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Soy Luna (OST) - La vida es un sueño lyrics + English translation
Contact Student Seller From: Basilio warns him that he must behave, or he might find out he's dreaming. Rosaura wants to leave, but Segismundo tries to seduce her. Clotaldo steps up to defend his child, but Segismundo pulls out a dagger threatening to kill him. As Clotaldo begs for his life, Astolfo challenges Segismundo to a duel. Before they proceed, the king sedates the prince again and sends him back to his cell.
The king dreams he is a king, And in this delusive way Lives and rules with sovereign sway; All the cheers that round him ring, Born of air, on air take wing. And in ashes mournful fate! Death dissolves his pride and state: Who would wish a crown to take, Seeing that he must awake In the dream beyond death's gate? A thing that seems, A mirage that falsely gleams, Phantom joy, delusive rest, Since is life a dream at best, And even dreams themselves are dreams. After recriminating Astolfo for wearing another woman's portrait around his neck, Estrella commands Rosaura still going by Astrea to fetch this locket for her.
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When she approaches Astolfo for the locket, he says he recognized her as Rosaura and refuses to give her the locket, because the portrait inside is hers. Estrella walks in and demands to see it immediately, but, afraid of being discovered, Rosaura says the locket in Astolfo's hand is actually her own, and that he has hidden the one she was sent to fetch. Segismundo mutters in his sleep about murder and revenge. When the prince wakes up, he tells Clotaldo about his "dream".
Clotaldo tells him that even in dreams, people must act with kindness and justice. When he leaves, Segismundo is left reflecting on dreams and life. The people find out that they have a prince and many rebel, breaking him out of his prison tower, although at first they comically mistake Clarin for the prince. Segismundo finds Clotaldo, who is afraid of his reaction.
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Segismundo forgives him, asking to join his cause, but Clotaldo refuses, swearing allegiance to the king. Back in the palace, everyone prepares for battle, and Clotaldo speaks with Rosaura. She asks him to take Astolfo's life, as he had taken her honor before leaving her. Clotaldo refuses, reminding her that Duke Astolfo is now the heir to the throne. When Rosaura asks what will be of her honor, Clotaldo suggests that she spend her days in a nunnery. Disheartened, Rosaura runs away. As war nears, Segismundo sees Rosaura, who tells him that she was the youth who found him in his prison and also the woman who he tried to seduce in court.
She tells him that she was born in Muscovy of a noble woman who was disgraced and abandoned. She had the same fate, falling in love with Astolfo and giving him her honor before he abandoned her to marry Estrella. She followed him to Poland for revenge, finding that Clotaldo is her father, but he is unwilling to fight for her honor. Rosaura compares herself to female warriors Athena and Diana. She wants to join Segismundo's battle and to kill Astolfo or to die fighting. Segismundo's army is winning the battle. Segismundo arrives and Basilio faces his son, waiting for his death, but Segismundo spares his life.
In light of the Prince's generous attitude, the King proclaims Segismundo heir to his throne. As King, Segismundo decides that Astolfo must keep his promise to marry Rosaura to preserve her honor. At first Astolfo is hesitant because she is not of noble birth, but when Clotaldo reveals that she is his daughter, Astolfo consents.
Segismundo then claims Estrella in marriage himself. Segismundo resolves to live by the motto that "God is God", acknowledging that, whether asleep or awake, one must strive for goodness. The concept of life as a dream is an ancient one found in Hinduism and Greek philosophy notably Heraclitus and the famous Platonic Allegory of the Cave , and is directly related to Descartes ' dream argument. It has been explored by writers from Lope de Vega to Shakespeare.
One of the major conflicts of the play is the opposition between king and prince, which parallels with the struggle of Uranus vs.
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Saturn or Saturn vs. Jupiter in classical mythology. The theme of honor is major to the character Rosaura. She feels she has been stripped of her honor, and her aim is to reclaim it. She feels that both her and her mother were subjected to the same fate. She pleads to Clotaldo about earning her honor back, which he denies and sends her to a nunnery. Motifs and themes derived from a number of traditions found in this drama include the labyrinth , the monster, free will vs.
The Rosaura subplot has been subjected to much criticism in the past as not belonging to the work. With the British School of Calderonistas, this attitude changed. Sloman explained how the main and secondary actions are linked.
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Wilson and William M. Whitby consider Rosaura to be central to the work since she parallels Segismundo's actions and also serves as Segismundo's guide, leading him to a final conversion.
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For Frederick de Armas , Rosaura hides a mythological mystery already utilized by Ariosto. When she goes to Court, she takes on the name of Astraea , the goddess of chastity and justice.
Astraea was the last of the immortals to leave earth with the decline of the ages. Her return signals the return of a Golden Age. Many writers of the Renaissance and early modern periods used the figure of Astraea to praise the rulers of their times. It is possible that Rosaura an anagram of auroras , "dawns" could represent the return of a Golden Age during the reign of Segismundo, a figure that represents King Philip IV of Spain.