The first non-folk female singer-songwriter. She defied all categories in the late 60s, and Laura Nyro's music makes more sense now, after four decades of her influence trickling down. A pop-loving teenage beatnik, after school she would head for the stairwells of subway stations to sing doo-wop; she also loved Broadway musicals, jazz and Debussy. At the Monterey Pop Festival the same year she had appeared in a long black gown with a single batwing and no flowers in her hair; the hippies were confused and unappreciative, and she left the stage in tears.
Nyro always wrapped her zaftig figure in black, and songs such as Captain for Dark Mornings have a ripe sensuality not heard again until Kate Bush almost a decade later: Up until her death, she was still flying the flag for womankind — on her last album, 's Walk the Dog and Light the Light, was a song called The Descent of Luna Rose, dedicated to her period. If Joni Mitchell provided the literary aesthetic, Laura Nyro was all about the body: Even before he became a star, Teddy Riley was already something of a legend.
Although he didn't coin the phrase "new jack swing", the style — an uptempo marriage of smooth soul and sample-based hip-hop beats — became synonymous with Riley. By the time he produced and rapped on a song of that name by Wreckx-n-Effect, his brother's group, in , he'd already found fame as one third of the group Guy, and had produced and written the definitive swingbeat hit, Bobby Brown's My Prerogative, and in Michael Jackson drafted him in to produce three tracks for his Dangerous album.
His careers as producer and performer existed in parallel: He discovered the Neptunes — Pharrell Williams and Chad Hugo — and gave them their first production work on Blackstreet's debut album. If Riley's been great at the music, however, he's been less successful at the business. He spent most of the 90s in dispute with his former manager, and by the time his Virginia Beach studio was destroyed by fire in it was already up for sale, with Riley owing a six-figure sum in back taxes and reportedly reduced to selling platinum discs on eBay.
But he seems to be on the way back: Mike Leander began his working life as an office junior in a music publishing company, but made time to study orchestration at music college, enabling him to move into arrangement and production, with a distinctive string-laden classical-pop style that made him one of the major arrangers and producers of the s — his work can be heard on s staples such as the Drifters' Under the Boardwalk, which he arranged and produced, and the Beatles' She's Leaving Home, which used his string arrangement.
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His most lasting legacy — albeit one tainted by the crimes of his musical partner — came in the early 70s, when he took a singer he'd worked with before with no success, and transformed him into the most recognisable symbol of glam rock. Leander took apart the original sound of rock'n'roll and reconfigured it for him, paring it back to call-and-reponse verses and chorus and a pounding, almost tribal beat, with caveman riffs played on electric guitar.
The distinctive "Glitter beat" was created on floor tom and snare, seemingly compressed into a brutally flat sound, and it has become a staple sound in pop, widely imitated — it even made an unlikely appearance as the killer hook in the song Atlas, a breakthrough for the art-rock band Battles in When Michael Viner, the head of MGM's soundtrack division, needed some music for a chase sequence that had been hastily added to the studio's B-movie The Thing with Two Heads, he brought a bunch of LA session players together in the company's studio to record a cover of Preston Epps's s hit Bongo Rock.
Released as a single, the track was enough of a success to have Viner and chums record a follow-up album — also called Bongo Rock — which mixed big-band funk versions of unlikely covers Apache, In a Gadda Da Vida with original instrumentals. Not only did the percussion-heavy tracks appeal to Herc's streetwise fans in the Bronx, but when he cottoned on to the idea of taking two copies of the same record to extend the drum break, he invented breakbeats.
Had Bongo Rock never been recorded, Herc would likely have come up with the same technique using a different record. But he didn't, and the Incredible Bongo Band's place as pop's most far-reaching accidental innovators was sealed. But his influence didn't stop with the 60s.
Canvey Island's pre-punk rockers Dr Feelgood named themselves after a Pirates song, and their guitarist Wilko Johnson was hugely influenced by Green's slashing style — which predated punk and metal — calling him "the absolute master". With the Pirates reformed in the late 70s Kidd had died in Green found himself heralded as a forefather of punk, and his style echoed by post-punk bands such as Gang of Four, whose Andy Gill was in debt to Johnson, and therefore to Green.
His importance in British rock was remembered earlier this year, when he died — and Paul McCartney paid tribute to "one of the original rock heroes". Pioneers of post-Beatles studio pop who anticipated the hi-tech, meta-pop of the 80s. They joined forces with art-school kids Kevin Godley and Lol Creme to form 10cc in The former pair wrote the pop hits, the latter the art-pop experiments.
Their early singles were as smart and sharp as Sparks or Steely Dan, as intricate and complex as prog rock, and as pointed and acerbic as Frank Zappa, but more concise. Their albums 10cc and Sheet Music pushed the boundaries of pop, with four multi-instrumentalists, songwriters and vocalists who also handled the production, arrangements and engineering. Their album The Original Soundtrack contained two landmarks: But their tempo-twitching methods were everywhere in the 80s, from XTC's brainiac post-punk to Prefab Sprout's lush pop.
Numan toured Australia in May performing his seminal album The Pleasure Principle in its entirety to celebrate its thirtieth anniversary. Joining him on tour was Australian electronic band Severed Heads , coming out of retirement especially for the shows.
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Numan also provided narration for Aurelio Voltaire 's short film Odokuro in While working on a new album due for release in , Numan said "The one I'm working on now which I'm trying to get out in the middle of next year. It's very heavy, very aggressive and very dark. There are elements of Dead Son Rising in that, but it's much further along that particular road.
It reached the UK Top 20, his first album to do so for 30 years. A further US leg took place in late The game was released on 14 October Numan performed a sold-out, one-off live show in London in November at the Hammersmith Apollo supported by Gang of Four.
On 29 April , Numan announced via his Facebook page that he had begun writing songs for the follow-up album to Splinter Songs from a Broken Mind. On September 24th, , Numan's tour bus struck and killed an elderly man in Cleveland, Ohio at the intersection of East 9th St. Numan was scheduled to appear at the Cleveland House of Blues that evening but canceled the show for being "inappropriate" in light of the day's tragedy.
Numan posted on Twitter later in the day, saying, "We are all utterly devastated by the fatal accident involving our tour bus in Cleveland earlier today.
Gary Numan
Everyone of us is filled with a sadness that made it impossible to even consider playing our show this evening, and out of respect it would have been entirely wrong. I'm sure you can understand why we cancelled and I apologize to the House of Blues and to the fans for any difficulties or disappointment this decision may have caused.
All tickets will be honored at the point of purchase. At the moment all we can think about are the people affected by this terrible tragedy and to them we send all our love. Numan was an outspoken supporter of the Conservative Party and of Margaret Thatcher after her election as Prime Minister. I don't believe in sharing my money. Malins also wrote the liner notes for most of the CD reissues of Numan's albums in the late s, as well as executive producing the Hybrid album in At age 15, after a series of outbursts in which Numan would "smash things up, scream and shout, get in people's faces and break stuff", he was prescribed antidepressants and anxiolytics.
Just recently I actually found out that I'd got a mild form of Asperger's syndrome which basically means I have trouble interacting with people. For years, I couldn't understand why people thought I was arrogant, but now it all makes more sense.
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Following the apparent harassment of his wife while his family was walking on a high street in his local area, and his feelings following the London riots , Numan filed papers to emigrate to Santa Monica, California. Numan said, "Every village and town in England has a bunch of thugs running around in it. The riots were the nail in the coffin.
He went on to explain that soundtracks may be a logical step, as he gets older and since "in the UK we have no meaningful film industry to speak of", a move to the U. He concluded by saying his family are highest priority and, "If I see somewhere that seems safer, happier, and will give them a better life than the UK, I'll take them there if I possibly can. Numan has three daughters, Raven, Persia and Echo; [58] all three appeared briefly in the video for "Love Hurt Bleed", and year-old Persia contributed vocals to and was featured in the video for "My Name Is Ruin".
From Wikipedia, the free encyclopedia. Gary Numan Numan performing live in Manchester , Synth-pop [1] [2] new wave [3] electronic [4] [5] industrial rock [6]. Singer songwriter composer musician record producer. Eagle Machine Music Ltd. Human with Michael R. Retrieved 10 July Retrieved 4 July Archived from the original on 5 February Retrieved 31 January Retrieved 9 December Retrieved 15 May Rock Movers and Shakers: Best Music from the s". Archived from the original on 28 December I had so much cash, all I wanted to do was spend". Retrieved 24 July The history of electronic music within European pop?
Retrieved 8 August Retrieved 14 October A few months later Numan found success in the charts on both sides of the Atlantic with " Cars ", which peaked at No. The album reached number-one in the UK, and a sell-out tour The Touring Principle followed; the concert video it spawned is often cited as the first full-length commercial music video release. A second single from the album, " Complex ", made it to No.
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Around this time, Numan also developed his style. According to Numan, this was an unintentional result of acne ; before an appearance on Top of the Pops , he had "spots everywhere, so they slapped about half an inch of white make-up on me before I'd even walked in the door. And my eyes were like pissholes in the snow, so they put black on there.
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My so-called image fell into place an hour before going on the show". He later said that he " You Die " released prior to the album reaching No. Telekon , the final studio album that Numan retrospectively termed the "Machine" section of his career, [19] reintroduced guitars to Numan's music and featured a wider range of synthesisers.
The same year he embarked on his second major tour "The Teletour" with an even more elaborate stage show than the Touring Principle the previous year. A live two album set from the and tours released at this time reached No. Both albums, also individually released as Living Ornaments '79 and Living Ornaments '80 also charted. The decision to retire would be short-lived. Departing from the pure electropop that he had been associated with, Numan began experimenting with jazz , funk , and ethereal, rhythmic pop.
His first album after his farewell concerts was Dance The album charted as high as No. With his former backing band, Chris Payne keyboards; viola , Russell Bell guitar , and Ced Sharpley drums now reformed as Dramatis , Numan contributed vocals to the minor hit "Love Needs No Disguise" from the album For Future Reference and lent vocals to the first single release by his long-term bassist Paul Gardiner , " Stormtrooper in Drag ", which also made the charts. However, Numan's career had begun to experience a gradual decline, and he was eclipsed initially by acts such as Adam Ant , and later by the Human League , Duran Duran , and Depeche Mode.
Each album also saw a new "image", none of which captured the public's imagination to nearly the same extent as the lonely android of The album I, Assassin fared less well than Dance. Despite producing one Top 10 and two Top 20 singles, the album peaked at No. Warriors further developed Numan's jazz-influenced style and featured contributions from avant-garde musician Bill Nelson who fell out with Numan during recording and chose to be uncredited as the album's co-producer , and saxophonist Dick Morrissey who would play on most of Numan's albums until Warriors was the last album Numan recorded for Beggars Banquet Records, and was supported by a date UK tour again with support from robotic mime and music duo Tik and Tok.
Numan subsequently issued a series of albums and singles on his own record label, Numa. Despite this, the album divided critics and fans and commercially it was Numan's least successful release to that point. Numan's next album, The Fury , charted slightly higher than Berserker breaking the Top Again, the album heralded a change of image, this time featuring Numan in a white suit and red bow tie.
Four singles were released from the album, all reaching the UK Top Also in , Numan's old label Beggars Banquet released the best-of compilation "Exhibition", which reached 43 on the UK albums chart [23] , and a remix of "Cars". The remix, titled "Cars E Reg Model " charted at 16, Numan's final Top 20 hit until the rerelease of the same song. Numan then signed to I. Records though his final studio album of the s, Metal Rhythm , also sold relatively poorly.
For its American release, the record label changed the album's title to New Anger after the album's lead single, changed the album colour from black to blue, and remixed several of its tracks against Numan's wishes. Smith the score was later released as an instrumental album in , Human.
After Outland , another critical and commercial disappointment and his second and last studio album with I. He supported Orchestral Manoeuvres in the Dark who had opened for him in on a arena tour. By , Numan decided to stop attempting to crack the pop market and concentrate instead on exploring more personal themes, including his vocal atheism. His future wife Gemma encouraged him to strip away the influences of the more recent years. Numan re-evaluated his career and veered toward a harsher, more industrial direction with his songwriting on the album Sacrifice —for the first time he played almost all the instruments himself.
The move was critically well-received, as Numan's harder and darker sound emerged just as Numan-influenced bands like Nine Inch Nails were enjoying their first rush of fame. His next two studio albums, Exile and Pure , were well received and significantly helped to restore his critical reputation. Numan toured the U. Numan had become acknowledged and respected by his peers, with such musicians as Dave Grohl of Foo Fighters and Nirvana , Trent Reznor of Nine Inch Nails , and Marilyn Manson proclaiming his work an influence and recording cover versions of old Numan hits.
Held and , in the latter case thanks to an appearance in an advert for Carling brewery. In , DJ Armand Van Helden sampled the track and mixed it up in his single " Koochy " which conquered the dance floors. In , English girl group the Sugababes scored a No. In , Numan enjoyed chart success once again with the single "Rip", reaching No. Rico also worked on the remix album Hybrid which featured reworkings of older songs in a more contemporary industrial style as well as new material.
In , Numan took control of his own business affairs again, launching the label Mortal Records and releasing a series of live DVDs.