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And no, I can't send you one. Imagine a group of seventh graders heading to Washington, DC on a school field trip. On the surface, this sounds like an ordinary occurrence; however, on a quest for class unity, the teachers decide to mix things up a bit with a twist on roommate assignments. Students are paired with unlikely classmates creating initial apprehension. It seems like a horror movie about a bunch of cooped up researcher science dudes in a snowy Antarctic outpost who meet a weird dog in the snow.

Everything I Know about the Music Business I Learned from My Cousin Rick - Dave Rose - Google Книги

Ladies and gentlemen, I have met my new personal hero. I started reading this b This world is not rosy and we are all aware of it. Our life is made of "contrast" between what we call "good" and "bad", "negative" and "positive", what we like and what we do not like.

Don't plan to be great and popular, Rose's advice reduces; plan to be decent and, just maybe, lucky. Given Rose's dossier of clients who have been something or never were very much, it's tempting to poison Rose's own well, to dismiss his music business philosophy as dated claptrap.

Here, I must confess a measure of similar pretrial bias. But that's precisely the point: Despite the tumultuous landscape of the music business and his relative geographical isolation within the industry, Rose and Deep South have been in business for more than a decade.

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He has successfully been living out the childhood dream he had of a life in music since his cousin Rick played him Boston's first LP in Rose had the sense to know he wasn't good enough to make a living by making music, but he realized he might be able to do so by managing its commerce. In , Rose graduated from N. State with a degree in economics.

He opened a second branch of his father's Eastern North Carolina accounting firm in Raleigh, performing double duty as the diurnal number cruncher and nocturnal hair metal musician.

Everything I Know about the Music Business I Learned from My Cousin Rick (Paperback)

More than 20 years later, that duality perseveres, as Deep South doubles as an accounting house for talent. Even as some of their clients have advanced to bigger firms, Deep South still manages their books. Rose, 45, doesn't deal with ledgers in My Cousin Rick , but he does assess bands with the same diagnostic approach that an accountant might use for any young business.

He urges acts to collect data and be analytical and honest about the resultsthat is, if they're getting them.

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At one point, for instance, Rose imagines the all-too-real scenario of a band climbing into a van, heading into a market other than its own to play a show, being disappointed by the lack of turnout and, a few months later, repeating the process for even less fans. It's not connecting like it should. In pages, Rose often deals with those who are, as he sees it, doing it wrongbands who have yet to define their own success, bands who incorporate and lawyer up before they've written a song anyone enjoys, bands who don't respond enthusiastically when someone actually cares about their music.

Being in a band is very unique. They want to get rich and famous and so decide to get into music.

HE SNUCK INTO MY HOUSE!!

James Wood is a writer, musician and self-proclaimed metalhead who maintains his own website, GoJimmyGo. His articles and interviews are written on a variety of topics with passion and humor. You can follow him on Twitter JimEWood. Image 1 of 3. Image 2 of 3. Image 3 of 3.