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Henri Rust, Madeleine Bonin. Pierre Blondy, Bruno Tireux. Assistant pour les pantomimes: Paris sous la Restauration. Non plus que les acteurs qui cependant tiennent toute leur place et souvent quelle place!
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Paris au temps du romantisme. Le centre du drame est le grand amour malheureux de Garance et de Debureau.
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Notre chronique comportera, comme le film, deux parties. Ce monument est un tout. Pierre Brasseur, et pour finir un homme qui se perd dans une foule. Les photographies de M.
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Roger Hubert, le texte de M. Barrault, et surtout de M. Tous deux cependant se rejoignent en un intellectualisme quelque peu inhumain.
Bref, allez le revoir. Un jour de ou sur le boulevard du Temple.
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Lacenaire assassine le comte dans un bain turc et attend le bourreau. The Boulevard du Crime, nowadays the Boulevard du Temple, Paris, the first part in , the second part in Most of the Paris theatres are concentrated on the Boulevard du Crime, at a time when melodrama and the pantomime are popular. There are six main characters, three of them from historical sources: The other three are fictitious: The story itself is centred on Garance, with whom the four men already mentioned fall in love siinultaneously or successively.
The action takes place in the theatres, outside them in daytime among the booths, the tumblers, the jugglers.
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Garance has had enough of Lacenaire, and becomes fond of Baptiste, who is loved by Nathalie. The Count also falls in love with Garance when he sees her in a mime with Baptiste, already famous, at the Funambules. Garance is not interested in the Count, who tells her he will always corne to her help if she asks it.
Later he does so, after she and Lacenaire have been in trouble with the police. Baptiste is more famous still, married to Nathalie, who has borne him a son. Frederick has become the most popular actor of the time. Garance is away, travelling with the Count.
Jacques Gaillard
On her return to Paris she realises, however, that she has loved only one man: Frederick becomes jealous, but soon gives up hope. Meanwhile, the embittered Lacenaire murders the Count. Nathalie finds the loyers she is accompanied by her little boy. Garance decides she cannot be happy with Baptiste, and she runs out to the boulevard, among the masks of a carnival day.
Baptiste runs after her, calling her name, and becomes lost in the crowd. It seems that the work done by Trauner and Kosma on the sets and music respectively had to be in clandestine collaboration with the other artists, presumably because they were of Jewish descent.