Still, his screen credits include a few sensitive films as well. Here are a few of the roles he didn't get, made famous by other actors. The part went to Tom McKitterick. High and Low," De Niro was wanted for the role of Charlie in this dark comedy, but the part went to Rourke.
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Unauthorised" by Andy Dougan. If you're against the wall and have no other way, I'll do it as a friend.
A Film by Film Directory. However, the studio apparently refused to pay De Niro his price, and after Hanks heard De Niro was involved, lending credibility to the film, he took the job when De Niro dropped out. Early in the afternoon, Elliot Baxter came into the room, the actor Gold had noticed from the Royal Scottish Conservatoire.
Then she told him where to stand, in front of a white screen and opposite a camera operator who was filming the audition, and sat facing him to read the scene. Gold played her part with admirable restraint. They did it again, Baxter ever grimmer. Another vital, if more prosaic skill of a good casting director is small talk, the pre- and post-audition chatter.
Gold has developed the ability to say: She made the audition — a transaction in which she had all the power and the actor had somehow less than none, being one of a limitless number of options — seem deceptively balanced. More than once that afternoon, Gold patiently allowed herself to be lectured by a young actor on what actually happened at Chernobyl. F or every charmed arc of a Redmayne or a Foy, there are a thousand actors waiting, hoping. At one end, there is the platonic ideal of Mike Leigh who meets every actor alone for 20 minutes, just to talk, then calls them back for an hour for a more thorough acting audition, and never films them.
More typically, there is a roomful of directors, casting directors, producers and assistants, plus a guy behind a camera recording it all. Like Redmayne, who got carried away in his conjoined-twin-rocker audition and tried to strangle himself with a sock. Some actors develop tricks to better their chances. These days, actors are often asked for a self-tape before they get anywhere near an actual human being.
Casting directors tend to agree that the self-tape is the great democratising revolution of their business. You can see anyone, anywhere, immediately — they just film themselves on their phone and send it over.
Robert De Niro: Roles He Missed That Other Actors Made Famous
For the actor, the self-tape is a little more troublesome, and convoluted. You choose a costume. You state your name and your height. Horizontal please, not vertical. You get your friend or your partner to read in. West — English, white, average build — recalled auditioning for one of the Mission Impossible movies and, months later, finding out that Ving Rhames — African American, built like a mountain — got the part.
As a profession, acting has a certain kind of cruelty embedded in its code, the typical actor living in a constantly suspended state between possibility and disappointment over which they have no control. In that bland Soho audition room, looking for the perfect Janek, there was no avoiding the reality. As yet another young actor left, on whom you could almost smell the desire to impress, Gold reflected on her position relative to that of the actor. T hree weeks before filming was to begin on Chernobyl, Gorbachev and a handful of other parts remained uncast.
Gold sat on the office sofa, Sterne crouched next to her and they watched audition tapes on a laptop for the role of Marko, a brutish Soviet soldier. First up was a fantastically handsome, two-metre-tall Viking type with shoulder-length blond hair, who had made the questionable decision to vape during his audition. And then an actor who had adopted a soupy Russian accent, even though one of the precise stipulations before all the Chernobyl auditions had been: Gold often finds herself grappling with issues of voice, gender, race and class.
In recent years, outrage at the lack of diversity on TV and in film has escalated. Game of Thrones has often been criticised for the absence of non-white faces.
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John Boyega was a student, and Oguns became his agent. Gold often finds herself coming up against the inherent limits of a project. As Newton implied, The Crown is an obvious wasteland of opportunity for actors of colour. In Chernobyl, there are barely any female parts, an unavoidable fact of history as the characters are based on real people and almost all those working at the nuclear reactor and sent in to deal with the fallout were men.
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To have a female lead, Mazin had to amalgamate a group of scientists into a fictitious new character. Class particularly rankles Gold. Every year, she feels the crop from drama school becomes ever more homogenous, an endless supply of nice-looking middle-class kids who blend into one. Many of the leading drama schools are in London, where accommodation can be unaffordable. He would have to get the train down to London for auditions, but this would work out a lot cheaper than trying to leave home. Gold gets annoyed when the Chernobyl team call her posh.
Foy was pregnant; Smith still looked more Doctor Who than frustrated Greek naval officer. Both were casually dressed, sitting next to each other in a blank room.
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But then, as they began to talk, there they were. No longer a young woman from Stockport and a young man from Northampton, but the Queen and Prince Philip, summoned through that mysterious, quiet alchemy which is good acting. Please fill in a complete birthday Enter a valid birthday. Skin care Face Body.
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