Love and Magic Creator: Silvana Violante Date Created: Oil on canvas Painter: Silvana Violante Original Title: Amor e Magia Credit Line: Untitled Depicts same location. And sometimes the nights last for months Created around the same time. Venus and Adonis Depicts same object. The Abandoned Doll Uses same medium.
The Child's Bath Uses same medium.
Men and women of status and favor were more often the targets of love magic. Economic or social class restrictions would often inhibit a marriage , and love magic was seen as a way to break those barriers, leading to social advancement.
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While the spells were supposed to be kept secret, very rarely were they successful in this. However, if the victim realized that a spell was being cast upon them, believing in magic themselves, they would behave differently adding effectiveness to love magic.
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With the dominance of Christianity and Catholicism in Europe during the Renaissance , elements of Christianity seeped its way into the magic rituals themselves. Often, clay dolls or written spell scrolls would be hidden in the altar at churches, or holy candles would be lit in the rituals.
The Host from a Catholic Mass would sometimes be taken and used in rituals to gain the desired result. Thus, love magic within the Renaissance period was both Christian and pagan. In literature and art, the motif of a genuine love spell is interwoven more often, and made the starting point of tragic setbacks and complications. One of the earliest manifestations of the theme in the Western world is the story of Heracles and Deianeira. A famous treatment of the subject is in Richard Wagner 's opera Tristan and Isolde , which in turn goes back to the same epic by Gottfried von Strassburg.
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This illustrates the common stereotype that men did not do magic. Faraone, love magic often was associated with prostitutes and courtesans. Women in these professions often held psychological power over their partners, sometimes leading to dramatic measures such as witchcraft accusations. The view of women within the Renaissance can best be illustrated by the Malleus Maleficarum. In the opening section of this text it discusses the sexuality of women in relation to the devil.
Heinrich Kramer wrote within his book that, "All witchcraft comes from carnal lust, which in women is insatiable. They associated it with the devil, making witches out to be sexual partners with demons. Kramer makes the case that a witch received her powers by inviting the devil to enter into carnal relations. Through her sexuality she gains her power, and thus her sexuality is seen as evil and something to be feared.
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In many of the witchcraft accusations brought before the Holy Office in the Roman Inquisition, men accused women of binding their passions and sexuality by the use of their own sexuality. While within literature, females dominate the witch world, some scholars believe that reality was much different. Dickie, a prominent magic scholar, argues that men were the main casters of love magic. There are a variety of explanations for why the literary world contrasted reality in this area, but a common interpretation is that men were trying to subtract themselves from association.
From Wikipedia, the free encyclopedia. For the American film, see The Love Charm.
Love and Magic
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