Eli Gur Arie Israel , Untitled, Monitored Feeding Station, Eugenio Ampudia Spain , En Juego, Kim Shin-il Korea , Water. Sangkyoon Noh Korea , One End. What are You Looking for. WAYLF — me — pink. Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years—and yet its innovations have been sparsely documented.
Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work.
De Gruyter Oldenbourg
Accompanied by a companion DVD in PAL format and lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich. Richly illustrated and deeply informed, Media Arts Zurich points the way to a new European avant-garde.
This is a lavish product, designed to help promote talented work and also, therefore, the school through a combination of short descriptive texts, lots of pictures and a DVD. This yearbook provides an opportunity to survey new media from a generational standpoint, and raises questions about whether there are any commonalities among this young Swiss group. One immediate answer to this focuses on the idea of the choices of specific medias. Moreover, we are presented with works that look at the technical limits and possibilities of various media, and which explore their relationship with social environments and rules.
And both are simply on the right track.
The media arts in the age of their post-modern condition Inke Arns. I am quite exited to run WoW in korean hangul letter system. Recently, the outlook of Seoul is rapidly changing. What is changing is not only outlook, but our daily life is also changed. It is no longer surprise thing or imagination to watch TV or talk with friends face to face. Many art works are installed on the street, overpasses. People can enjoy art in the park. However, take the different perspective, and ask to ourselves.
Furthermore, what is purpose of art in that sense? It is not used in negative way which is stealing personal information without permission, either. Rather it is right to say that this word is chosen in the metaphorical context: This project is consists of two parts. First part is related with actual data which artists get from Seoul city such as traffic flow, sound capture and transfer, some official statistic data. For this TMCA collaborated with media lab in universities.
Like Balettikka Internettikka from Slovenia and Graffitti Research Lab from USA, they go into the society in order to re-thinking about social system by the intervention and physical hacking. Nanna from Korea is doing performance of asking people to buy or sell their time in the public space. She gets into people, and gives them a chance to think their busy life, or time in philosophical sense. Aram Bartholl from Germany make workshop which connected with computer game, but in a very analogical way.
The results of performance from the workshop, for sure, bring fresh air to the people who will meet them on the street. Also they have a chance to think about computer game or virtuality.
- Publikationen – Marc Lee;
- Publications – Marc Lee.
- Follow the Author.
Jahrhundert ist das Jahrhundert imaginiert worden als Technologie der Mobilisierung und Personalisierung. Mit PC und Handy etc. Jahrhundert neue Akzente erhalten. It encompasses an exhibition, research project and symposium. This publication presents the exhibited works, research findings and other documentation of the project. Publikation zur Ausstellung vom Medienkunst — nach den Videos nun auch net.
Etliche auch international erfolgreiche Werke entstehen dabei in der Schweiz. Spielraum Medienkunst Herbert W. Suchmaschinen als Medienkunstwerke Oliver Siebeck: Erobern Sie die Welt mit Suchbegriffen! Software Art and Cultures Conference Thus, software is not regarded as an invisible layer, but rather as a decisive level and a language working at reproduction of certain orders, whether aesthetic, cultural, social or political.
Software art creatively questions and redefines software and its ways of functioning. Software Art and Cultures Conference: Software art and cultures: How users improve things, provide innovation and change our idea of culture: It consists of papers from the Software Art and Cultures Conference and features projects from Runme.
The basic question is: Can software in itself, as a collection of code, instructions, structures and protocols, objects and classes and whatever else it might include, be considered as an artistic medium? Can a program, however simple or complex and in whatever language or programming environments it is written, be a work of art?
Is there a software aesthetic? Or is it just an intermediate carrier of something else, like paint in a painting or timber in a building? New media and interactivity: This book provides an overview. MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland.
The transdisciplinary perspective opens a wide field where moments of interactivity are expressed in surprising and visionary installations.
In this publication, the artists and designers present their projects themselves, and their contributions are accompanied by theoretical texts which reflect on interactivity in general and set the projects within the broader context of modern day culture. The accompanying DVD provides a video documentation including texts, pictures, sounds and applications.
MetaWorx will first go public in October when an exhibition will take place at Viper Basel, an international festival for film, video and new media. We are investing in a good visual concept and leaving the print-on-demand to our public, since the TV magazines can be printed on every home printer. The channel works with the lowtech and financial means of network art and has collaborators on three continents. Its programme can be received all over the world.
On 18 November , bastard channel has been celebrating its start with six programmes within the framework of the Viper Media Festival in the Basel Kunsthalle. By the winter of , seven new programmes will have been added. The participants are artists from Bangalore, Basel, Berlin, Geneva, Los Angeles, Mexico, Paris, Seoul, Tokyo and Zurich, as well as collaborating text writers, translators, programmers and graphic artists. It will not be possible to receive all the bastard channel programmes at all times, for our online project operates according to the television programme structure.
Trailers will provide information about the times of day and night when you will be able to receive the next programmes in your part of the world. Whereas the terrestrial television stations are working on making it possible for programmes to be broadcast online independently of times and dates, bastard channel is set on limiting consumption: This is a cross between the babbling TV promises and the hesitant web response of a 56k modem. Some of our programmes are run like films, animating the screen at a breakneck pace, others step intentionally on the brake, tempting and frustrating at one and the same time.
Still others bring streams of data onto the screen or make interaction offers where the public can spend 30 minutes or 30 seconds. At bastard channel, even the TV test pictures are interactive, and viewers receive personal answers to existential problems from the Television Sphinx — without, however, knowing whether they will receive a written or spoken answer from the Sphinx herself or her intelligent robot within two to three days. Inhalt 9 Teststrecke der Musikindustrie: Seit Neil Postman mit seinem Begriff des Infotainment die mediale Verpackungspraxis von Informationen zum Gegenstand seiner Fernsehkritik gemacht hat, erfasst die Entertainisierung praktisch jeden Lebensbereich.
Die Werke der Ausstellung verweisen aber auch auf die Ambivalenz dieses Vorgangs. Die Algorithmische Revolution dagegen liegt bereits hinter uns und nur wenige haben sie bemerkt — umso wirkungsvoller ist sie gewesen. Die Algorithmische Revolution begann um in der Wissenschaft, um in der Kunst. Inzwischen gibt es kaum noch einen Bereich unseres gesellschaftlichen und kulturellen Lebens, der nicht von Algorithmen durchdrungen ist: Der wohl bekannteste Einsatz von Algorithmen ist deren Umsetzung in der Computerprogrammierung.
Der Mensch hat die Abarbeitung von Erzeugungs- und Entscheidungsverfahren, z. Weil jedoch Babbage jene Analytical Engine nicht vollenden konnte, wurde Lovelaces Algorithmus nie darauf implementiert. Die Ausstellung Die Algorithmische Revolution stellt unter dem Zeichen der Handlungsanweisung und des Algorithmus eine Klammer her zwischen diversen Kunstbewegungen wie sie bisher nicht wahrgenommen wurde.
Die Handlungsanweisungen von Fluxus, in Buchstaben geschrieben und an ein Publikum adressiert, antizipieren und parallelisieren die Anweisungen, die an Maschinen adressiert und in Ziffern geschrieben sind, die so genannten Algorithmen. Den derzeitigen Umbruch der Bildkulturen begreift unser Kuratorenteam als Chance, die Fotografie einer kritischen Betrachtung zu unterziehen und sie neu zu definieren. Und Macht hat vor allem, wer den Fluss der Informationen beherrscht.
The title plays with various concepts: Das Projekt digital art conservation Are you born-digital? Mit Texten unter anderem von: Le Projet digital art conservation Are you born-digital? Marc Lee garantiert eine Welt in Echtzeit! Seine robotischen Suchmechanismen werden jetzt auf die Reise geschickt. In der Kunst mit Informationstechnologien geht es um Bild er- findungen auf der Grundlage kommunikativer Prozesse, um begriffliche Strategien und kognitive Methoden.
Medienkunst zeigt neue Weltbilder. Die Texte geben einen Einblick in Diskurs und Praxis im deutschsprachigen Raum und sind hier nachzulesen. Fran Ilich, Telenouvelle Vague. Mediensysteme im internationalen Vergleich. Libyan Broadcasting under al-Qadhafi: The Politics of Pseudo-Liberalization. Theorie, Prozess, Politikfelder, Regionen. Reinventing the Public Sphere in Libya.
Observations, portraits and commentary on a newly emerging media landscape. Religious Actors in the Public Sphere. Means, objectives and effects.
Freie Universität Berlin
Johannsen, Margret et al. Researching Change in Times of Media Convergence. Great Powers and Regional Orders: The United States and the Persian Gulf. The International Encyclopedia of Communication, Volume 5. The International Encyclopedia of Communication, Vol 4. Religion im arabischen Fernsehen und Internet".
Schweizer Medienkünstler Marc Lee stellt in Seoul aus
Vom Kultbild zum Internetritual. Muslimische Gesellschaften in der Moderne. Medien und Terrorismus - Auf den Spuren einer symbiotischen Beziehung. Nahost - Jahrbuch Global Media Journal — German Edition 6 1 , https: Orient 1 , pp. Journal of Arab and Muslim Media Research 3 , pp. Deutsche Welle in the Arab World". Aus Politik und Zeitgeschichte , S. Arbeitsgruppe Gleichbehandlung des Forums gegen Rassismus: Message 3 , S. Die Oligarchisierung arabischer Medien.
Die Ideologie der sozialen Medien. Zur Bildproduktion radikaler Islamisten. Reviews Noha Mellor Der Karikaturenstreit und die Pressefreiheit. Wert- und Normenkonflikte in der globalen Medienkultur. Voices of the New Arab Public. Columbia University Press, Conference Presentations and Conference Chairs Der Nahostkonflikt in den Medien.
Social Media Against Sexual Harassment: Reflections on an Intercultural Teaching Experience. Presentation at Comparing Media beyond the Nation State: A Precondition for Political Change? Auf dem Workshop des Netzwerks Medienstrukturen: Entwicklung, Vergleich, Prognosen Strukturen, Berlin, Pluralism or Plurality of Particularistic Voices in Egypt? Einstein Lecture Dahlem mit Prof. Presenting in English This workshop provides insight into comprehending the fears and expectations of the presenter and how these interplay when meeting the expectations of the audience. Starke Stimme, starkes Auftreten.
Wissenshybride zwischen Textwissen und Neubeobachtung. Wikis und Blogs im Wissenschafts-Kontext: China ein modernes Imperium? Ernst-Reuter-Tag zum A journalist's view Invited guest talk by journalist Daniel Bax Ort: Workshops for advanced doctoral candidates and postdocs Ort: Philipp Kukura University of Oxford Ort: Applying for jobs in Germany: Understanding the German job market Applying for Jobs in Germany requires not only a basic knowledge of how to correctly formulate your cover letter and application, but also a solid understanding of what German employers value in an applicant, as well as how the German job market functions.
Wer rettet die Weltenretter? Driving IT security evolution through impactful research Individuals in a digital world need protection. Was steckt hinter meinem Kleiderkauf? Designen Sie Ihren neuen Job! Als Tech-Startup in der Logistik: