A main difference between a fugue and a cannon is that in a fugue, the second voice part comes in a fifth away from the first voice part. This duet is a fugato, which is not strictly a fugue, but retains much of th The title of this duet, "Menuett", is yet another spelling variation on the word "Minuet".
Kuhlau: Flute Duos, Op.80 & 81
The two flute parts are largely independent rhythmically. By the time a student gets to this part of the book, they should be getting fairly comfortable with rhythmically ind It's from the same sonata, Sonata Number 6, Opus 8, as the previous duet. This second of the 3 duets by Chedeville is from a series of sonatas entitled "Il pastor fido". The musette also known as a musette de cour or baroque musette is an instrument that is similar to a b Corelli was also an accomplished violinist and this may very well have been originally written for 2 violins.
Corelli also composed many works for brass ensemble. This duet can prove challenging for This Giga is a fairly simple duet by George Frideric Handel. Handel composed a series of flute sonatas that are used often in performance. I use them often when performing in churches. My favorites are the g minor, the G major and the F major. One of the things that m Italian composer Francesco Geminiani, the composer of this duet, was also an accomplished violinist. In he played his violin concerti with Handel at the keyboard, for the court of George I.
Later, he authored a book called Art of Playing the Violin This Gavotte is an example of the latter style gavotte, starting fro It's a double time cut time dance that starts with a pickup note on the upbeat of the second beat. Handle uses the form as a movement of his Flute Sonata in G.
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Gottfried Finger, the composer of this duet, became a musician at the court of King James II of England where made a name for himself as a composer of chamber music. This Gigue is similar in style to the previous duets that were entitled "Giga". The teacher should point out how several measures in the first section of the duet outline an F arpeggio. The second section features more of the same type of "question and answer" motives This "Air", by GF Handel is a good duet to use when studying the "eighth-quarter-eighth" rhythm pattern.
When the student can confidently alternate between this pattern and four eight notes, they likely have a good grasp of this syncopation. Both sections of the duet st An Allemande is usually part of a musical suite. A suite is a group of dances, particularly popular in the baroque period. The Allemande is usually the first or second movement of a suite. Henry Purcell, the composer of this duet, was an English Baroque composer.
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This pretty duet is by the baroque composer Georg Philipp Telemann. Telemann was an extremely prolific composer who wrote many excellent works for the flute, including a beautiful series of duets and a number of flute sonatas. The Guinness Book of World Records cred The tempo marking "Tempo di Marcia" translates to "March Tempo". This is a stately duet; full of staccato dotted eighth-sixteenth rhythms. Even without the staccato markings, these dotted eighth-sixteenth rhythms, in a march like this, are usually interprete The tempo marking "Andante grazioso" translates to "at a walking pace but gracefully".
I interpret this to mean, "with a flowing style. Smooth, but keep it moving". Also, notice the "dolce" expression marking, again meaning "sweetly". This duet begins in th Several times the word "dolce" is used as an expression marking.
Dolce translates to the English word "sweet" and generally indicates a gentle, smooth, singing style. The metronome setting for this performance is He also passed on his knowledge o This is the second of the two Kummer duets from his Opus The tempo marking is poco adagio, which translates to "a little slow". In relative terms it's not quite as slow as an adagio marking would be. This duet offers the teacher a good opportunity to introduce the gruppe This section of the Selected Duets book contains four duets by Kummer.
Kaspar Kummer wrote many pieces for woodwinds, including several chamber pieces for flute. This piece is a very pretty and understated duet. The tempo marking "Andante con moto" translates to The title of this duet, "Contrefeseur" translates into English as "the imitator" or "the mimic". As with the first duet in this section of the book, Le Tourbillon, this duet lives up to its name. The flute 2 part imitates the flute 1 line at the beginning of both sections of The title of this duet, "Le Sauteur" translates into English as "the jumper".
The title of this duet, "Le Chasseur" translates into English as "the hunter". The title of this duet, "Le Tourbillon" translates into English as "the top" or "the whirlwind". This duet lives up to its name by congering up the image of a whirlwind.
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These 2 minuets have the same key relationship as the two duets on page 28, the first one is in the key of C and the second in c minor. Although, again the key signature of the second duet doesn't accurately portray the key of c minor. They are also a bit more fluid in sty Like the previous duets entitled "Menuet" this is a spelling variation on the word "Minuet". These two minuets are both in the key of C, the second one does not change key to the parallel minor, as the previous pair of minuets did. The prolific Boismortier, the composer of a Cut time usually implies a fast tempo.
It's often used in marches. It's also often used in show tunes, especially during dance sections. The duet lives up to its name by effectively invokin Like the previous duet entitled, "Menuet" this is a spelling variation on the word "Minuet". These 2 minuets have a key relationship, in that the first one is in the key of C and the second in c minor. C minor is the parallel minor to C major. Note that the key signature of This Sarabande is in the style of a Sarabande from the baroque period. That is, it is a slow piece in 3.
The baroque sarabande was one movement of a suite, usually coming directly after the courante. A sarabande by GF Handel, in a similar style to this duet, was featured in This gigue is in the same style as the previous two duets. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:.
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Titles with no bracketed numbers are assumed to use "Standard Instrumentation. Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. The bracketed numbers tell you how many of each instrument are in the ensemble.
The first number stands for Trumpet , the second for Horn , the third for Trombone , the fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. These numbers tell you how many of each instrument are in the ensemble.
The first number stands for Violin , the second for Viola , the third for Cello , and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual The system used above is standard in the orchestra music field. The first set of numbers before the dash represent the Woodwinds.
The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Other Required and Solo parts follow the strings:. Instruments shown in parenthesis are optional and may be omitted.
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The Beethoven example is typical of much Classical and early Romantic fare. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoons , and there are two each horns and trumpets. There is no low brass. Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass.
Sometimes strings are simply listed as "str," which means strings. The second example is common for a concert band or wind ensemble piece. Note the inclusion of the saxes after bassoon for this band work. Note also that the separate euphonium part is attached to trombone with a plus sign. For orchestral music, saxes are at the end see Saxophones below.
Multiples, if any, are not shown in this system. The numbers represent only distinct parts, not the number of copies of a part.