My evils hopeless are! Air and Chorus Micah, Israelites Micah. Return, O God of hosts!

Handel: Samson, Act III, 1: Thus when the sun from's wat'ry bed

Recitative Samson, Micah, Dalila Micah. But who is this, that so bedeck'd and gay Samson. My wife, my traitress? She stands, and eyes thee fix'd Dalila. With doubtful feet, and wav'ring resolution Samson. I would not lessen my offence, yet beg Samson. How cunningly the sorceress displays With plaintive notes Recitative Dalila, Samson Dalila. Th'event was worse than I foresaw Samson. Did love constrain thee? No, 'twas raging lust! Your charms to ruin led the way Forgive what's done My faith and truth, O Samson, prove, Philistine Woman.


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Her faith and truth 41a. Her faith and truth To fleeting pleasures 41b. Her faith and truth Air Dalila: How charming is domestic ease! Recitative Samson, Dalila Samson. Ne'er think of that! Let me approach, at least Samson. Not for thy life, lest fierce remembrance wake Dalila.

Thou art more deaf to pray'rs I'll sue no more Scene 3 Recitative Micah, Samson Micah.

Samson - Handel

So let her go! It is not virtue, valour, wit Favour'd of heaven is he To man God's universal law Scene 4 Recitative Micah, Harapha, Samson Micah. No words of peace Harapha. I come not, Samson, to condole thy chance Samson. The way to know. Dost thou then already single me? Boast not of what thou would'st have done Harapha.


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  • The honour certain to have won from thee Honour and arms Put on your arms My strength is from the living God Recitative Harapha, Samson Harapha. With thee, a man condemn'd Samson. Cam'st thou for this, vain boaster? Can I hear this insolence Go, baffled coward; Presume not on thy God Here lies the proof Hear, Jacob's God, Jehovah, hear! Dagon, arise, attend thy sacred feast! To song and dance we give the day Chorus of Israelites and Philistines: Fix'd in his everlasting seat Act II.

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    Recitative Micah, Samson, Harapha Micah. More trouble is behind Samson. I fear him not, nor all his giant brood Harapha. Samson, to thee our lords thus bid me say Samson. I am an Hebrew Harapha. This answer will offend Samson. Myself, my conscience and intemal peace! My message, giv'n with speed Presuming slave, to move their wrath! Share Facebook Twitter Pinterest. Your Amazon Music account is currently associated with a different marketplace. Additional taxes may apply.

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    • Get to Know Us. Through comforted by his friends, Samson breaks out in furious denunciation of his enemies in the powerfully dramatic aria "Why does the God of Israel sleep?

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      It is followed up in the same spirit by the chorus "Then shall they know" -- a fugue on two vigorous subjects, the first given out by the altos, and the second by the tenors. Samson's wrath subsides in the recitative "My genial Spirits droop" , and the first act closes with the beautifully constructed chorus "Then round about the starry Throne" , in which his friends console him with the joys he will find in another life. The second part, after a recitative, opens, with an aria by Manoah "Just are the Ways of God to Man" , in which he conjures Samson to repose his trust in God.

      It is followed by the beautiful prayer of Micah "Return, return, O God of Host" , emphasized by the chorus to which it leads "To dust his Glory they would tread" , with which the prayer is interwoven in obligato form. From this point, as Delilah appears, the music is full of bright color, and loses its sombre tone. In a short recitative she excuses her misdeed, and then breaks out in an aria of sensous sweetness "With plaintive Notes and am'rous Moan, thus coos the Turtle left alone".

      In bewitching grace, however, makes little impression upon Samson, who replies with the aria "Your Charms to Ruin led the Way". In another enticing melody "My Faith and Truth, O Samson, prove" , she seeks to induce him to return to her house, and a chorus of virgins add their entreaties. A last effort is made in the tasteful and elegant aria "To fleting Pleasures make your Court" ; but when that also fails, Delilah reveals her true self. Samson rebukes "her warbling charms," her "trains and wiles," and counts "this prison-house the house of liberty to thine" ; whereupon a highly characteristic duet ensues "Traitor to Love".

      An aria for Micah follows "It is nor Virtue, Valor, Wit" , leading up to a powerful dissertation on masculine supremacy in a fugued chorus which is treated in a spirited manner. The giant Harapha now appears, and mocks Samson with the taunt that had met him before he was blind, he would have left him dead on the field of death, "where thou wrought'st Wonders with an Ass' Jaw. Samson replies with the majestic aria "My Strength is from the living God".

      Ian Bostridge; "Total eclipse"; Samson; George Frederic Handel

      The two solos reach their climax in the energetic duet between the giants "Go, baffled Coward, go".