Des Teufels Lustschloss, D. Claudine von Villa Bella, D. Die Freunde von Salamanka, D. Alfonso und Estrella, D. Haydn Sinfonietta Wien, Manfred Huss. Octet In F, D. Octet in F Major, D.
- Notes and Editorial Reviews.
- Schubert: String Quartet No. 8 in B flat major, D (page 1 of 1) | Presto Sheet Music;
- List of works by Jan Ladislav Dussek.
- Schubert: Complete String Quartets / Auryn Quartet;
- Gospel Harmony: The story of the Life of Jesus.
- Gute Gründe: 13 Kriminalgeschichten (Mörderische Frauen) (German Edition).
- List of works by Jan Ladislav Dussek - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music;
Andante molto - Allegro. String Quintet In C, D. String Quintet in C Major, D. Allegro ma non troppo. Scherzo Presto - Trio Andante sostenuto. Mstislav Rostropovich, Melos Quartet. Piano Quintet In A, D. Piano Quintet in A Major, D. Emil Gilels, Amadeus Quartet. String Quartet in various keys D 18 No. Andante - Presto vivace. String Quartet in C major D 32 No. String Quartet in B flat major D 36 No. Quartet Movement in C minor D String Quartet in C major D. Adagio - Allegro con moto. String Quartet in B flat major D 68 No. String Quartet in D major D 74 No.
String Quartet in D major, D. Menuetto and Trio - Allegretto. String Quartet in G minor, D String Quartet in E major, D, op. Andante un poco mosso. String Trio in B flat, D. Allegro moderato - Trio. Piano Trio in one movement in B flat, D. Adagio in E flat, Op. Sonatina for Violin and Piano No.
Gidon Kremer, Oleg Maisenberg. Rondo In B Minor, D. Gidon Kremer, Valery Afanassiev. Violin Sonata in A Major, D.
String Quartet No. 8 in B flat… | Details | AllMusic
Allegro vivace - Allegretto - Presto. Scherzo Allegro vivace con delicatezza. Scherzo con trio Allegro. Molto moderato e cantabile. Piano Sonata in C, D. Allegro vivace - Trio. Allegretto In C Minor, D. Theme Andante with Variations. Fantasy in C Major, Op. Allegro con fuoco ma non troppo.
Schubert: The Complete String Quartets / Verdi Quartet
Piano Piece In A D Six German Dances, D Fantasy In C Minor, D. Menuet In F Major, D. Rondo for Piano Duet in D, D. Fantasy In F Minor, D. Allegro molto moderato - Largo - Allegro vivace - Tempo I. Emil Gilels, Elena Gilels. Alfons Kontarsky, Aloys Kontarsky.
Daniel Barenboim, Martha Argerich. Grand Duo Sonata in C major, D. Marche militaire in D Major, Op. Marche militaire in G Major, Op. Allegro molto moderato from "Rosamunde". Symphonic Fragment in D, D. Completed and Orchestrated by Brian Newbould. Martin in the Fields, Neville Marriner.
Realised by Brian Newbould. Orchestrated by Brian Newbould. Adagio - Allegro moderato. Wiener Philharmoniker, Carlos Kleiber. London Philharmonic Orchestra, Leopold Stokowski. The symphonies and the delicious "Rosamunde" incidental music are first-class recordings from Claudio Abbado and the Chamber Orchestra of Europe. The chamber music includes Emil Gilels and the Amadeus Quartet in the "Trout Quintet" for piano -- there isn't a better version to be had. An unmissable set of classic performances that have stood the test of time.
It's part of the most authoritative project ever attempted around the composer, featuring all of his masterpieces in timeless recordings -- and many rare gems that show off his genius. Bref, le coffret est splendide. Adagio - Allegro vivace 9: Largo - Allegro vivace Menuetto Allegro vivace 3: Adagio maestoso - Allegro con brio 9: Adagio molto - Allegro vivace Andante con moto Andante con moto 9: Menuetto Allegro molto 5: Adagio - Allegro 9: The Verdi Quartet performs these works in a manner that reveals their full complexity.
Inner part-writing is clearly exposed, and interpretive choices offer new insights into the musical message. The A-Minor Quartet is performed with relaxed tempos in all movements, but it never drags. This is a remarkable achievement because it enables the listener at least this listener the opportunity to absorb the inner part-writing complexity more patiently, but without loss of musical line.
In the D-Minor Quartet, the merely modest initial attack and the relaxed tempo and insufficient crispness throughout the first movement detract from an otherwise excellent performance. The final movement could use a crisper treatment throughout, but the closing bars are forcefully articulated to bring this great Quartet to a powerful conclusion. The Lindsays observe first-movement repeats. In fact, their first movement is outstanding.
This referential opening bar is also found at the start of the third movement of the A-Minor Quartet and at the start of the last movement of the Octet. The fortissimo that begins at bar 44 at 3: This section is in two equivalent, approximately bar images, the second a semi-tone lower than the first. The tension that this tonality change sets up is unusual by going lower in pitch to become higher in tension. The Verdi Quartet is especially effective here. The third movement is fleet, with a trio section that is very songful, like a slow Deutsch Tanz , which it essentially is.
Listen to the five Deutsche in this CD set to hear the similarity. The final movement is especially challenging to play because of the complexity of the interplay of instruments. The performance here is, for the most part, excellent. Especially notable is the B-Minor modulation bar , at 3: First, there is an extraordinarily beautiful, ear-catching second violin passage in C? Second, near the end of the movement, in the forte fortissimo tutti from bar to bar , at This, when properly discernable, is thrilling stuff.
The latter two observe the first movement repeat.
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The latter pickup group is live and has poor microphone placement I presume for the cello. The shellac-disc-transfer recording by the Busch Quartet is worth exploring to hear, in an older style, superb musicianship. The String Quintet and the last five Beethoven quartets are regarded as the pinnacles of chamber music. I would add the G-Major Quartet to this group.
Such categorizations, however, are too exclusive to be non-controversial. Let me say only that we are all most fortunate to have access to such music.
Customer Reviews
The first movement repeat is omitted, which is a mistake for reasons of architectural balance and the need to hear interpretive variation in the repeat. Otherwise, I cannot praise this performance highly enough. It outdoes in various ways its competitors: All, except for the Budapest, observe the first movement repeat.
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The playing by the Verdi Quartet has the inner part-writing clarity that is associated with the Emersons, has the sonorous sostenuto of the E-Major Adagio and the passion of its F-Minor middle section that is so well offered by Stern and company, and has the complex harmonies of the Scherzo and the probing D? The final movement is at a relaxed tempo, which is all to the good and seems to be an often, but not always, judicious Verdi Quartet characteristic.
Each of the recordings mentioned has much to offer, and no one offers everything, but the Verdi Quartet offers the best balance.