Besides a final bibliography, there are included in a pocket inside the back cover microfiches of a computer-generated concordance. The front of the book offers a good history of the Life of Aesop and an accurate short overview of the history of the tales. The illustrations, generally from the Zaragosa edition, are always labelled. Two illustrations from this edition are on xxxi-xxxii. Volodymyra Zabashtans and Anatolia Cherdakli. Illustrations by Pipina Tsimikale. The brown silhouette on the cloth cover -- of two mounted Greek horsemen and one soldier with a kneeling horse -- gives a sense of the creative blockprints that grace this book.
A simple example is FC on Two pages later is a more complex rendition of the fable pitting the bear and the lion, from both of whom the fox slinks off with the prey. I do not think that I have seen BF done in monochrome presentation in as lively a fashion as it is done here on The cover illustration appears again on 71; I imagine that this is the fable in which the horse says "You have made me a civilian; now please do not ask me to go back to war!
I wish I were sure of which of the names above, if any, is the artist. He or she should be congratulated! A Reader Workbook for Latin Students. Poetry by Constance Carrier. Illustrated from various classical illustrators mostly unacknowledged. As in the first volume , the selection and presentation are both first class.
The range of illustrators has broadened to include Kredel and Billinghurst. The format follows that of the previous volume: A beautiful peacock graces the cover! Here is an page children's paperback in very poor condition. Just enough remains of the title-page to know that it was published in Istanbul in There are no internal illustrations.
If there was a T of C, it exists no more! And are missing! The cover shows a happy congregation of animals and a young girl. Reprinting of the first edition.
Full interview
Gift of Anne Pierro, Christmas, ' What a wonderful gift! This book is a library in itself. I have kept separate notes on the sampling of fables I enjoyed in going through the book and on its good illustrations. Parable does not get the representation one might expect from the title; a few items are included that are labelled as parables. The translations wisely follow the original's choice of prose or verse. The heart of this book is, appropriately, German fable: The ancients get fifty-seven pages before the Germans, and five other literatures and two continents get seventy-two pages after them.
Fables labelled "Aesop" here do not always have the texts which one would find in, say, Perry's Aesopica. I am not sure of Etzel's source for them. Deutsch von Heinz Fischer. Illustrationen von Fulvio Testa. This book, like the English, is derived from the Italian original. The illustrations seem identical with those in the English version. Do not confuse this book with Testa's more recent book of Aesop's fables, done in a German version from Boje Verlag in and a year earlier in English by Andersen Press.
The brightly colored end papers of the English version are not here, but the corresponding picture borders are. As I mentioned a propos of that English version, the hare plays solitaire before falling asleep Lions and cats here have big eyes. This remains a good example of a book well put together. The information on the verso of the title-page confuses me here, since it seems to claim for the first printing erste Auflage for Patmos and also to list as the time of the first printing.
I will go with the year but leave blank whether this copy is from the first printing. Written and illustrated by Paul David Holman. A good and engaging little book of forty-seven fables featuring contemporary animals and raising contemporary questions. The visuals are well done.
At their best, these fables invite reflection; often, their rhythm is that of the thought-provoking joke. One of the best specimens is "The Singer" 13 about a frog; its moral: I like this book. My sense is that it is a feisty challenge. Can "Pour Tous Seulement" mean anything other than "For just everybody"? The French here is at least one degree too subtle for my perception. I may have perceived enough of the very first offering to understand that an oyster spent its life angered by the sand that got into its shell: As the beginning T of C shows, there are 54 fables on 94 pages.
Do not miss the letter from La Fontaine on the back cover. This is an ephemeral little contribution that another will be able to decipher better than I! Bilingual edition using but not acknowledging? This edition resets Handford's translations in apparently excellent English: I cannot find any Konglish goofs! Line numbers make for easy reference to the notes. Selected and edited by Hernando Garcia Mejia. An excellent paperback collection of Spanish fables grouped by the authors' countries. The T of C is presented in running form on after a brief "Presentacion" on 5.
There are perhaps a dozen simple full-page line drawings to complement the fables. This is a stellar gift, the kind one can look forward to enjoying over weeks to come! Consejo Estatal Para la Cultura y las Artes. This tall thin paperback of eighty-three pages offers early sections on the man, the writer, and the fabulist. They seem to present new plots rather than reproductions of traditional Aesopic fables.
The last of them seems to involve Aesop himself as a character No editor or illustrator acknowledged. A straightforward presentation of seventy of Samaniego's fables, with some simple line illustrations. A short life of Samaniego precedes the fables. The order of fables here seems to bear no relation to the original order.
Introduction by Ana M. Recinto Universitario de Mayaguez. Gift of the University of Mayaguez, April, ' Five Spanish stories which I have not read and six English which I have. The latter represent a nice spread of imaginative animal tales. What a nice gift for the Beast Fable Society! Il-lustrations de Lisbeth Zwerger.
This book comes straight from the original Michael Neugebauer Verlag publication in German language of It has the same format and the same art work. That -- at least my copy of the third edition in -- was printed in Italy; this book was printed in Spain.
Works (5,679)
From the dancing camel on the cover to the laughing monkey on the back cover, the artistry here is lovely -- and only grows lovelier with time. This seems to be my first book in Catalan. Here is the collection of fable writings of an important scholar. The writings span the time from to I look forward especially to the title essay, written in The book was originally published in Suhrkamp treats this as a new publication in , and this is its first "Auflage. Illustrations by Joseph Cavalieri and Stephen Wilder. This book contains twenty-four case studies, stories meant to provoke questions, discussion, and reflection.
They are not fables in the traditional sense I urge. But they are excellent stories for raising questions. Friedman's prologue describes the four illusions these fables aim to shatter: The first two sections are dedicated, respectively, I believe, to 2 and 3. The third section, "Bonds and Binds," has to do with commitment and tolerance for ambiguity, as far as I can tell. The fourth seems to focus on 4. I find the stories good.
The book comes with a pamphlet of discussion questions. Its introduction begins "This is a paean for ambiguity. The pamphlet gives a helpful moral for each fable, though that moral too is up for discussion. Twenty fables presented in two styles, sometimes both used effectively on one fable: I took four of the stories to my neighbor, Rafael Sakurai. It turns out that I focussed on the wrong elements of the art in all four: Boy, was I off!
The black-and-whites, including the new set included on the back cover, are often more effective than the colored illustrations. Would both the cock and the jewel end up on top of a large heap of hay? I am surprised I have not run into the German original, but delighted to run into such nice work here at last! Compiler and writer of endnotes Paula Tkacheva. Here is a good contemporary collection of of Krylov's verse fables in Belorussian, listed in a long T of C at the back. This is preceded by three pages of short notes.
Perhaps surprisingly, there is no introduction of any sort before or after the fables. After the blank front endpaper, we face these elements: What follows next is the two-page spread of a FC image on the left and the FC text on the right. The fables are in Krylov's order, but books and individual numbrs are not marked.
There is a nice scattering of simple colored art throughout, varying from full-page illustrations to two-inch headpieces to simple designs, especially as tailpieces. There are several repeat illustrations among the smaller ones, especially weeping pikes and weeping birds. It is worth searching for the full-page illustrations, since there is so much going on in them.
For a starter, enjoy the full-page "Cat and Cook" illustration on It is not easy to find the full-page illustrations here, because they are done on the same cheap paper that is used for the texts. The best among the small colored symbols at the end of a fable are the "soup" design at the end of "Crow and Fowl" 9 ; the horn-blowing gnat 71 ; wood, saw, nails and axe ; and "Kitten and Starling" The artist works hard to get the two eyes of almost every creature illustrated.
Cheap paper hurts the quality of the illustrations. A Selection of the Fables. Printed in Great Britain. A curious book by a translator who is pictured standing with a bear! Forty-five verse fables in rhyming couplets, with the last of them, "Dancing Fish" 77 in two versions, the first of which was originally suppressed by the Censor. An italicized statement after a fable often points out its political implications. Many of these fables are straight Aesop. Some are slightly modified; e. Several are new to me: The illustrations look like cheap xeroxes.
The best is of a sweating monkey There is a photo of Krylov on the back dust jacket and a photo of the Leningrad Krylov monument on Several typographical mistakes, e. This book helps me get ready to teach fable the next time. Some "musts" to be included from Krylov's work include: Der Rabe und der Fuchs.
My first find on this trip to Heidelberg, and a wonderful one it is! I actually got this book cheaper than I got the paperback copy The translation is, as the dust jacket proclaims, "ein wenig frech wirkend. It transposes the setting of FG to Bavaria or Hessen, for example. The color work of the illustrations is outstanding! And there is humor everywhere in the illustrations, starting with the grasshopper-baby's pacifier in GA 6. Other clever moments include the lion boss at his desk I have never seen mice-commanders so wonderfully decked out 61! It would be easy to go on citing one great illustration after another.
One of the best contemporary sets of illustrations I know. Cocuk Klasikleri Dizisi 2: See my Aesop in the same series, now given the number This paperback Turkish book has 93 pages. One or two pages of the AI at the back are missing. On the colored cover, we find a lion, a fox? Like several other Turkish paperback renditions of the fables, this little book has "Masallar" on its title-page but "Masallari" on its cover.
This book has seen serious use! I have seldom seen a book cover as creased as this cover is. The same carrot-eating hare as appears on the back cover is on the title-page. There are a number of full-page colored illustrations along the way in this edition, including an excellent depiction of MSA on Also strong are the two depictions of OF on 84 and A final favorite presents the guitar-playing grasshopper on There are 86 pages in all.
The cover is separating. There is neither a T of C nor an AI. There must be a law about the size of books in Turkey. FF 60 from a bouquiniste along the Seine, Paris, August, ' This is exactly the kind of "weird" book I was looking for on a rainy day with the bouquinistes in Paris.
I am still not sure what we have here. I think it is a book made from or parallel to a TV series. There is an ad for a coming video cassette at the back of the book. I presume that the series, managed by Pierre Perret, presented various stories, and these would have been "The Petite Perret" of this or that or the other thing. Here is their encounter with La Fontaine's fables. Immediately after the preface we meet, on a two-page spread, a set of geometric figures.
These are presumably the sorts of characters Perret uses for his presentations. First, then, we meet "L'Orchestre Fou," a musical crowd of geometric shapes introduced in rhyming verse. Are Perret's texts done in a kind of argot? At any rate we soon meet his first poetry, a recasting of La Fontaine's text along with a clever presentation of the fable by figures made out of geometric shapes. The crow in FC, for example, is a black box with two circular eyes When he perches on a shelf and holds a circle-shaped slice, it is very easy to see the crow with a piece of cheese in his mouth.
The moral of this fable is that, thanks to La Fontaine, very few opera singers today sing with their mouths full! Next come tips on how to make the figures and a "lexique. Sometimes there are also recipes connected with particular fables. The milkmaid in MM becomes a black child with short braids riding a tricycle with a colorful pitcher balanced on her head This fable, with its geometric representations of eggs, checks, hens, a rooster, a pig, cows, and a tricycle may be the wildest visually.
Also very clever are the skiing figures of tortoise and hare The two ducks in TT become in shape fighter planes based on an aircraft carrier , and the tortoise grabs onto the landing-gear. This is wonderful stuff! Written by Dianna Sullivan. Illustrated by Nedra L. Teacher Created Materials, Inc. For each of these fables there are several activities: In TH, "the rabbit decides to take a nap.
In this version of AD, a bee stings a boy's hand before he can throw a rock at the dove. The stick is the turtle's idea in TT, and he answers the question in the air "Who thought of such a clever idea? The camel rejects friends' advice that she give up ballet--and gives herself many years of dancing enjoyment. A friend advises the baboon to cut holes in his umbrella to let the sun shine through; some advice of friends is good, and some bad. My favorite pictures are of the dancing camel, e. Fables and Tall Tales.
No editor or artist acknowledged. A clever book for the second and third grades. An excellent variety of activities uses nine fables for such tasks as map reading, comparing with Native American folklore, and distinguishing fact from conclusion. Fables, Tall Tales, Myths. A good book for the fourth through the sixth grades. An excellent variety of activities uses six fables for such tasks as relating animal to human behavior, distinguishing fable from other stories, and comparing fable versions.
The illustrations are simple. The book includes a birth certificate and letter of recommendation for Aesop! The task for MM, which has a good illustration, is to write a fable about a boy with his first paper route. Kamante's Tales from Out of Africa. Collected by Peter Beard. With Photographs and Captions by Isak Dinesen. Afterword by Jacqueline Bouvier Onassis. I was very surprised to see this out-of-print book available again! See my comments on the original hardbound edition done by Harcourt in This edition sports heavy covers, with folded back flyleaves. The renditions of the colored fable illustrations are excellent!
This book is a treasure! First edition, apparently first printing of the Chronicle hardbound version. Earlier I was very surprised to see this out-of-print book available as a paperback. Now I have been surprised to find it also available hardbound. And the price was right! Let me repeat soime of my comments from the Harcourt original. A weird and wonderful find! What we have here is the product of a complex process. Kamante Gatura related the tales to Beard, who transcribed them and gave them to Kamante's sons to translate and then to write out by hand.
The final chapter claims to be Kamante's versions of some twenty-one fables that Dinesen told. Several, like FG and OF, seem to be heavily dependent on Caxton, but then OF here ends with a bursting frog, whereas Caxton had the ox step on the frog. Are the charming, simple watercolors illustrating them really Kamante's own?
Two things are especially charming here: Again, the renditions of the colored fable illustrations are excellent! This book remains a treasure! Berlin and Paris, At last I have found a full presentation of Chagall's Fables cycle, at least in black-and-white. Excellent coverage of fables here in four parts of this fine work: The book covers each of the cycles from this period of Chagall, the "foremost exponent of etching in this century.
This beautiful book was first done as an exhibit catalogue for a show in Ludwigshafen. This is a pretty book offering Payne's sense of typical patterns of presentation in bestiaries, with good supporting photographs and illustrations. Aesop is touched on in a number of ways. In the section on "Antelope" there is no reference to Aesop but plenty to drinking and having horns locked in trees. Not from Aesop but too good to pass up is this comment on "Parrot" Illustrations by Shaul Schatz. Here are seventy-two stories on some pages. The stories are taken from various ancient sources, including the bible and Jewish tradition.
The stories are arranged by subjects. Schatz' original illustrations are lovely. The extended illustration on front and back cover gives a good sense of the book's strong sense of color. My favorite illustrations are the cat on 53, the school of fish on 59, and the walking bird on Fifteen Folktales from Around the World.
Told by George Shannon. Illustrated and signed by Peter Sis. Another delight, including a last bonus conundrum. Aesop is represented here in 8 by a folktale from his life: King Nactanabo of Egypt challenges Aesop to come up with something he has never seen or heard before. Well told, solvable riddles.
Foreword by Paul Davis. This is a strange, weird, captivating book. I read it all the way through. It is a cartoon parody-history of New York City. The cartoons are full-page landscape black-and-white illustrations; these are large, since the book is 12" x 9". Paul Davis' foreword rightly speaks of a "slyly surreal, overwhelmingly humane imagination.
They built the Hut of Man, and ever since then this island has been known as Manhattan. Its first illustration uses maps as the background design from which the chests and heads of two people are formed. I find it very clever! Czeczot gives a delightful chapter to the birth of the subway. Here one can see a shark using the subway going through the East River. Do not miss the cartoon of the new Adam and Eve in their penthouse. Eve, older but in a bikini, is about to accept the apple from the serpent. These are not fables, but they are fun! This copy includes a small yellow pamphlet with the original Polish texts for each of the chapters.
Tasos Apostolides and Kostas Boutsas. Illustrated by Bana Lagopoulou. Nine fables rendered well in comics. The cover illustrations seem to be various out-takes from "The Lion and the Foxes. There are significant differences from traditional versions in three fables: This volume is unusual for the settings it gives traditional fables: The cover illustrations seem to be various out-takes from "Astronomer. The country mouse is apparently a grandpa. The last page presents a nice lion-man sculpture. The sound effects are again delightful: First edition, first printing.
Dial Books for Young Readers. A wonderfully imaginative book! Simple shapes and colors suggest TH, which is well told. The hare dawdles twice, the first time to enjoy his own reflection in a pond. The mouse thinks it would be fun to hide in the lion's mane and is treated at the end to a ride from that perch. Hearn, based on a short story by Brooke Hearn. This is the script for a play for children, with the play actually being called "Fables" once the show starts. Then the actors break the mold and offer a new fable, "Ooooogy Green.
Ooooogy is a caterpillar son born to surprised butterfly parents. Printed in Trowbridge, Wiltshire, England. Originally published in by St Paul Publications, India. In the foreword, Ribes mentions that the book was prepared at the National Vocation Service Centre in Pune, India, where parables were used during training sessions for teachers and students from seminaries and religious formation houses. The parables here are grouped as religious, personal, and social. Each of thirty chapters contains a parable text, messages of the parable, ideas and application of the parable, and references to biblical texts in keeping with the parable.
At their best, these parables overturn expectations. Here the novice monk who has been chanting the wrong mantra is about to be corrected by a more experienced monk. The more experienced monk turns to row across the water to the novice, when he finds the latter walking across the water to him to ask how to pronounce the mantra correctly! If the parables have a weakness, it may lie in too much transparency. These probably are more parables than fables. Ribes mentions fables only in passing in the foreword, together with allegories and fairy tales. I am surprised that I have gone all these years and not heard of this Jesuit writer of stories.
Erste Ausgabe, Erster Druck. Altsprachliche Textausgaben Sammlung Klett: Here is an excellent piece of work! Eleven fables and a prolog are presented in the body of this pamphlet, with five more fables in an appendix. Various approaches to the fables work on contrasts and poetic compositional techniques. Good simple illustrations along the way allow the student to work, even before analyzing language, from a concrete picture.
Phaedrus' Latin seems to be slightly simplified. I wish we had something like this in English! Erste Auflage, Erster Druck. Altsprachliche Textausgabung Sammlung Klett: Here is the page teacher's handbook to a booklet I have listed in two different printings, i. I noticed several things about it. First, this work is directed at the "Mittelstufe. Secondly, the author reckons with a beginning and ending lesson and with twenty hours in between 8. The booklet offers methodological and didactic reflections and specific material for the various lessons. I notice that the first page of advertisements after 22, though it has nothing to do with fables, has the title "Fabulam agamus!
The Tortoise and the Hare. The first four pages, paginated separately, are the teacher's guide, with answers to questions asked along the way. The very first page also lists the "concepts and skills" engaged by each of the sixteen fables presented here. The first two are fairly obvious Aesopic fables: The next choice is a surprise: Gesta Romanorum's "The Archer and the Nightingale" 2.
This latter story is sometimes told with a rabbit rather than a stag. There follow a number of Aesop's fables, interspersed with several more surprises: Might this be the same man who was Arkin earlier? The tortoise on the cover raises a wonderful clenched fist in victory! Illustrated by Quentin Blake. The cover, apparently on a trash can, displays this: Unsuitable for Small People. Blake's illustrations live up to the challenge of the verse. For a short sample, try "A Hand in the Bird" on TH is the one fable parodied here. The race here grows out of a plot by the tortoise to get rid of the hare that has been eating in his favorite field.
The tortoise has a rat mechanic install an engine inside his shell. But the rat is of course a rat and immediately informs the hare of the tortoise's scheme. First published by Jonathan Cape in Gift of Margaret Carlson Lytton, Christmas, ' The dust jacket describes the book as a "droll updating of a story from Aesop," and Duke herself dedicates the book "With special thanks to Aesop.
There the pig points out to the other two, when upbraided for complaining, that the farmer is after the pig's life, not his products. Here the pig Roseberry is a great adventurer who decides at last to settle down with some sheep, expecting the same care from the shepherd that they receive. Soon he is put into a cooking pot and makes a narrow escape, learning that home is where you are among friends. The first surprise as I examined this book is that it does not belong to the "Walt Disney Fun-To-Read Library," though the book matches in format and approach the three volumes I have in that series , also done by Bantam.
Scrooge overhears and immediately pays Donald twice the purchase price of the goose. The joke of the book is "Why would Scrooge ever think that this goose would produce golden eggs? He shows him the picture in Jack. He acts like a mean giant. Finally the goose flies away. There are exercises and games at the end. Illustrations by Ron Husband and Karin Williams. Design and Paper Engineering by Wayne Kalama. There is good paper-engineering in this book, and it is in very good condition.
My favorites include the second page, which has one man swaying while he holds onto the elephant's ear, which seems to him to be like a fan. The other is the man who moves up and down as he touches the elephant's leg and finds it like a tree. Snake, wall, rope, and spear are the other conjectures. This book is in the same series with the fine MSA book from the same year. Written and Illustrated by Vincent Torre. Signed; 73 of This is one of three Torre books identical in format that I was able to get in a group from Scottsbooks.
Might it mean that I now have all of Torre's fable books? Like the other Torre books I have found, it is beautifully produced, set by hand and bound by hand. This book has twenty-one offerings on pages. Each of the writings has at least one accompanying full-page colored illustration cut from wood, and these seem to me to be again the strength of the book. Many of the verses here are directed at specific sites in New York City.
I am particularly taken with "Why Cats Like to Eat Mice" 93 and "The Months" , in which the author distributes the days of the hated month of August to all the other months and thus creates an eleven-month calendar. Torre marks his moral frequently by using parentheses to surround it. Wonderful illustrations grace these fables.
Some are strange repeaters, like the crazy farmer 72 or the wily fox , often set around pillars. Others play around the book numbers. The best, though often printed too dark, are the full-page illustrations, for example: At the end you will find a life? Illustrated by Helen Siegl. Texas Tech University Press. It has taken me many years to finally attend to this book. I suspect I believed that it really did not contain fables. I have been pleasantly surprised. There is more fairy tale in here than fable, with lots of jinns escaping from bottles. But there are fables. I will describe the first few I have found.
Two caravans meet, and there is quiet time for the camel drivers of one caravan to sleep and their camels to rest. A donkey insists on braying -- and thus waking up the drivers and initiating the next leg of the trip -- because, as he says, he has an uncontrollable desire to bray, and when he has one of those he pays no need to the consequences.
The donkey comes along with that caravan but soon falls behind and is loaded onto a camel. At a narrow pass with a steep cliff, the overloaded camel tells the donkey that he has an irresistible urge to dance. The donkey knows he will fall off and tries to persuade him not to dance. The camel says that when he has an irresistible urge he never pays heed to the consequences.
That is the end of the donkey! Nasreddin Hoca likes to say what he will do without adding "if Allah wills" His wife admonishes him that those who fail to add that are punished. Beat up and exhausted, he returns and knocks. When she asks who is there, he answers "It is Nasreddin Hoca, if Allah wills. Halfway through the shave, Hoca stops him.
A huge jinn escapes and says "I shall eat you. When the jinn shows him him, he closes the jar. A military leader reads all of his men's mail Dursun receives no letters for a long time. Then he receives a wordless letter: Dursun says it is from his older brother. A brother is a brother, and so they remember each other with letters, but they still do not speak to each other! Retold by Margaret Clark. Illustrated by Charlotte Voake. Little, Brown and Co. A pleasing and tasteful book.
The versions are brief and often leave the last phase to the reader; there are no morals. The illustrations are in a contemporary New Yorker cartoon style. LM is different and good: MSA features a nice repeated line "How silly you are" and ends with the miller never seeing his ass again.
TMCM has the cook intrude twice, but no animals intrude. Retold by Leonard J. Among seven fairy tales in this large-format book there is a version of LM which has the mouse mistaking the lion's mane for dried grass, which it needs to build its nest. The front endpaper makes the first picture for this fable, which occurs about mid-book.
The book closes with TH. He deliberately takes a nap. The back endpaper is the final picture for this last story in the book. The list of stories on the book's back cover misses LM! Originally published in This is a progressive story. The donkey will not go home, so the little boy cries. All try to help and end up crying: Then a little bee stings the donkey and stirs him home. This volume, unlike two others by Barnett, was apparently not published in the Oxford series of See the Oxford edition of , a smaller pamphlet with poorer runs of the illustrations.
The series is also identified as Passport StoryLand Books. The book has four parts: All three had something clear to teach. If I could ask for something, it would that they be shorter and leave more to the reader. In "He Wanted To Protect Them," a guest suggests to a host that giving his family security and goods may be less than giving them the courage and hope to deal with whatever comes.
The man had given up dreaming and made his stolid way through life. A second teacher fortunately renews the gift of dreaming and helps the student make his way through the realities. Fargher closes the story by adding "because I was he-who-was-afraid-to-dream. But no longer, as you can see " When the latter has become world famous, he comes back to thank the cobbler for the great shoes and to get a new pair. The cobbler has died, but the painter can tell his son, also now a cobbler, "If I could paint as well as your father could make shoes, or if my paintings were as helpful to others as your father's work was to me, I would be a very happy man, indeed" I hope to delve into more of the book at another time.
This paperback book of pages is in the same format as "Fables from an Island" by the same author from It was available on eBay at the same time and promoted as "fables from an island. I want to go on with this book about a handsome young islander who went off to World War II and came back mentally and physically damaged. The title page is signed by J. While there are no fables here, this book is a valuable complement to the earlier book by Sonier. And I hope it will find another reader--like me--sometime in the future. Illustrated by Charles Front. Gift of Magus Books, Seattle, June, ' I am still sure that I already have this book!
It is a landscape-formatted pamphlet of 32 pages with a map of Cyprus on its pre-title-page. The Punjabi and English are nicely ordered and separated, either on opposing pages, or one above or beside the other on the same page.
Creighton University :: Aesop's Fables: to
Cockerel finds a note on a dung heap saying that he must become a monk, and hen must become a nun. Others are "invited" into the group along their way: Quail, Partridge, Fox, Skylark, and Donkey. In the rain, they take shelter in the fox's cave. Fox leaves, and several of the others Hen, Quail, and Partridge go to seek after him.
Each is eaten up by the fox lying in wait outside the cave. Skylark, likewise apprehended, promises to fly into fox's mouth but instead drops a stone. Donkey promises fox a piece of paper supposedly full of treasure under his horseshoe, but then kicks Fox when he looks for it. There is a glossary of twelve words at the end. Illustrations, text, and design c by Porthill Publishers. Gift of Margaret Carlson Lytton, Nov. Leave it to Meg to find an unusual book like this! The nine fables here tend to confirm the hypothesis that most good new fables end up reproducing features of classic fables.
One of the best here, "The Piglet and The Crocodile," is about crying so much over something insubstantial that your predator can find you. The art alternates between primitive and psychedelic. The best specimens are, I believe, the primitive ones, particularly all the renditions of the travelling flea and those of the piglet in tears. See my Animal Fables: Eight pull-out storyboards for an earlier effort of the same persons minus Ross. Here is a crazy addition to the collection. This book has nothing to do with my subject, except to show how people use the word fable.
This book is written against the non-scriptural teaching that Christians have received, that is from the "Quarterly" any secondary literature? Quoting 2 Timothy 4, the author urges people not to succumb to the danger described there: The first word of the T of C misses an apostrophe "Authors Notes" , and the first sentence of text splits an infinitive. By Sandra Chisholm Robinson. Drawings by Ellen Ditzler.
Drawings by Ellen Ditzler Meloy. See the Oxford edition of , a smaller pamphlet with much poorer runs of the illustrations. This book is a fine example of amplification; it takes forty-five pages to tell one fable! Ironically, there is only one step in the money-making process here, which is the amplified part in other versions. The step here is from the rooster and two hens which she will buy to the chickens which she will sell at the summer fair. The goal in her mind throughout is one particular dress for the Christmas dance.
There she will dance with only one of her admirers. In the best illustration, the cat covers its eyes on A fine pop-up, of the quality I have come to expect from Troll. There are five nicely animated designs. The only phase not represented by a picture is that in which both humans sit on the donkey.
Here the crowd's noise frightens the donkey so much that he breaks free and runs away. The miller says to his son: Illustrated by Tony Wolf. Text by Peter Holeinone. That book I got by asking a courteous publisher. This one I would never have expected to find in Sebastopol! And now in August of , I have found the book done in in England under the same title. Illustrated by Fritz Kredel. Edited by Will Weng and Wayne Williams. Extra copy at the same time. Diann Greener put me on to this little treasure. Cover drawing by Jeffrey Zable. Forty-two fables, most from earlier appearances in an array of literary journals.
Comparison with Kafka is apt. People show up in the weirdest forms; the strangest things happen to them. This book is not for kids! Orphan of the universe ISBN: The Other Side by Alejandro Aura. Il pentolino magico by Massimo Montanari. Personlig tog jeg ikke skade af at vokse op by Roald Als. Pipo et Sifflet sont des cobayes Pobre corintiano careca by Ricardo Azevedo. Pour faire un ours bleu, choisir un beau lion Prikljutsenija sdobnoi lizy povest-skazka by Viktor Lunin.
Les quatre-chemins by Jean-Pascal Dubost. En que se diferencian el blanco y el negro? Ramons Bruder by Henky Hentschel. Re-Zoom by Istvan Banyai. Real Vampires by Daniel Cohen. Die Reise in den Norden by Karla Schneider. Reise zwischen Nacht und Morgen by Rafik Schami. Sarukani-kassen by Toshio Ozawa. Der Schnabelsteher by Rafik Schami. Shitakiri-suzume by Toshio Ozawa. Sho and the Demons of the Deep by Annouchka Galouchko. Shola and the Lions by Bernardo Atxaga. Theseus and the Minotaur by Jules Cashford. Traitor by Gudrun Pausewang. Tschipo in der Steinzeit by Franz Hohler. The Vasa Sets Sail: Een verboden kind by Trude de Jong.
Beaumont by Terrance Dicks. Wally the Wiz Kid by Margaret Clark. Waste not your tears by Violet Kala. Weather Eye by Lesley Howarth. Wilfried by Christian Waluszek. Zolani Goes to Yeoville by Georgiana King. Zoom by Istvan Banyai. Das Abenteuer by Rotraut Susanne Berner. Die Abenteuer der kleinen Wolke by Marianne Koch. Abracadabra by Ingrid Schubert. Ach by Gregie De Maeyer. After January by Nick Earls. After the Darkness Adlib by Michael Smith.
Alla signorina Elle con tanto affetto by Marcello Argilli. Another Kind of Monday by William E. Ashima di hui sheng: Asturias by Brian Caswell. Bad Girls by Cynthia Voigt. The Barefoot Book of Heroes: The battle of Pook Island by Jack Lasenby. Die Besucher-Sucher by Wolfgang Slawski. Betty and Bala and the proper big pumpkin by Lorraine Berolah.
The blue man and other stories from Wales by Christine Evans. Der Buchstabenfresser by Paul Maar. The Byzantium Bazaar by Stephen Elboz. Cai hui ben Zhongguo min jian gu shi. Da-wo-er zu by Wen Ruo. Hasake zu by Zhun Gu. Yao zu by Chuan Yi. Cando petan na porta pola noite by Xabier P. A casa das bengalas by Antonio Mota. La chaise bleue by Claude Boujon.
Chumba la Cachumba by Carlos Cotte. Cinema segreto by Domenica Luciani. Un coniglio nel cappello by Donatella Bindi Mondaini. Un crime est-il facile? The Cuckoo's Child by Suzanne Freeman. Cybermama by Alexandre Jardin. Dalle caverne ai grattacieli: Dich habe ich in die Mitte der Welt gestellt by Andrea Hensgen. Disteltage by Renate Welsh. Grimm by Xavier Carrasco. El Terror de Sexto B: Kohtaaminen by Mats Wahl. Fables by Jean de La Fontaine. A Faraway Island by Annika Thor. Ferkel Ferdinand by John A. Fred hat Zeit by Franz-Joseph Huainigg. The Gift of the Sun: Guidone Mangiaterra e gli sporcaccioni by Sebastiano R.
Hai jiao tian ya chi zi qing: Hamburguesa de mamut by Ruth Fraile Huertas. Heroes and lionhearts by Louise van der Merwe. Historias de soles by Davi. How Thopo became a great n'anga by Stephen Alumenda. Hrestain mii kralj by E. Ibo by Hans Jaeckel. Une image de Lou by Nicole Schneegans. In einer anderen Welt Roman by Wolfgang Rudelius.
Jan en het gras by Harrie Geelen. His Story by Katherine Paterson. Johan uten frykt by Lars Natvig. Juul by Gregie De Maeyer. Karolines dyrejeg by Vagn Lundbye. Kleines Boot auf grosser Reise by Gerhard Gepp. Kleuterwoordenboek by Nannie Kuiper. Knapphuset by Arild Nyquist. Knappt lovlig by Katarina von Bredow. Kurt blir grusom by Erlend Loe.
L'arbre noir by Michel Lamontagne. Le long silence by Sylvie Desrosiers. Magic Drum by Bridget King. Mais-Barne-Barna by Wera Saether. Mama im Knast by Maja Gerber-Hess. Manuale del cacciatore di fantasmi by Francesca Lazzarato. Marmellata di basilico by Guido Quarzo. Meester Jaap by Jacques Vriens. Mijn vingers zijn niet lang genoeg by Heide Boonen. Mistero sull'isola by Angela Nanetti. Monday's Troll by Jack Prelutsky. Mrs Windyflax and the Pungapeople by Barry Crump. Lumbago by Gilles Tibo. Namibian detective stories by David Jaspar Utley. The Orphan Calf and the Magical Cheetah: Piepheini by Peter Abraham.
Rabbit Spring by Tilde Michels. Rage of the sea wind by M. Ranocchi a merenda by Guido Quarzo. Rappatakk sjalusiens svarte sanger by Susanne Marko. Ready or Not by Mark Macleod. La reine des fourmis a disparu by Fred Bernard. De reizen fan Tsjam by Luuk Klazenga. A right royal pain: Rumpelstiltskin - the true story by Aislinn O'Loughlin.
Predanija Romanskich narodov srednevekovoj Evropy The knights of the Round table. Safran by Bodil Bredsdorff. Samotne wyspy i storczyk by Anna Onichimowska. Secret Letters from by Susie Morgenstern. Shirin by Nasrin Siege. Som et lille himmerige by Jacob Clausen. The Spring Tone by Kazumi Yumoto. Svansboken by Ragnar Olsson. Tententen yukiakari by Isao Uji. This is Our House by Michael Rosen. Tick-Tock by Lena Anderson. Tipi's, totems en tomahawks: Tvillingbror by Liv Marie Austrem.
Verflixte Fliegen by Heidrun Boddin. A Voyage of Discovery: W krainie kota by Dorota Terakowska. Wenn Jakob unterm Kirschbaum sitzt. Worlds apart by Vivienne Joseph. Das Wunderei by Ludwig Askenazy. Il y a le monde by Alain Serres. Yakkinn the swamp tortoise: The Eagle Calls by Carlos Carvalho.
Adam der Gaukler by Edda Reinl. Anansi tussen god en duivel by Noni Lichtveld. Animal Smarts by Sylvia Funston. Bilder ur hans liv by Mona Larsson. Le bambine non le sopporto by Donatella Ziliotto. Beethoven in Paradise by Barbara O'Connor. Ben by Benjamin Simard. Bennys Hut by Dirk Walbrecker. Bis zum Showdown by Mats Wahl. Blauwe ogen by Iny Driessen. Bloody Scotland by Terry Deary. Blueback by Tim Winton. Boku wa chiisana shiroi fune by Shigeru Minamimoto.
Branwen by Jenny Nimmo. L'invenzione della Tavola Rotonda by Teresa Buongiorno. Il cane che ebbe tre nomi by Cecco Mariniello. Celebrating Families by Rosmarie Hausherr. Choupette et son petit papa by Gilles Tibo. Clara nella nebbia by Simone Frasca. La coda degli autosauri by Guido Quarzo. Contact chan ISBN: Cowboy on the Steppes by Song Nan Zhang. Cuentecillos y otras alteraciones by Jorge Timossi. Da bin ich by Friedrich K. La dama blanca by Rosa Maria Colom.
Damien mort ou vif by Francine Pelletier. Dammi un whisky, Samanta! Dancing Through the Shadows by Theresa Tomlinson. Dare Truth or Promise by Paula Boock. Daughter of the Sea by Berlie Doherty. Dierentuin by Betty Sluyzer. Dit is het huis bij de kromme boom by Imme Dros. Docura amarga by Ana Saldanha. Donkey dust by Jane Buxton. Donne-moi la main, Arthur by Corine Jamar. The dream machine by Subir Ghosh. Der dreckige Prinz by Martin Auer. Echoes of the Elders: El abrigo by Angeles Jimenez.
Emile og naturens orden by Thomas Winding. Emma Pippifilippi by Maria Blazejovsky. L'Ordinatueur by Christian Grenier. Eroi, re, regine e altre rime by Nicola Cinquetti. Es gibt hier keine Kinder by Thomas Geve. Evig flugt by Fahmy Almajid. Il fantasma di Trastevere e altri racconti by Marcello Argilli. Freedom Beyond the Sea by Waldtraut Lewin.
Fuffy und Max by Gerd Fuchs. Green Air by Jill Morris. Greylands by Isobelle Carmody. Harlem by Walter Dean Myers. Freundschaft auf acht Pfoten by Rotraut Susanne Berner. Hector by Henry Thiel. Une idee de chien by Roberto Prual-Reavis. IJsberen en andere draaikonten in de dierentuin by Ditte Merle. Ilustrowane dzieje Polski by Dariusz Banaszak. The Iron Ring by Lloyd Alexander. Is Grandpa Wearing a Suit?
Jag, mamma och Socka Musen by Anna Toss. Jakey by Lesley Beake. The Battle for Mombasa by Dan Fulani. Je me souviens by Georges Perec. Jessicah the mountain slayer by Patricia Farrell. De kat en de adelaar by Hans Hagen. Kloakkturen - med Svein og rotta by Marit Nicolaysen. L'isola del tempo perso by Silvana Gandolfi. Lausige Zeiten by Josef Holub. Leaves for Mr Walter by Janeen Brian. A Lenda da lua cheia by Terezinha Eboli.
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- The Unwritten Vol. 7: The Wound;
- The White Ravens | Awards | LibraryThing.
- Friedrich Dürrenmatts Es steht geschrieben - eine Werkbetrachtung (German Edition)!
- Anne of Green Gables (Webster's German Thesaurus Edition) - PDF Free Download.
- The Cthulhu Child.
Leo Z by Jukka Lemmetty. Leonardo by Nelson Cruz. Lesezauber, neue Rechtschreibung, Fibel by Heidemarie Dammenhayn. Let's Be Gorillas by Barbro Lindgren. The Letters by Kazumi Yumoto. Leyendas bajo la cruz del Sur by Alicia Morel. The little wing giver by Jacques Taravant. La maison des voyages by Alain Wagneur. Manden og katten by Anne Mette Edeltoft. Maria Teresa by Roger Mello. Marieke, Marieke by Jaak Dreesen. Mariken by Peter van Gestel. Marita goes to school by Stephen Alumenda. Matilda and Meggie by Nola Turkington. My Life With the Indians: My Life with the Wave by Catherine Cowan.
La Mysterieuse Bibliothecaire by Dominique Demers. Next Please by Ernst Jandl. Niks gehoord, niks gezien by Veronica Hazelhoff. Noah's Ark by Heinz Janisch. Nora ist mal so, mal so by Mirjam Pressler. Nul en pub by Michel Piquemal. O, sagt der Ohrwurm. Only the Heart by Brian Caswell. En onsdag i Karl Grans liv by Jan Ollars. Pikku sammakkoprinssi by Hellevi Salminen. Pojken och staden by Nina Lekander.
Le premier homme sur la lune: La Princesse de Neige by Pascal Nottet. Un problema de narices by Jaume Ribera. Que le diable l'emporte! The Roman Record by Paul Dowswell. Sarah und der Wundervogel by Heinz Janisch. Living history through poetry by Patricia Schonstein Pinnock. Seven Brave Women by Betsy Hearne. The Seven Magpies by Monica Hughes.
En splint af korset by Anders Johansen. The sunhouse, and other stories by Corinne Renshaw. Der Tag, an dem ich Papa war by Hera Lind. La terribile storia di Nerone by Andrea Giardina. The toy horse by Deepa Agarwal. Treasure deep by David Hill. Tren de paraules by Josep Maria Sala-Valldaura. Trucas by Juan Gedovius. Ulaluna by Jesus Ferrero. Undici gatti paracadutisti by Matteo Terzaghi. Vacation in the Village by Pierre Yves Njeng. De verborgen prins by Sofie Mileau. Ab 5 Jahre by Rudolf Herfurtner. Was wollt ihr machen, wenn der schwarze Mann kommt?
Water van zout by Bettie Elias. White Lies by Mark O'Sullivan. Willy the Dreamer by Anthony Browne. Wo bian cheng yi zhi pen huo long le! O Agosto que nunca esqueci by Antonio Mota. Alex non ha paura di niente by Anna Lavatelli. Alwena's Garden by Mary Oldham. Angela by James Moloney. Arven etter onkel Rin-tin-tei by Ingvar Ambjn.
Au cinema lux by Janine Teisson. Un bambino di nome Giotto by Paolo Guarnieri. Bat Summer by Sarah Withrow. Les Berceuses des grands musiciens 1 livre 1 CD audio. Bernardo y Canelo by Fernando Krahn. The Best of Lola Basyang: Beware of the Bears! The Birth of the Moon by Coby Hol. Bist du schon wach? Von der Kunst, erwachsen zu werden.
Bumface by Morris Gleitzman. C'est corbeau by Jean-Pascal Dubost. The chair king by Karen Flores. Choki choki chokkin by Michiko Higuchi. Ciliege e bombe by Emanuela Nava. City by Numbers by Stephen T. Le doudou de tiloulou by Elisabeth Brami. Dream Invader by Gerard Whelan. Dream on by Steve Barlow.
Duizend madeliefjes voor Saar by Katrien Vandewoude. E quando cupa mezzanotte scocca by Ermanno Detti. El cerdito que amaba el ballet by Chely Lima. El mar de las maravillas by Jacqueline Balcells. El sobreviviente by Ruth Mehl. La estrella Peregrina by Rodolfo G. The World Reacts by Paul Bennett.
Fang lang di hai zi by Yanli Liu. Fuggo da tutto by Matilde Lucchini.
Gesaer wang chuan qi: Gondwanan lapset by Alexis Kouros. Hairy Tuesday by Uri Orlev. Henrietta and the Golden Eggs by Hanna Johansen. Das Hexeneinmaleins by Johann Wolfgang von Goethe. Himmelkua by Peter Svalheim. Hoe Sjoerd in een hond veranderde by Koos Meinderts. Hombre con un tenedor en una tierra de sopas, un by Jordi Sierra i Fabra. Le hun le tou A-fu cooks honey by Huizhu Zhou. Der Hund mit dem gelben Herzen: Hva er det for noe: Hva med meg, da? Ingqaka kaMaQhudeni by Raymun F. Islands in My Garden by Jim Howes. It's a Jungle Out There!
Juksch Jonas und der Sommer in Holundria: Roman by Josef Holub. Karnaval van die diere by Philip de Vos.
Book awards: The White Ravens
Krisensommer mit Ur-Otto by Kirsten Boie. Liselotje gaat kamperen by Marianne Busser. Little Zizi by Thierry Lenain. Livewire by Martina Murphy. Lost Boys of Natinga: Lost in Time by Hans Magnus Enzensberger. Lulama's magic blanket by Mari Grobler. Lussing eller sveder by Bent B Nielsen. Madame Butterflys Klavierstunde by Susanne Janssen. Malanbarra by Romayne Weare. Malmok by Annemarie van Haeringen. Maman-dlo by Alex Godard. The Mats by Francisco Arcellana. Le meilleur papa du monde by Marc Cantin. Mein Esel by Erik Zimen. Minnie and Moo go to the moon by Denys Cazet. Mio nonno era un ciliegio by Angela Nanetti.
Mummo ja Viivi vanhassa Tallinnassa by Taru Hurme. La musique des choses by Maryse Pelletier. My Girragundji by Meme McDonald. My Grandfather Is a Magician: Norton's Hut by John Marsden. Nykytaide suurin piirtein by Marjatta Levanto. Ohne Suse ist das nix. Ostelinda, jo vinc de tot arreu by Carme Garriga. Otonari wa majo by Junko Akahane. Le parole magiche di Kengi il Pensieroso by Paolo Lanzotti. Pas pismonosa by Alija H Dubocanin. Passa Klara by Rose Lagercrantz. La pluie comme elle tombe by Serge Perez.
The Queen of Colors by Jutta Bauer. Le reveur de bicyclette by Billioud Jean-Michel. La Ruse by Idrissou Njoya. Sieben Tage im Februar. Das A steht vorn im Alphabet by Peter Ensikat. Storie per gioco by Anna Vivarelli. Stories for a winter night by Swapna Dutta. Stoute Sammie by Francine Oomen.
Taur The Travellers by Jack Lasenby. Telling by Carol Matas. Tilla von Mont Klamott by Martina Dierks. Tricycle by Olivier Douzou. Der Turm by Ludwig Hirsch. Um amor grande demais by Yolanda Reyes. Venedig, anders gesehen by Mario Grasso. Victors verden by Beth Juncker. French Edition by Marie-Sabine Roger. Vincent und das Farbenwunder by Dieter Konsek. La voce segreta by Bianca Pitzorno. Vos en haas by Sylvia Vanden Heede. We have our dreams by A. Whirikoki and his seal by Mere Clarke.
Witnesses to War by Michael Leapman. Wo geht's nach Dublin? Wo he wo jia fu jin de ye gou men by Lai-Ma. Yoko by Rosemary Wells. Zack by William Bell. Het zomerwoordenboek by Nannie Kuiper. Aja Dobbo by Charlotte Reuter. Alboum by Christian Bruel. Alex, le petit joueur de hockey by Gilles Tibo. Angels Passing by by Judith Clarke. Anything But a Grabooberry by Anushka Ravishankar. Apheste ton sticho na sas pare ap' to cheri: Bear's Eggs by Ingrid Schubert. Benny and Omar by Eoin Colfer. The Bone Talker by Shelley A. A cavallo della scopa by Bianca Pitzorno.
Cheerful spirits by Gita Iyengar. Chikka by Hira Nirodi Chandran. The Clay Ladies by Michael Bedard. Coup de soleil by Michelle Daufresne. Crazy by Benjamin Lebert. After the Revolution by Bernard Wolf. Le cueilleur d'histoires by Sonia Sarfati. Dans la cour des grands by Kidi Bebey. Dao cao ren by Shengtao Ye. Dare to be Different by Amnesty International. The Death Book by Pernilla Stalfelt. Deux yeux, un nez, une bouche by Anne-Laure Witschger. Diabollo by Helme Heine. Dias de reyes magos by Emilio Pascual. Dunkel war's, der Mond schien helle.
Verse, Reime und Gedichte by Edmund Jacoby. Earthlings Inside and Out: Eddas lysthus by Jacob Clausen. Elefantevangeliet by Hans Sande. Flags by Maxine Trottier. Las fotos de Sara by Gabriela Rubio. Freddrik by Walter Vik. Le grand livre contre le racisme by Alain Serres. The Gruffalo by Julia Donaldson. Ha, la perle nue by Grd.
Hangman by Julia Jarman. He phidogennete vasilopoula kai alla paramythia by Maria Mamalinka. Heiligabend im Himmel by Henning Pawel. Heksenfee by Brigitte Minne. Hello Baby by Jenni Overend. Las historias perdidas by Jordi Sierra i Fabra. Historien om Job by Peter Madsen. Hjerte-smerte by Marianne Viermyr. Honghuli Red fox by Shixi Shen. Im Garten der Tiere by Henning Wiesner. In einem tiefen, dunklen Wald The Inuksuk Book by Mary Wallace.
Ioshi i la pluja by Montserrat Canela. Iskender by Hermann Schulz. J'attends un petit frere by Vilcoq Marianne. Jamela's Dress by Niki Daly. Jordens skod by Anders Johansen. Kapa haka by Katerina Te Heikoko Mataira. Im Land der Lemuren. Der Klavierling by Lotte Kinskofer. Kleine Schwester der Nacht by Anita Siegfried. Konfetoedenie by Grigorij Oster. L' Autre Vie de Nohel Bouchard: L' uomo della luna by Beatrice Masini. L'arbre de Joachim by Philippe Quinta. Landlocked by Catherine Johnson. Laura by Binette Schroeder. A Leaf in Time by David Walker.
Leo finder en hund by Irma Lauridsen. Et les petites filles dansent by Jo Hoestlandt. Lester by Bernard Beckett. Die Leute von Birka: So lebten die Wikinger by Sven Nordqvist. Lidia e i turchi by Giuseppe Ferrandino. Little Soldier by Bernard Ashley. Lustro pana Grymsa by Dorota Terakowska. Maman, pourquoi tu m'aimes? Manas by Turat Sadykov. Maria Moll Cappero by Paola Pallottino. Mart en De Liefde by Arend van Dam. Marta and the Bicycle by Germano Zullo. The mealie-cob doll by Marianna Brandt. La memoria dell'acqua by Silvana Gandolfi. Messieurs Propres by Christine Destours.
Muis ging eens op wandel by Guido Van Genechten. My Brother Sammy by Becky Edwards. Nanseli, waar ren je heen? No tinc paraules by Arnal Ballester. No, no fui yo! La notte dei lupi by Pinin Carpi. Nuka bliver fanger by Palle Petersen. Nur Ana Mother's light by Nuran Turan. A odalisca e o elefante by Pauline Alphen. Le ombre cinesi by Roberto Piumini. Once upon a Place: Ouek, ouek, au secours!: Petit Doux n'a pas peur by Marie Wabbes.
La peur bleue d'Arthur Prikazki ot drevna Trakija by Anatol Vesel. Prinsessan siivet by Kaarina Helakisa. Prinzessin Metaphysika by Markus Tiedemann. Raisel's Riddle by Erica Silverman. Rakas Mikael by Marja-Leena Tiainen. Schluss gemacht by Uli Lehnhof. Sector 7 by David Wiesner. Share the Sky by Ting-Xing Ye. Sink or swim by Ron Bunney. Een sok met streepjes by Joke van Leeuwen. A son among daughters by Jasper Onuekwusi.
Sonst noch was by Elke Heidenreich. Spasonosna odluka A saving decision by Gordana Maletic-Vrhovac. Spinners by Donna Jo Napoli. Stony Heart Country by David Metzenthen. La strada del guerriero by Pierdomenico Baccalario.
Ta megala papoutsia by Kika Poulcheriou. Tahdon by Kari Levola. The talking walking stick by Tendai Makura. Um fio de fumo nos confins do mar by Alice Vieira. Unbroken by Jessie Haas. Valonarkaa by Peter Pohl. Van de sneeuwman die niet smelten wou by Henri Van Daele. Verboden toegang by Beatrijs Nolet. Vildvinter by Anna-Karin Palm.
The virus trap by Ira Saxena. A visit to the orchards of heaven by Anthony Holcroft. War and the Pity of War by Neil Philip. Warum der Hase lange Ohren hat by Martin Auer. Wie man seine Eltern erzieht by Joseph von Westphalen. Der Wolf ist tot. Wonders Never Cease by James Pope. Das Wunder von Jasina by Petr Chudozilov. Yumba Days by Herb Wharton.