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- Piano Trio in E-flat minor, Hob.XV:31 (Haydn, Joseph).
You can also use this FreeFind but it is not so comprehensive. The finest we have had in years. One of the most enjoyable. One of the finest versions. With Haydn responding to a London publishing house he earned a steady income from his collections of trios, a lot of which were composed in groups of three.
They also offer the three Trios Nos. The Trio Wanderer offer a halfway house so to speak, with their performance on modern instruments played with historical sensibilities.
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I have greatly enjoyed their earlier disc of Haydn Trios Nos. For a long time, the string instruments had been subordinate to the piano, but here they often get the starring role, the opening melody of the slow movement for example.
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Piano Trio No.41 in E Flat Minor, Hob.XV/31
Streams Videos All Posts. Genre Chamber Music Classical. Share on facebook twitter tumblr. The Piano Trios [Box Set]. Trios for piano, violin and cello. Therese Jansen-Bartolozzi, and is noted for its especially wide expressive range as well as its virtuosity.
More By The Florestan Trio
Allegro moderato Allegretto Finale: Allegro The trio opens with an ascending theme presented, untypically, by the violin and cello in pizzicato; the effect is reminiscent of a harp. The piano answers with an ornamented legato version of the same theme, before all three instruments burst into a lively bridge section leading toward the dominant. The opening theme is reproduced in the development section in a rich, full-bodied version in A-flat major. Its creeping bass line is first introduced by all three instruments in unison, before the piano introduces a winding, ornamental melody over the top of it; later, the melody and bass are used in invertible Allegro moderato Andante con moto Presto The first movement's broad opening theme is stated in piano, accompanied by arpeggiated fragments in the strings.
Piano Trio No in E Flat Minor, theranchhands.com by J. Haydn on MusicaNeo
This develops into a variety of thematic ideas, including a gently lilting violin melody, before the exposition reaches the dominant key, B-flat major. The second half of the exposition includes a minor-mode episode in which another quietly flowing theme is introduced, giving way to rapid sixteenth-note figuration. The development section presents several unexpected harmonic turns before the home key is reached again. The second movement, in the fairly remote key of C major, involves an alternation between a slow, stately dance and a more animated middle section with a lyrical melody.
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