Value of social view on art of epic has improved and number of the participants on local and national competitions about epic art has dramatically increased. Fonctions sociales et culturelles The Mongolian Tuuli — oral tradition recounts heroic epics from Mongolian history. Evolving over a span of many centuries to eulogize and immortalize Mongolian heroes, these epics constitute an oral encyclopedia of national histories, myths, legends and folk songs.
Epics are learnt by rote and transmitted from fathers to sons within kinship circle. Currently there are only about ten epic performers living in the remote western region of Mongolia who maintain and transmit these Tuuli performing traditions. Today, they survive only in the western region and the capital city, Ulaanbaatar.
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The Mongolian epic stories could be divided into several traditional ways depends on its way of telling and rules. More than a half of the epic story inheritors are from Urianhai tribe and this information is giving us a hope of successful inheritance of Urianhai epic story telling tradition.
There is only one or two storytellers are left in some traditions and it is bringing us fear. The last inheritor of Zakhchin epic story, T. Enkhbalsan died in Epic singers are renowned for their remarkable memory, imagination and commitment. In ordinary households, epics are traditionally performed at night-time. Mongolian heroic epics can last several hours and some are performed over several nights.
As for a nomadic people who are not typically all mastered in reading and writing due to their mobile lifestyle, the heroic epic was an irreplaceable oral tradition which allows them learn and transmit their rich cultural heritage and immortalize heroic history of Mongolian people.
We can learn many details of traditions of ancient Mongolians from the epic stories such as; wedding, marriage, brotherhood, celebrations, war and battles, hunting and herding. Also we can learn their religion and worships, their life views and art of caring, comforting and pleasing the nature. The Mongolian epic is one of forms of traditional folk oral expressions which consist from hundreds to thousands of lines.
The epic is not only an oral expression but it is a phenomenon which combine different poetic narrative techniques and vocal improvisation. Epic stories are great research material of linguistics since it keeps special oral dialects of tribes. Epic has a great goal of representing the most beautiful communication which is suitable as a goal of mutual-understanding and sustainable development of Declaration of Human Rights.
Mongol epic united with Mongolian tradition, psychology and language which became the foundation of collectivity, social group and tribes furthermore it is an inseparable part of daily life, really important factor of peaceful living. In its aftermath, Mongolia experienced continued rapid urbanization against a backdrop of increasing globalization. As a consequence, the Mongolian epic lost its traditional place in the culture, and interest decreased correspondingly among the general public.
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The number and distribution of epic performances diminished drastically as a result. Mongolian epics were once found across Mongolia. Trained professional epic masters have decreased in number and the repertory of existing performers has diminished, with the few remaining epic performers increasingly performing only parts of epics, largely on specific social and ceremonial occasions. The skills and talents of existing Tuuli performers are diminished compared to the singers of the past.
L'Inde française en sursis. 1947-1954
And the epic is today at severe risk because of its shrinking social sphere, changing socio-economic conditions and the increasing popularity of mass entertainment media among youth. Nowadays the Government has a strategy to develop and recover epic art and increase the number of apprentice in our nation, especially the places where the epic has inherited well. In result numbers of the people who interest epic art and who practice epic storyteller have increased: Olzii are highly involved in the project of heritage transmission by contributing their traditional knowledge.
Bayarmagnai are promoting the Mongolian epic in the country and to the overseas audiences. Above mentioned epic community has also involved in the research field, participated in the International "Central Asian Epics" II Symposium and Festival. Per Example, Epic singer A. Baldandorj arrived in Ulaanbaatar with his family during the Symposium. With his wife and children. These competitions had a positive impact to study and disseminate epic stories and encouraged the ones on the field and helped them to be proud of the special heritage that they are inherited.
They got more motivated to study more about the storytellers of their previous generations.
La grande épopée de l'Inde dravidienne : la poésie tamoule - le sindamani
He was the oldest son of the famous Urianhai epic storyteller B. As he grew older it became clear for him that his family heritage going to be lost soon it made him feel sad. Then he decided to remember his childhood memories and together with his cousin A. Baldandorj he could recover 2 to 3 epic stories. Unfortunately he has died in Enkhbalsan in the national list of the talented people who inherited ICH in high level and prized them with money and certificate.
In modern days D. Number of the young researchers has increased lately and many students are getting their degree on study of Epic art. Bayarmagnai and 7 CD of E. Also some television programs made on the same topic and many interviews, articles and news about art of Epic published on newspapers, magazines and websites.
It was a part of dissemination work and it helped to improve the social awareness and value about the art of epic. Also to keep the traditions around the art of epic. This Plan includes following works; to disseminate art of epic, recover and study the art, to make society know this art, to support government and non-government organizations involvement.
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To organize competitions and festivals under the topic, glorify the epic storytellers and to show financial support, etc. Actions took in order to inherit and protect Mongolian art of epic: They all represent the tribes called Urianhai, Bayad, Durvud and Khalha. The epic stories are: Centre for Cultural Heritage made in apprentice training contract with epic storyteller N. Damdindorj from Hovd province. He in charge of inheriting the Urianhai epic storytelling to the offspring the main inheritors. Please re-enter recipient e-mail address es. You may send this item to up to five recipients.
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