The first piece "Not fast" is calm, with an expressive oboe theme and an inventive piano accompaniment.
Schumann, Robert: 3 Romances op.94 : for oboe (violin, clarinet) and piano
The second piece "Simply, heartfelt" is similar to the first one, but it features a relatively edgy middle section. The third piece "Not fast" inverts the approach of the earlier ones not only by being more rhythmically active and starker, but also by providing a middle section that is reminiscent of the calmness of the first two pieces. This work followed Schumann's three string quartets and added the instrument he first knew best: The first movement "Brilliantly fast" begins quite fervently.
The second theme is then a conversation between the cello and the viola. The development is fragmentary and moves through many keys. The second movement "March-like, a bit broadly" is something like a funeral dirge, but with the second theme providing some degree of hope. The middle section is an agitated torrent that is sometimes crass. After a return to the dirge-like march, the movement ends with a strange, unearthly chord. The third movement Scherzo "Really lively" returns to the aesthetic of the first movement and is unusual in having two trio sections.
The opening of the percussive fourth movement "Fast, but not too much" eventually gives way to a much more contrapuntal ending. The coda combines the main themes of the work's first movement and its fourth movement. In , Schumann followed his "Year of Song" with his first orchestral works. These included the Fantaisie in A minor for piano and orchestra that eventually became the opening movement of his piano concerto. Clara Schumann performed the piano part at the concerto's premiere. The work displays a characteristic Romantic era interest in thematic unity among its three movements.
However, Franz Liszt felt that Schumann did not make use of enough virtuoso piano elements, and he jokingly called his colleague's work a "concerto without piano. The stately main theme spawns much material, including the diverse development section, and the movement also includes an emotional cadenza.
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Romances (3) for oboe (or violin… | Details | AllMusic
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- Schumann, R. - opp. 94, 44, 54; program notes by Durrell Bowman!
- Three Romances for Oboe and Piano (Schumann) - Wikipedia.
- 3 Romances Op. 94 | Edition Peters UK.
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