I guess they are outtakes in that they werent considered strong enough material to be released on a studio album. This just shows the staggering quality of material they were recording if these two great tracks couldnt make the cut for an album. Why not these two tracks. I ask the same questions mikesnaps! Jiving Sister Fanny is pure, real stones with that brilliant rythm guitar and the fantastic lead guitar by mick. I love, it's just a shame they never found the song good enough to be a part of an album.
Organ also so good on JSF. And Bass Richards methinks. Jagger putting Taylor through his paces. I bet Richards and Jagger just couldn't believe their luck. No auditions like in ' Taylor only needed to turn up and play and he had the job. They never actually told him! Goin' Down another favourite from same era.
I assume some OD work was done on these in , at least the horns, which really re emerged on SF. LIB is a great album, and when you listen to some of the outtakes it was definately a major period of creativity. It's so very lonely, you're 2, Light Years from home. Rockin song AND its amazing to me how many different versions there are even though the differences are minor, I guess.
BUt this is one they oughta dig out like "Start Me Up" and finish off the lyrics! I always thought Jiving Sister Fanny was one of the coolest grooves they ever produced--awesome energy and really captures a "live feel", no doubt because they recorded most of it live. There's actually two versions of this tune with slightly different lyrics if you want to call them that, lol and a slightly different tempo. The Metamorhosis version is different from the one on Trident Mixes. I used to have a boot of outakes from that era where the tape was speeded up a bit. Usually, thats annoying, but in this instance, it came out sounding really cool.
All those outtakes from '69 and '70 are some of my favorite Stones, you can really hear them playing together in the same room and it was a remarkably creative period. Jiving Sister Fanny is a real good live tune with some nice drumming. Used to play it with my band. It goes fantastically on a revamped running order of Let It Bleed too. The Renaissance for The Stones?
It had to be the Renaissance: And in doing this, they managed to put out an album which, although far from perfect, was still a serious improvement over their last two. Unfortunately, in retrospect the album had suffered a lot exactly due to all the extra celebrity-related baggage appended to it: The Stones are the Phoenix of the modern world!
Nowadays, Steel Wheels don't get too much respect, and it's a shame, because this is at least a serious effort, with the guys actually having taken some time to work on the material and present it from its best side. The predictable official live follow-up to Steel Wheels. As the Stones slip into "old age" and drastically change their live image, the album finally features the Big Band in all of its glory: Well, Flashpoint might have been a 'signal', but it's with this album that the band has finally and forever settled into old age.
Perhaps the most wonderful thing about it is that they do not try to sound other than they are, if you know what I mean. Sure, Jagger wouldn't be Jagger if he hadn't sucked in a few up-to-date fashionable ideas like that grunge thing, for one , but it's one thing to inject a few fresh-looking trends and another thing to overdo it. Just about every review in existence always points out that Voodoo Lounge is quintessential Rolling Stones: No more senseless barking on every corner; no more phoney punkish posturing; no more mindless hour-long disco throwaways - just your average selection of classy tracks, full of delicious guitar chops and everything.
Since this is the Nineties for Chrissake, one can't but lament a bunch of filler tracks, too, but there are fewer of those than you'd actually wish, and the better material is definitely attention-activating. Instead of following Voodoo Lounge with a typical live album, like the Stones usually do, this time around they decided to combine a few live cuts with some material culled from rehearsals and release a 'bastard'. Whether one welcomes the decision or not, it's at least something "different": What's even more attractive, most of the songs aren't greatest hits, but rather slightly more obscure songs from different stages in their career.
Now don't blame me. The hype was enormous, the tour was great, and most of the songs here are just fine. But overall I wouldn't think of this album as belonging to the Stones' finest work. They sure do not stagnate, and they're certainly willing to take a few risks and make a few experimentations, and the playing, singing, mix, and production are as flawless as possible. However, musically it's not as strong as some make it out to be After all these years, they've still got it!
Well, depending on what you consider to be ' it ', of course It's really unfortunate that Bridges made the charts and this one hasn't and probably never will, cos as decent as Bridges were, in many many respects it's better. Apparently, the album just didn't get as much promotion as Bridges got - sadly enough, in this corrupted world of ours promotion is DA TING, man.
This resulted in a chain of events likely to piss off a lot of Stones fans; for instance, there had been plans of releasing something like an official 2-CD package with recent outtakes, a real paradise for Stoneheads like me, but all this was scrapped in the wake of No Security 's commercial failure.
Jiving Sister Fanny, a song by The Rolling Stones on Spotify
Formally but very formally speaking, this isn't really a case of two live albums in a row. The Stones really did come together once more to make a new studio album some time during the first years of the XXIst century. However, due to all kinds of idiotic factors like Jagger missing the filming schedule for some new lame, misguided movie he'd like to star in, or preferring to concentrate on yet another lame, misguided solo album of his, nothing much came out of the idea; the best one can say is that at least Mick and Keith did remain on speaking terms, unlike during the situation.
They did manage to record a handful of new material, something like a CD single-worth. But since CD singles are known to have this foolish tendency to cost less than big albums, they quickly rolled out a new compilation of all-time classics, spliced the new songs to the tail part, called it Forty Licks and gave it the green light. I didn't buy it. Well, after decades of waiting I now know what a "generic Rolling Stones album" really is.
And I like it. This review is dedicated to the loving memory of my father - which is more than appropriate, considering his ever-positive attitude towards the band even though he sort of lost touch with their output after Let It Bleed. He even lived to see them play live in Moscow in , and surprised me by speaking fondly of Bridges To Babylon - I have a hunch he'd find A Bigger Bang to his liking as well, had he lived long enough to hear it.
The oddest thing is, I was just opening the Stones page for editing when I got the news - which is why the review is almost a month late. Looks like I'll always have a special kind of relationship with this record from now on. Well, this one's for you, Dad, wherever you might be. So let's just hope they're so diligent about they begin with the bottom of the barrel and then You don't really need to have spent the best years of your life sleeping in Keith Richards' backyard to know, lock, stock, and barrel, that this here CD is just a big stinky rip-off.
After all, it was marketed through Starbucks, and this makes me wonder if it wasn't intended like that - for all the world to know that the Stones are ripping them off right there in their faces and getting away with it, because, well, they are the Stones and you aren't even a sitcom appearance. You wanna get ripped off - it's your choice. You might even like Starbucks coffee, what do I know? Although it was released only thirty years later, this film was actually shot in Dec. An average night in an average place in an average London town Would you like to see a very new, very young, very 'green' Jethro Tull?
Or maybe your interests lie in pure rock'n'roll? Why not have a look at brilliant Taj Mahal then? Or you're just an average hard rocker? Well here are the Who for you! Want to see something extravagant? Oh well, m'sieur, I don't know if it will satisfy you, but tonight we've only got this average supergroup - like there's John Lennon there, and that Mitch Mitchell guy, and Keith Richards on base, and Eric Clapton, too.
Jiving Sister Fanny by The Rolling Stones
Historically important, but musically shallow. This is an hour-long documentary of their famous Hyde Park concert in July '69, heralding a series of firsts: The first first means you have to sit through a lot of Hells Angels footage, the second first means you have to listen to Jagger stuttering over a poem by Shelley in Brian's memory, and the third first, unfortunately, means that the sound is horrible, most of the songs being poorly rehearsed. The extracts from 'Midnight Rambler' are patchy, 'Satisfaction' is a bore, and the novelties 'I'm Free' and a cover of 'I'm Yours, I'm Hers' are really nothing special.
The general atmosphere is intoxicating, though, maybe even more so than on Gimmie Shelter.
Instant chords for any song
Also, everybody is dressed really cool. So the video line is worth it. The classic movie of a classic concert. Just for the record, that Altamont thing was damn great overexposed. So what if they killed a guy? First of all, it wasn't the only death at the concert overdoses were a usual thing, too, I guess , and the guy messed with the Angels himself.
Sure, it's a tragedy and all, but to attach a symbolic meaning to it It was just appropriate to make it symbolic. The End of The Woodstock Age! This could have happened at any time, I say. But let's get on to the movie. The video of the world tour, and the feelings are mixed. On one hand, all the songs are enjoyable - they plough through most of Tattoo You none of these songs except 'Start Me Up' got to the official album , lots of songs from Emotional Rescue and Some Girls plus a lot of standard classics near the end.
Here's the list may you enjoy it: This is a collection of early videos for late Stones, and it's actually enjoyable as hell. I used to hate it when I was younger because if taken on the same level with the early Stones this is more of a parody than of anything else. But I've grown to love it as, quite simple, a bunch of grooves. All the videos are united by a dorky subjectline: Bill Wyman why Bill, I wonder? Most of the videos date back to there's three from Undercover , three from Tattoo You , and two from Emotional Rescue , plus there's a TV performance of 'Miss You' unfortunately, incomplete , a groovy early rendition of 'It's Only Rock'n'Roll' and a beautiful performance of 'Angie' the last two feature Mick Taylor who is unjustly uncredited in the end.
Oh yes, and there's a performance of 'Brown Sugar', cut-and-pasted from several live shows and set to the sound of the version on Love You Live. This is to Let's Spend The Night as Flashpoint is to Still Life - somewhat more restricted and rehearsed, but much better from the musical point of view. Except for Keith's horrible solos the idea of letting him play lead more often than necessary was not that good in the end , the playing is great, even though for the first time they get a whole bunch of session musicians.
Mick's looking cool, with his specific short haircut, and everybody else is in great form. Still - the sound is a bit dry, as if they were playing lip-sync which they were not, I hope. Highlights include Keith singing 'Happy', ' Light Years From Home' maybe the first time they ever played a Satanic song live , a 'Honky Tonk Woman' with inflatable dolls both were inexplicably left off the live album , a great 'Paint It Black', and the closing 'Satisfaction' is quite a treat.
The official video of the Voodoo Lounge tour, shot somewhere around Miami, I presume. The band is in great form, better than on the previous tour, actually, and most of the performances are quite fine. There are many defects, though. The show is obviously cut.
- Jiving Sister Fanny!
- Spanking in the Love Hotel?
- We are sorry....
- Lena (Gypsy Spirits Book 3).
- Jivin' Sister Fanny.
Some of the songs are not that great the boring, un-energized version of 'Stop Breaking Down' with guest star Robert Cray; 'It's All Over Now' with Keith playing a solo that almost seems a parody on the old one and makes me suspect he forgot all his perfect Berry-licks. And, finally, the heat must have been great: Keith, in particular, looks truly horrible, especially on his solo number - which, by the way, is called 'The Worst'.
It's not the worst, though.
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Not here, at least. Unfortunately, this one is very rare.
jiving sister fanny
I have the first part of it there probably should be a second as well, but where? Also, the general quality is much higher: Mick is in a much better form, no heat is gonna make the makeup run down their faces and make Keith look like a cross between Count Dracula and Quasimodo, and no Robert Cray is gonna drive them into a weak generic blues performance. If you are lucky enough to get this one, drop the official video; if you're not - just keep looking. A strange thing, but starting with the infamous tour, the Stones seem to get better and better with each following one.
The Bridges tour is undoubtedly their best in at least twenty years, and that's mainly because the main accent is made on the music and singing rather than on the special effects and pyrotechnics. The stage is relatively small, the screen is nice and compact, there's no Urban Jungle or voodoo dolls here, just a couple Eastern decorations. But the performance is awesome! Mick has never sung so well since his better days, and his movements on the stage are just fascinating! The newer songs are either turned into powerful, breathtaking jams 'Out Of Control' or into crowd-pleasing anthems 'Saint Of Me' , and the older songs are performed immaculately.
Highlights include 'Gimmie Shelter' with Lisa Fischer singing a terrific duet with Mick; 'Waiting On A Friend' the Internet choice ; another duet, this time with Dave Matthews 'Wild Horses' - Jagger has finally overcome his vocal problems on Stripped ; and, of course, the closing set of classics. If you're looking for an 'old period' Stones video, this should be your first choice. It is August 12th, , and I'm writing about this - undoubtedly one of the greatest events - of my life. Writing now, because I'm still under the impression and remember it as clearly as possible.
It may or may not be amazing, but neither Keith nor Mick never actually had a solo project going on until the mid-Eighties, and, apparently, Micks' adventurous branching out on his own in was one of the main factors contributing to the temporary break-up of the band. Nevertheless, both Mick and Keith managed to produce a couple decent efforts on their own, well worth having and listening to. Of course, when they stay away from each other, their individual flaws become much more obvious than usually, but apart from that, it can clearly be seen that the author of the project in question is a real Rolling Stone.
I don't know who 'Edward' is apart from what the front cover tells me; but I sure know the actual jamming is kinda lousy. Man, this must be the weirdest project that ever sported a Rolling Stone's name on it, not to mention three Rolling Stones' names. Legend has it that one sunny day Keith failed to show up for the Let It Bleed sessions and no , I'm not going to speculate about the possible reasons , and Mick Taylor wasn't yet doing a full-time job.
- Jiving Sister Fanny.
- Violent Phenomena in the Universe (Dover Science Books).
- Jiving Sister Fanny?
- Hizzy: The Autobiography of Steve Hislop;
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- Original versions of Jiving Sister Fanny written by Mick Jagger, Keith Richards | SecondHandSongs!
As a result, the rest of the band found themselves strained in the studio with little on their hands to do, so they teamed up with their trusty keyboard player Nicky Hopkins and guest guitarist Ry Cooder and spent the whole day jamming and having a lot of fun. Now this fact ain't really that surprising; what's far more mysterious is why the hell did the record company decide to put the results of this notorious jam session on an LP destined for public auditioning.
A pleasant trashy record - for fans only, but fans will definitely be satisfied. Even if this hardly ties in with Bill's image as a Stone Ever wanted to know what are the similarities between Ringo Starr and Bill Wyman? The strange thing is that Ringo's record-making formula was perfectly predictable: On the other hand, the only thing Bill Wyman seemed to share with Ringo was the relative lack of songwriting skills: Otherwise, Bill was gloomy and grim, never moving or getting all out of himself on stage, and keeping mostly to himself.
It's almost incredible how such a good start could be followed by such a self-parodic finish. The settings for Wyman's second solo album are pretty much the same as for his first one - the big band is still there, and it's even bigger this time, with about twenty or twenty-five players, singers and just old pals no Stones but Ronnie Wood, though dropping in and lending a hand. So when I got this, I thought it was going to be a more or less similar pleasant trip through Wyman's trashy, but fun songwriting.
Man, I don't know what's happening to me. My tastes are probably slowly heading towards the drain - I can't find another explanation to the fact that I not only favour this album, I feel compelled to dub this Bill's best release and I'll even go as far as to say that this is a serious application for the status of a 'serious artist'.