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He was small of stature and suffered from hunchbackedness. Besides, his red haired complexion made him an occasional object of scorn, since some sectors of the conservative catholic society in which he later lived held the prejudice that Judas Iscariot was a redhead himself. Because of this, his critics often ridiculed his appearance rather than his works.

He went to Spain in , where he studied law at the University of Salamanca. He completed his studies for his doctorate fairly soon thereafter, but never received the degree, in all likelihood because of the rather substantial costs attached to the ceremony. He worked as a legal adviser for a while, as an advocate, and as an interim investigating judge, all the while trying repeatedly and unsuccessfully to gain a teaching chair at the University.


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Returning to Spain about , he entered the household of the marquis de Salinas, and began a frustrating life of job-seeking at court. At the same time, purely as a way of making money apparently, he threw himself into the heady literary and theatrical life of the capital, eventually having a number of his plays performed. By some, he was ridiculed and criticized; from others he obtained support. For ten years, he pursued this double life, until he finally secured first an interim and then a permanent appointment to the Royal Council of the Indies —rather like an appeals court for Spanish colonies in the New World.

After thirteen years of legal service to the crown, he died at Madrid in In this period, the new baroque Cathedral and main square were finished, the battle which raged that day is famous as a defining moment in military history, many thousands of men were slaughtered by cannon fire in the space of only a few short hours. During the devastating Spanish Civil War the city went over to the Nationalist side and was used as the de facto capital. The Nationalists soon moved most of the departments to Burgos.

Like much of fervently Catholic and largely rural Leon and Old Castile regions, Salamanca was a supporter of the Nationalist side. Adultery — Adultery is extramarital sex that is considered objectionable on social, religious, moral, or legal grounds. A single act of intercourse is generally sufficient to constitute adultery. Historically, many cultures have considered adultery to be a serious crime. Adultery often incurred severe punishment, usually for the woman and sometimes for the man, with penalties including capital punishment, mutilation, such punishments have gradually fallen into disfavor, especially in Western countries from the 19th century.

In most Western countries, adultery itself is no longer a criminal offense, Adultery is not a ground for divorce in jurisdictions which have adopted a no-fault divorce model. In some societies and among certain religious adherents, adultery may affect the status of those involved.


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In countries where adultery is an offense, punishments range from fines to caning. A joint statement by the United Nations Working Group on discrimination against women in law and in states that. In Muslim countries that follow Sharia law for justice, the punishment for adultery may be stoning. There are fifteen countries in which stoning is authorized as lawful punishment, though in recent times it has been carried out only in Iran. In some jurisdictions, having sexual relations with the wife or the wife of his eldest son constitutes treason.

The term adultery refers to acts between a married person and someone who is not that persons spouse. It may arise in criminal law or in family law, for instance, in the United Kingdom, adultery is not a criminal offense, but is a ground for divorce, with the legal definition of adultery being physical contact with an alien and unlawful organ. Extramarital sexual acts not fitting this definition are not adultery though they may constitute unreasonable behavior, the application of the term to the act appears to arise from the idea that criminal intercourse with a married woman.

Tended to adulterate the issue of an innocent husband, and to expose him to support and provide for another mans. Thus, the purity of the children of a marriage is corrupted, the term adultery, rather than extramarital sex, implies a moral condemnation of the act, as such it is usually not a neutral term because it carries an implied judgment that the act is wrong. In the traditional English common law, adultery was a felony, although the legal definition of adultery differs in nearly every legal system, the common theme is sexual relations outside of marriage, in one form or another.

Traditionally, many cultures, particularly Latin American ones, had double standards regarding male and female adultery. Witchcraft — Witchcraft broadly means the practice of, and belief in, magical skills and abilities that are able to be exercised by individuals and certain social groups. Witchcraft often occupies a religious, divinatory or medicinal role, and is present within societies. The concept of witchcraft and the belief in its existence have existed throughout recorded history and it posits a theosophical conflict between good and evil, where witchcraft was generally evil and often associated with the Devil and Devil worship.

Christian views in the day are diverse and cover the gamut of views from intense belief and opposition to non-belief. From the midth century, witchcraft — sometimes called contemporary witchcraft to clearly distinguish it from older beliefs — became the name of a branch of modern paganism and it is most notably practiced in the Wiccan and modern witchcraft traditions, and no longer practices in secrecy.

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The Western mainstream Christian view is far from the only societal perspective about witchcraft, Beliefs related to witchcraft and magic in these cultures were at times influenced by the prevailing Western concepts. Suspicion of modern medicine due to beliefs about illness being due to witchcraft also continues in countries to this day. This definition was pioneered in a study of central African magical beliefs by E.

Evans-Pritchard, European witchcraft is seen by historians and anthropologists as an ideology for explaining misfortune, however, this ideology has manifested in diverse ways, as described below. Some modern commentators believe the malefic nature of witchcraft is a Christian projection, many examples appear in early texts, such as those from ancient Egypt and Babylonia. Malicious magic users can become a cause for disease, sickness in animals, bad luck, sudden death, impotence. Witchcraft of a benign and socially acceptable sort may then be employed to turn the malevolence aside.

The folk magic used to identify or protect against malicious magic users is often indistinguishable from that used by the witches themselves, there has also existed in popular belief the concept of white witches and white witchcraft, which is strictly benevolent. Many neopagan witches strongly identify with this concept, and profess ethical codes that prevent them from performing magic on a person without their request.

Probably the most obvious characteristic of a witch was the ability to cast a spell, spell being the word used to signify the means employed to carry out a magical action. A spell could consist of a set of words, a formula or verse, or a ritual action, or any combination of these.

Strictly speaking, necromancy is the practice of conjuring the spirits of the dead for divination or prophecy — although the term has also applied to raising the dead for other purposes. Casa de Cervantes — Casa de Cervantes, located in city Valladolid of autonomous community Castile and Leon, Spain, is the house where the novelist, poet and playwright Miguel de Cervantes lived in the year Intertextuality — Intertextuality is the shaping of a texts meaning by another text.

Intertextual figures include, allusion, quotation, calque, plagiarism, translation, pastiche, Intertextuality is a literary device that creates an interrelationship between texts and generates related understanding in separate works. These references are made to influence the reader and add layers of depth to a text, based on the prior knowledge. Intertextuality is a literary discourse strategy utilised by writers in novels, poetry, theatre, examples of intertextuality are an authors borrowing and transformation of a prior text, and a readers referencing of one text in reading another.

Intertextuality does not require citing or referencing punctuation and is mistaken for plagiarism. Intertextuality can be produced in texts using a variety of functions including allusion, quotation, however, intertextuality is not always intentional and can be utilised inadvertently.

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Intertextuality and intertextual relationships can be separated into three types, obligatory, optional and accidental and these variations depend on two key factors, the intention of the writer, and the significance of the reference. The distinctions between types and those differences between categories are not absolute and exclusive but instead, are manipulated in a way that allows them to co-exist within the same text.

Obligatory intertextuality is when the writer deliberately invokes a comparison or association between two texts, without this pre-understanding or success to grasp the link, the readers understanding of the text is regarded as inadequate. Obligatory intertextuality relies on the reading or understanding of a prior hypotext, to understand the specific context and characterisation within Tom Stoppards Rosencrantz and Guildenstern are Dead, one must first be familiar with Shakespeares Hamlet. This understanding of the hypotext Hamlet, gives deeper meaning to the pretext as many of the themes from Rosencrantz.

Optional intertextuality has a vital impact on the significance of the hypertext. It is a possible, but not essential, intertextual relationship that if recognized, optional Intertextuality means it is possible to find a connection to multiple texts of a single phrase, or no connection at all. The intent of the writer when using optional intertextuality, is to pay homage to the original writers, however, the reading of this hypotext is not necessary to the understanding of the hypertext.

The use of optional intertextuality may be something as simple as parallel characters or plotlines, rowlings Harry Potter series shares many similarities with J. Tolkiens Lord of the Rings trilogy. They both apply the use of an aging wizard mentor and a key friendship group is formed to assist the protagonist on their arduous quest to defeat a powerful wizard and to destroy a powerful being. Accidental intertextuality is when readers often connect a text with another text, cultural practice or a personal experience, the writer has no intention of making an intertextual reference and it is completely upon the readers own prior knowledge that these connections are made.

Often when reading a book or viewing a film a memory will be triggered in the viewers mind. Under the guise of characters, it is an examination of love. It enjoyed a modest success, but was not soon reprinted, its sequel was never published. The main characters of the Galatea are Elicio and Erastro, best friends, the novel opens with her and her best friend, Florisa, bathing, talking of love. Erastro and Elicio reveal to each other their desire for Galatea, the vast majority of the characters in the book are involved primarily in minor story lines.

Lisandro loses his love, Leonida, when Crisalvo mistakenly kills her instead of his former love Silvia, lisandro avenges Leonidas death in the presence of the main party. These stories sometimes have characters that cross over, resulting in the sub-plots being intertwined at times, for example, Teolinda, whose sister Leonida played in an integral role in separating Teolinda from her lover Artidoro, finds Leonida much later with a group of soldiers. It possesses little originality, but is reminiscent of its models. In composing this pastoral romance, Cervantes seems to have intended to use the tale merely as an excuse for a collection of poems in the old Spanish.

The story is merely the thread, which holds the beautiful garland together and they are many and various, and uphold Cervantes claim to rank among the most eminent poets, whether in reference to verse or to prose. Should his originality in versified composition be called in question, a study of Galatea must banish all doubt. Contemporaries of Cervantes claimed that he was incapable of writing poetry, and that he could compose only beautiful prose, every critic sufficiently acquainted with his lyrical compositions has rendered justice to their merit.

From the romance of Galatea, it is obvious that Cervantes composed in all the kinds of syllabic measure used in his time.

He even occasionally adopted the old dactylic stanza and he appears to have experienced some difficulty in the metrical form of the sonnet, but his poems in Italian octaves display great facility. Among these, the song of Caliope, in the last book of the Galatea, in the same manner as Gil Polo in his Diana, he makes the river Turia pronounce the praises of the celebrated Valencians.

The poetic fancy of Cervantes summons the muse Calliope before the shepherds and shepherdesses, the most beautiful poems in the Galatea are a few in the cancion style, some of which are iambics, and some in trochaic or Old Spanish verse. It was first published in , two years before the authors death, the chief object of the poem is to survey contemporary poets, assembled on an imaginary boat to Parnassus, and ridicule those who, in Cervantes opinion, are deficient.

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He himself says, Those whose names do not appear in this list may be just as well pleased as those who are mentioned in it, concealed satire and open jesting are the combined elements of this work. The poem is divided into eight chapters, and the versification is in tercets, the composition is half comic and half serious. After many humorous incidents, Mercury appears to Cervantes, saluting him with the title of the Adam of poets, the description of the ship is a comic allegory. In the midst of the reading, Cervantes suddenly drops the list, the flights of imagination become more wild as the story advances.

Thy storm subsides, and is succeeded by a shower of poets, one of the first who descends on the ship is Lope de Vega, on whom Cervantes seizes this opportunity of pronouncing an emphatic praise. The remainder of the poem, an analysis of which would occupy too much space. One of the pieces of written by Cervantes, is his description of the goddess Poesy. To this picture the portrait of the goddess Vain-Glory, who appears to the author in a dream. Among the passages, which for burlesque humour vie with Don Quixote is the description of a second storm, venus prevents them from sinking, by changing them into gourds and leather flasks.

At length a formal battle is fought between the poets and some of the poetasters. The poem is interspersed throughout with singularly witty ideas, and only a few passages fail to live up to the general standard, the language is classical throughout, but Cervantes added to the poem a comic supplement in prose, praising his own ability. Novelas ejemplares — Novelas ejemplares is a series of twelve novellas that follow the model established in Italy, written by Miguel de Cervantes between and The collection was printed in Madrid in by Juan de la Cuesta, but these are my own, neither imitated nor stolen from anyone, my genius has engendered them, my pen has brought them forth, and they are growing up in the arms of the press.

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The novellas are usually grouped into two series, those characterized by a nature and those of a realistic nature. The realistic in nature cater to the descriptions of characters and environments. Since there are versions of two of these stories, it is believed that Cervantes introduced some variations in these novels for moral, social.

Cervantes novellas inspired several English Jacobean dramas, whose authors might have them either in French translation or in the Spanish original. From Wikipedia, the free encyclopedia. Retrieved from " https: Plays by Miguel de Cervantes plays. Interlanguage link template link number.