made in Latin America. Rereading Women in Latin America and the Caribbean. Radio and the Gendered Soundscape.
Rethinking Race in Modern Argentina. Brazilian Popular Music and Globalization. Buena Vista in the Club.
Stanford Libraries
Human Rights Film Festivals. Spanish Cinema in the Global Context.
Contemporary Theatre in Mayan Mexico. Global Mexican Cultural Productions.
- Chicano Art Inside/Outside the Master's House : Cultural Politics and the CARA Exhibition.
- Writing Good Plain English: A Straightforward Guide (Straightforward Guides);
- Quédate en mi vida (EPUBS) (Spanish Edition).
Flamenco Music and National Identity in Spain. The Precarious in the Cinemas of the Americas.
Chicano Art Inside/Outside the Master's House: Cultural Politics and the CARA Exhibition
On Site, In Sound. Journeys in Argentine and Brazilian Cinema. Theatre and Cartographies of Power. The Diaspora Strikes Back. Fragmented Lives, Assembled Parts. Women, Ethnicity and Nationalisms in Latin America. The Life and Art of Norman Rockwell. Citizenship and Crisis in Contemporary Brazilian Literature. In the Spirit of a New People.
With Needle and Brush. Performance in the Borderlands. Adventures in the Arts: Informal Chapters on Painters, Vaudeville and Poets. Life in the Megalopolis. Gender and Violence in Spanish Culture. The Heart of the Mission. The City of Light: The Pan American Exposition. Examining the Rhetoric of Cultural Deficiency.
Documents of 20th-century Latin American and Latino Art
The Limits of Identity. Pushing the Boundaries of Latin American Testimony. Globalization and Latin American Cinema. Landscapes of Writing in Chicano Literature. Esther Gabara is an assistant professor of Romance studies, and art and art history at Duke University, and works on the contact between literature and visual culture in the Americas. Photographic Aesthetics in Mexico and Brazil. She is the author of La Llorona on the Longfellow Bridge: She is also the editor of Velvet Barrios: Jacqueline Loss is an assistant professor of Latin American literature at the University of Connecticut.
He is the author of In the Break: He is currently completing a manuscript on aesthetic and political criminality in black culture, also to be published by the University of Minnesota Press, called Stolen Life. She is author of Tina Modotti: Image Texture Photography , and co-editor of Phototextualities: Roberto Tejada is an assistant professor of art history, theory, and criticism in the Visual Arts Department at the University of California, San Diego.
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