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The review must be at least 50 characters long. The title should be at least 4 characters long. Your display name should be at least 2 characters long. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer's personal information. You submitted the following rating and review. We'll publish them on our site once we've reviewed them. Item s unavailable for purchase. Madonna sings about Eva moving from one home to another, portraying an image—the suitcase in the hall—"to express the nomadic nature of modern civilization".
In the middle of a male backing chorus, Madonna sings her lines, accompanied by stereo tom-tom drum and synth sounds. Composed as an "uprising hymn", Rooksby noted that Madonna's vocals sounded "aggressive and growling".
The second disc begins with "Don't Cry for Me Argentina", whose lyrics are described as a "string of meaningless platitudes" by Rice, adding that it worked as a speech by a "megalomaniac woman" like Eva, trying to win the favor of the people of Argentina. With "Waltz for Eva and Che", the soundtrack's atmosphere becomes tense, as Banderas and Madonna sing on top of bass and timpani. The bittersweet song "You Must Love Me" starts with the sound of orchestra and piano.
Lyrically it talks about Eva's discovery that her husband Juan had actually loved her all along and not merely seen her as a political prop. It proceeds in the same way and gradually fades out. Accompanied by classical guitar and harp, Banderas also sings over Eva's grave, and the track gradually fades out as an anti-climax.
Evita (soundtrack) - Wikipedia
The soundtrack was released in the United States on November 12, , almost two weeks before the release of the film. We are getting more inquiries about this record than anything else right now," Devin explained to Billboard ' s Larry Flick. Evita consisted of two formats, a two-disc edition titled The Complete Motion Picture Music Soundtrack , containing all the tracks used on the film, and a single-disc edition, Music from the Motion Picture , which contained only a selection of highlights.
International release strategy of the soundtrack was similar to that of the United States, with November 25 as the date, and the single-disc edition planned for release later in December. It was written specifically for the film with the hopes of obtaining an Academy Award nomination for Best Original Song.
A separate version called the "Miami Mix", which included re-recorded vocals in English and Spanish and an Argentinean bandoneon in the song's intro, was promoted to radio.
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Flores and Garza kept the Latin composition of the track, while "flattening" the groove to make it suitable for playing in dance floors. They also added a live percussion and keyboard lines to the remix. Larry Flick from Billboard commented that "Buenos Aires" displayed Madonna's "increased comfort and dexterity as a stylist". Evita has received generally mixed reviews from music critics. Randy Taraborrelli, author of Madonna: An Intimate Biography felt that Madonna's singing sounded "supple and strong", and believed her to be not "at all out of place".
While some of the numbers have lost their sharp edge 'A New Argentina' lacks requisite anger , the recording benefits from its concentration on the characters' voices. In her review of Evita , Janet Maslin from The New York Times complimented Madonna's ability to emote the songs calling them "legitimately stellar and full of fire". Meyer, from The Herald Journal , felt that "there's a little something for everyone in Evita. It's a pop-culture clash that is sometimes quite annoying especially in Rice's left-field rhymes but still works like a charm".
Evita marked the start of Madonna's Serious Phase, one where she balanced youthful coquettish-ness with a more mature, introspective outlook". AllMusic 's Stephen Thomas Erlewine gave a mixed review calling the soundtrack "unengaging". He theorized that it was due to Madonna's performance. Erlewine commended Madonna's singing but deduced that her vocals made the songs sound like she was "trying really hard to be credible, which makes it difficult to connect with her".
But Roca believed that the Latin influences present in the original songs were missing, due to John Mauceri's "languid conducting of the soundtrack, and most of all by Vincent Paterson's choreography". Considine felt the soundtrack would disappoint Madonna fans "because Evita just isn't pop music—or, at least, not the kind of pop music Madonna usually makes on her own As a result, slogging through Evita is like listening to an opera written by someone who never got beyond learning how to write recitativo ".
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In the United States, Evita debuted at number six on the Billboard chart for the issue dated November 30, It was the first entry on the chart for a "broadway musical transitioned into film soundtrack" since Grease: The Original Soundtrack from the Motion Picture in Within five weeks it crept back into the top-ten of the Billboard and for the issue dated February 8, , reached a peak of number two on the chart. Sales increased by Evita was present for a total of 30 weeks on the Billboard , and ranked at number 26 on the year-end chart.
After fluctuating down the charts for the next few weeks, it climbed into the top-ten in March , and peaked at number five. Evita debuted at number seven on the UK Albums Chart and ended up reaching the top of the charts in February , becoming Madonna's fifth number one album in the country. It was present on the chart for a total of 44 weeks and ranked at number 23 on the year-end chart. Credits and personnel adapted from the 2-CD edition of the soundtrack's liner notes.
From Wikipedia, the free encyclopedia. Evita Cover for the two-disc edition of the album. She had the lion's share of the piece, singing as she does on almost every track. Many of the songs were comfortably within her range, but much of the score was in a range where her voice had never ventured before. Also, she was determined to sing the score as it was written and not to cheat in any way". Antonio Banderas and Jonathan Pryce were the other principal vocalists on the soundtrack, besides Madonna. A 17 second clip of "You Must Love Me", with Madonna singing the chorus over the restrained piano sounds.
Madonna Andrea Corr Jonathan Pryce.
Madonna Jonathan Pryce Antonio Banderas. From 'Madonna' to 'Rebel Heart ' ". Retrieved August 2, Retrieved August 28, Archived from the original on December 6, Retrieved August 29,