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Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. As a result, the initial vision of the church was redefined, transforming it into a monument to the Lutheran Reformation, as demonstrated in inscriptions and the iconographic programme.

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National Museum of Denmark, Copenhagen. In flowery rhymed stanzas the poem eulogized the absolute king, his reign and the symbolic implications of the royal initiative, the king having gracefully donated the building site, the former garden of Amalienborg, to the City of Copenhagen in September This building was founded by the king on the momentous date, 30 October , during the tercentenary of the royal Oldenburg dynasty, an event commemorated nationwide and multimedially.

Symbols of places or objects Raum- und Ding-Symbole , representing elements of reference. Symbols of time Zeit-Symbole , materializing chronological orders and individual historical events. Symbols of texts Text-Symbole , referring to texts, including sacred books, charters of constitutions or law codices. Between and , the years following the constitutional change and the end of absolutism , the church was finished according to a markedly reduced plan by a private citizen, the banker Carl Frederik Tietgen.

At the same time he evoked the paradigm of Solomon and the Temple of Jerusalem, paralleling the magnificent and costly structure with the very House of Oldenburg itself, both being large houses, built by kings.

Utrecht Studies in Language and Communication

Three categories of churches, especially patronized by the kings, existed in the metropolis or its immediate vicinity: This building replaced an earlier modest structure, more in the vein of urbs nova of Christianshavn, founded in by Christian IV — In furnishings and decorations, the Greek cross church exuberantly propagated the message of Divine kingship, the portrait, heraldic symbols and monogram of the royal patron, Christian V — together with allusions to his personal motto and virtues pervading the imagery together with biblical subjects. A particular subject emphasizing the Christomimesis of the monarch was represented in the altar, a work by the Swedish court architect, Nicodemus Tessin the Younger.

Though actually executed, this last element, however, would be left out of the final composition during the lengthy building process. The altar of the Church of Our Saviour in Copenhagen.

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Reproduced from Danmarks Kirker. According to the plans, the birthday of King Frederick V 31 March , previously mentioned, should also have been the day for laying the foundation of his second namesake at Christianshavn, 32 while the birthdays of his predecessors, Frederick IV and Christian VI 11 October and 30 November, respectively were chosen for the inaugurations of the palace chapels at Fredensborg and Copenhagen , as well as at the renovated Church of the Holy Spirit, likewise in Copenhagen It is almost unnecessary to point out, the king and his family were present at all the mentioned events.

This may also help to explain the emphatic use of double columns in the church, both on the exterior as well as in the interior. A large sculpted and painted maquette, created between and , during the direction of the French architect, Nicolas-Henri Jardin, illustrated the transformation.

Utrecht Studies in Language and Communication - EDITIONS DE BOCCARD

Cross-section of the western perspective, with the altar, pulpit and organ. Engraving from Nicolas-Henri Jardin, Plans, coupes et elevations …, Above her head was the admonitory motto: Two months later his successor, Christian VII — drastically reduced the budget by 50 per cent, an ominous anticipation of the final construction ban in Engraving by Jonas Haas, c.


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Yet Tessin aimed higher. Proposal for a royal coronation and sepulchral church at Norrmalmstorg, Stockholm. This latter monument represented both an obvious architectural model and a poignant memorial symbol —- prospective as well as retrospective — for the Christian Church. Commemorative medal by Georg Wilhelm Wahl, struck in to the bicentenary of the Danish Reformation. Gathers all our Hopes held dear.

This appears, remarkably enough, not to have been the case, though an obvious opportunity arose in when the Absolutist government celebrated its first centenary. However, the festivities of 16 to 18 October became an anti-climax, which according to contemporaries, bore more resemblance to a ceremony of mourning than to a festival of rejoicing, as had been the case in For unknown reasons, the king chose to stay at his residence, Fredensborg Castle in Northern Zealand. This is the case for the medal made at the instigation of A. Moltke and the Asiatic Company, and placed by Moltke rather than by the king himself , in the base of the equestrian monument made by the French sculptor J.

In parallel to the later church projects, portraits of the absolute kings had now been supplanted by images of virtues, especially referring to the pious, felicitous and peaceful — though absent — King Frederick V. However, the visionary and transformative qualities of the Great Monument were still vital. Selskabet for Arkitekturhistorie, pp. Jan Harasimowicz , [Regensburg]: Andrew Spicer , London: