Sonata in B Minor, Op. Ballade in G Minor, Op. Polonaise in Ab, Op. Scherzo in Bb Minor, Op. Scherzo in CJ Minor, Op. Ballade in F Minor, Op. Dvorak, Anton — Slavische Tanze, Op. Liszt, Franz — Ballade in B Minor. Tarantella Venezia e Napoli. Francis Walking On the Waves. Sonata Keltic , No. Six Preludes and Fugues, Op. Two Concert Etudes, Op. Moussorgsky, Modeste — Tableaux d'une Exposition, serie de dix pificea any seven numbers, including, however, num- bers 1 — with Promenade, 4, 6, 7, 9 and Paganini-Liszt — Six Grandes Etudes any one.
Prelude in G Minor, Op. Bavel, Maurice — Sonatina, in F Durand. Valses Nobles and Sentimentales Durand. Caprice in G, with Fugue Alceste de Gluck. Sapellnikoff, W — Danse des Elfes, Op. Schloezer, Paul de — Two Concert Etudes: No, 2 in Ab either. Sonata in Fit Minor, Op. Faschingsschwank Aus Wien, Op.
Sonata in G Minor, Op. Schubert-Tausig — Marche Militaire. Theme Original et Variations, Op. The major and both modes of the minor scales are also re- quired in similar motion, separated by a third, a sixth and a tenth. The harmonic minor scales ai'e required in both similar and contrary motion ; the melodic minor in similar motion only.
The chromatic scale, beginning on any note, similar and con- trary motion, quarter, eighth and sixteenth notes; also in similar motion, separated by a minor third, a minor sixth, and a minor tenth ; staccato in quarter and eighth notes only. All scales should also be played in triplet rhythms in quarter and eighth notes. The solid chords to be played in quarter notes, with legato, half-staccato and 22 Toronto Conservatory of Music. ARPEGGIOS Legato and Staccato — Arpeggios formed on all major and minor chords, also the dominant seventh and diminished seventh chords, all with inversions, the legato in quarter, eighth and sixteenth notes; staccato, hand touch, in quarter and eighth notes.
The seventh chords to be played also in triplets, quarter and eighth notes only. The staccato in quarter, eighth and sixteenth notes, the legato and arm touches in quarter and eighth notes only. EAR TEST — Sing minor scales, melodic and harmonic, and all major and minor intervals within the compass of an octave, or, if unable to sing, recognize the scales and intervals when played by the examiner. This test may include the dominant and diminished seventh chords, with their inversions, also augmented chords.
Marks will be awarded under the following heads: In case of failure to pass, the amount of the Diploma fee will be refunded. Post Graduate Pianoforte Examination Graduates of the Pianoforte Department of the Conservatory of Music who wish to pursue special courses of study with a view to fitting themselves for positions of greater responsibility in the pro- fession wiU be afforded every opportunity for so doing, under the leading masters of the institution.
An additional student period of two years m Post-Graduate work is required from candidates for the Post-Graduate Diploma ' of the Conservatory. Candidates passing this advanced examination, which includes possession of the Intermediate Theory and Musical History Certificates, will receive the Post-Graduate Diploma, entitling the candidate to Fellowship in the Conservatory F. The Organ Faculty of the Conservatory is one of notable strength, comprising, as it does, a number of prominent Canadian musicians, as well as others, whose education and experience have been gained in Great Britain, Continental Europe or the United States, and whose reputation in Canada is well established.
Particulars regarding the various Examinations preceding the graduation L. For such as may wish further to advance themselves as church or concert organists a special Post- Graduate or Fellowship Examination, following the Licentiate, will be available. A notable advance was made in in the equipment of this department by the installation in the Music Hall of a new and magnificent instrument of the most modern character. No expense was spared to make this Organ, with regard to voic- ing, delicacy of action, completeness of mechanical registers, pistons, and general specification, as nearly perfect as could be effected within the moderate dimensions of the Conservatory Music Hall, It was built by Messrs.
Casavant Freres, of St. Two fine tubular-pneumatic, two-manual Pipe Organs, designed specially for practice purposes, are also available for daily use by Organ students. Lessons and practice are obtainable on every week day, and also during the evenings. Compass of Manuals, CC to C, 61 keys. Double Open Diapason 73 16 5. Dolce 73 8 2. Principal 73 4 6 inch wind, leathered 7. Wald Flote 73 4 and heavy metal 73 8 8. Twelfth 68 2 3. Fifteenth 68 2V, medium voicing 73 8 Mixture 2 ranks 4. Doppel Flote 73 8 Bourdon 73 16 Flauto Traverso 73 4 Open Diapason large Gemshorn 73 4 scale.
Piccolo 68 2 Stopped Diapason 73 8 Mixture 4 ranks Viol di Gamba 73 8 Voix Celeste 49 8 Oboe 73 8 Dolcissimo 73 8 Vox Humana 73 8 Toronto Conservatory of Music. Geigen Principal 73 8 Melodia 73 8 Flageolet 73 2 Dulciana 73 8 Contra Fagotto 73 16 Harmonic Flute 73 4 Bourdon 32 16 sultant 32 32 Lieblich Bourdon 32 16 Flute 32 8 wood 32 16 ViolonceUo 32 8 Dolce Flute 32 8 metal 32 18 Choir Sub to Great. Choir Super to Great. Swell Super to Pedal. Swell Sub to Great. Swell Super to Great. Swell Sub to Choir.
Swell Super to Choir. Acting on all stops and couplers 1 Reversible Choir to Great. Reversible Great to Pedal. Organ blown by a special slow speed orgoblo. Console placed in front of the stage. Manual pistons independent of Pedal Organ. Piston placed at side to take in all stops and couplers. Wind Indicator and Crescendo Indicator, disc style. Reversible foot piston operating on Pedal reed. Specification of the Conservatory Practice Organ No. Compass of Manuals, CG to C, 61 notes. Compass of Pedals, CCC to i? Metal 61 8 3. Dulciana Metal 61 8 2. Melodia Wood 61 8 4.
Stopped Diapason Wood 61 8 7. Metal 61 4 6. Aeoline Metal 61 8 8. Bourdon Wood 30 16 26 Toronto Conservatory op Music. Swell at Octaves on itself. SweU to Great Sub Octave. Swell to Great Super-Octave. Eeversible Great to Pedal. Crescendo to Full Organ. Radiating Pedal Board, tubular pneumatic throughout. The above described organ was built in by Messrs. Built in by Casavant Freres. Compass of Manuals, CC to C, 61 notes. Metal 61 8 4. Principal Metal 61 4 2. Melodia Wood 61 8 5.
Wald Flote 61 4 3.
- 29 Opera Arias for Altos, Dover Publications.
- !
- Product details.
- Flatheads: A Crinkled Mind Novella?
- FUN WITH DESSERTS: What Your Guests Want When The Meal Is Over.
- Gym Class Werewolf (a funny thriller for children ages 9-12).
Metal 61 8 9. Voix Celeste Metal 49 8 7. Stopped Diapason Wood 61 8 Metal 61 4 8. Metal 61 8 Bourdon Wood 30 16 Three to Swell Organ. Four to Great Organ. Crescendo Pedal to Full Organ. Action Tubular Pneumatic throughout. Candidates for graduation must be prepared to perform six pieces selected from the following list of compositions. Bach, Men- delssohn and Guilmant should be represented in the lists submitted by candidates.
One number must be chosen from the list of Over- tures, arranged for the organ, and one must be prepared without teacher's assistance: Passacaglia in C Minor, Book No. ThSme and Variations, Op. Franck, Cesar — Choral in E, No. Choral in B Minor, No. Choral in A Minor, No. Theme and Variations in'B flat Winthrop Kogers.
Sarwood, Basil — Sonata No. Concert Fantasia on the Tune "Hanover" Novello. Toccata di Concerto, Op. Liset-Fricker — Fugue on "Ad nos, ad salutarem undam. Fantasia and Fugue in C, Op. Smart, Henry — Con Moto Moderate en forme d 'overture. Irish Rhapsody Winthrop Rogers. Fantasia in E Novello. Technical and other Tests In the following service routine candidates must be prepared to: Candi- dates will also be tested in reading vocal score of four parts, in trans- posing a chorale containing at least two modulations into other keys, and in playing their own arrangements of the accompaniment to a representative Handel Oratorio Chorus.
Special importance is attached to the Ear Tests. Consult "Catechism of the Organ," by J. Candidates passing the Licentiate Organ Examination will receive the L. Organ Diploma after obtaining the T. Junior Theory and Musical Form Certificates and completing the prescribed course in Deportment see page The examination tests will include playing at sight from a fig- ured bass ; harmonizing a given melody at the organ ; playing from a vocal score written in Bass, Tenor, Alto and Treble Clefs, trans- posing the accompaniment of a sacred song at sight, and singing at sight any one of the four parts of an unfamiliar oratorio chorus strength and quality of voice not important.
- La Voie de lImpuissance (French Edition).
- The Economic History of India in the Victorian Age: From the Accession of Queen Victoria in 1837 to the Commencement of the Twentieth Century: Volume 27 (Trubners Oriental Series).
- Population, Climate Change, and Women’s Lives?
- Scéalta: Short Stories by Irish Women (Short Stories by Women from Around the World);
- proxy-africa-portraits 15;
- Empireal.
- Find a copy in the library.
- 29 opera arias for altos (Musical score, ) [theranchhands.com]!
- Product description;
- Clickst@rt Your Career.
- A Canoewrights Journey.
- Full text of "Yearbook - Royal Conservatory of Music. --".
Candidates will be tested by questions on the general structure of the Organ, especially as regards pneumatic and electro-pneu- matic actions; on the combination and contrasting of the various registers; on tuning, on the structure of the pipes, and on the causes for the different positions of tone. Suggested books on Organ Construction: A faculty of unusual strength is in charge of the various activities of this branch of study, including artists of European experience and reputation and of highest artistic and professional standing locally.
Graduate Violin Examination L. Candidates must be prepared to play six compositions selected from the following list, one of which must be by Bach, one a com- plete Concerto, and one a complete Sonata. It will not be necessary Toronto Conservatory op Music. Of the remaining three numbers one must be prepared without teacher's assistance: Sonatas for Piano and Violin, Nos.
Bytovetzski — The Bee. Brahms- Joachim — Hungarian Dances, Nos. Concerto in A Minor. Bazzini — La Ronde do Lutins. D'Ambrosio — Concerto Andante only. David — Scherzo Cappriccioso. H pleure dans mon Coeur. Drigo-Auer — Valse Bluette. Elgar — Concerto in B Minor, Op. Ernst — Concerto in FJ Minor.
Glazonow — Concerto in A Minor, Op. Godard — Concerto in A Minor. Guiraud — Caprice one movement. Grieg — Sonatas any one. Hubay — The Zephyr. Joachim — Hungarian Concerto. Kreisler — Caprice Viennois. Lalo — Symphonic Espagnole, Op. Lipinsky — Concerto MUitaire. Massen et -Eu b ay — Crepuscule. Mendelssohn — Concerto in E Minor. Mosart — Concerto in A Major.
Concerto in E Major. Nachez — Danses Tziganes. Paganini — Concerto in D Major. Paganini-Auer — 24th Caprice. Pugnani-Kreisler — Praeludium and Allegro. Bubinstcin — Sonata for Violin and Piano. Sarasate — Zapadeado, Op. Introduction and Caprico Jota. Sinding — Suite in A Minor. Sinigaglia — Eapsodia Piemontese.
Martha, "Esser Mesto" (Dismal Care) eBook: Friedrich von Flotow: theranchhands.com: Kindle Store
Spohr — Concertos any one. Saint-Saens — Concerto in B Minor. Sonata in F Major. Introduction and Eondo Capriccioso. Sohuett — Suite in D Minor First movement. Schumann — Sonatas any one. Tartini—l,e Trille de Diable. Variations on a Corelli Theme. Tartini-Ereisler — Variations on a Corelli Theme. Tschaikowsky — Concerto in D Major. Vieuxtemps — Concertos any one. Polonaise in D Major, Op. Viotti — Concerto, No. Vitali — Chaconne arranged by Leopold Chalier. Wieniawski — Concerto No. Polonaise in A Major.
Wagner-Wilhelmj — Siegfried Paraphrase. Technical and other Tests Candidates must be prepared to play the following technical and other tests: All major and minor scales, three octaves at various decrees of speed as may be suggested by the examiner, also any chromatic scale, two octaves. Bowings — detache, martele, spiccato, sautille, staccato, in any major scale, compass three octaves.
All scales in octaves, thirds and sixths, minor scales in melodic form two octaves. Arpeggios, in all keys, to be played in octaves compass two octaves. Graduation Violoncello Examination L. For this examination candidates will be required to satisfy the examiners in all pieces grouped under letter A; and in addition will be required to play one piece selected frOm those grouped under letter B, and one from those under letter G. Piatti, Alfredo — Dodici Capricci excepting Nos. Beethoven — String Quartet No. Trio for Pianoforte, Violin and Violoncello, in B.
Beethoven — Sonata in A Major, Op. Brahms — Sonata in E Minor, Op. Sonata in F Major, Op. Bay as, William — Sonata in F Major. Eckert — Concerto in D Minor. Lalo — Concerto in D Minor. Eomberg — Concerto in D Minor, No. Concerto in D Minor, No. Saint Saens — Concerto in A Minor. Schumann — Concerto in A Minor, Op. Fiinf Stiicke in Volkston, Op. Davidoff — By the Fountain. Waltz in B Minor Silhouetteu, Op. Kummer — Any two studies from the Huit Grandes Etudes. Mar cello — Sonata in F Major Augener FaJentint— Sonate in E. Technical and other Tests Candidates must be prepared to play the scales and arpeggios from Cossmann's ''Finger Exercises.
Candidates passing the Licentiate Violoncello Examination will receive the T. Violoncello Diploma, after passing the T. Every possible advantage wiU be afforded students who wish to prepare themselves to graduate professionally for the concert room, oratorio, or the lyric stage, and advanced students have all needful facilities for gaining experience in public singing at the Conservatory concerts and recitals. No students of vocal art can reasonably hope to achieve a marked degree of proficiency without having acquired a certain standard of general musical culture.
Especially is it desirable that every singer should be able to read music rapidly and correctly. Languages, too, specially Italian, French and German, should receive a share of the student's attention. Most vocal students require also thorough instruction in diction. Graduation Singing Examination L. The vocal course for graduation consists in the formation of a repertoijre adaptable to the character of individual voices.
In the choice of repertoire candidates are advised to include a liberal proportion of songs from the compositions of standard classical and modern romantic composers. When groups of songs are bracketed, the compositions thus grouped are to count as one number only, unless otherwise specified.
Candidates must be prepared to sing twelve numbers, chosen from the following list, consisting of eight concert songs, two selec- 36 Toronto Conservatory of Music. Faithfulness Liebestreu , Op. Serenade Standchen , Op. The Message Botschaft , Op. In the Summer Fields Feldeinsamkeit , Op.
Margaret at the Spinning Wheel Gretchen am Spinnrade. The Omnipotence Die Allmacht , Op. Benumbed Erstarrung , Op. The Erl-King Erlkonig , Op. Faith in Spring Friihlinsglaube , Op. Margaret's Prayer Gretchen'e Bitte. My Heart is Sad Mein Herz ist schwer. Dedication Widmung , Op.
Spring Night Friihlingsnacht , Op. By Moonlight Mondnacht , Op. Toronto Conservatory of Music. It is Better to Laugh II segreto per. Gleaming at Morning Preislied , from Die Meistersinger. Turn Thee Unto Me Eli. Air — The Morning Lark Semele. Air— With Hope Semele. Slumber Song Christmas Oratorio. Air — Scenes of Horror.
Air — Sound an Alarm Judas Maccabaeus. See the Baging Flames Arise Joshua. More Sweet is That Name Semele. I — Soprano; Vol. II — Mezzo and Contralto. Soprano and Contralto candidates must be prepared to sing three Recitatives chosen from their respective classified lists below. Friends and Companions La Sonnambula.
Frowning Phantoms of the Darkness Orfeo. Technical and other Tests Candidates must be prepared tO: Sing major, minor melodic and harmonic and chromatic scales from any given keynote, without accompaniment ; also major and minor intervals, diminished fifths and sevenths, augmented 44 Toronto Consebvatort op Music. Sing at various degrees of speed arpeggios of the common major and minor chords, with their inversions. Sing the following examples, which may be transposed to suit the compass of candidate's voice: D' l i ' Toronto Conservatory of Music.
Sing at sight one of the four voice parts of an anthem, or part-song, to be selected by the examiners. Also sing at sight an unaccompanied melody. Candidates will also be required to sing to the syllable, "Ah," four vocalizes of varied character, of which two must be in minor keys, selected from: Panteron — 40 Vocal Exercises high , Part n. Bighini — Exercise high , any numbers. Bordogni — 12 Vocalizes medium, low , any numbers. Sing from the prescribed list of compositions in at least one of the three following languages, namely, Italian, French or Ger- man.
While it is not compulsory for the candidate to sing in more than one foreign language, yet the ability to do so vdW be con- sidered in his favor. Prepare one of the prescribed songs or arias entirely with- out teacher's assistance. Sing the specially prescribed recitative tests assigned their respective voices pages 42 and Candidates passing the Licentiate Singing Examination will receive the T.
29 opera arias for altos
Licentiate Diploma after passing the T. Junior Theory and Primary Pianoforte Examinations and com- pleting the prescribed course in Deportment see page Marks are awarded under the following heads: Post-Graduate Vocal Examination Graduates of the Vocal Department of the Conservatory of Music, desirous of pursuing special advanced courses of study with a view to fitting themselves for positions of greater responsibility in the profession, will be afforded every facility for so doing under the leading vocal teachers of the Conservatory.
A comprehensive two-years' course in Post-Graduate work is prescribed for candi- dates for the Post-Graduate Diploma of the institution. Candidates passing this examination and qualifying for the Junior Piano Certificate will receive the Post-Graduate Diploma entitling them to the degree of Fellowship F. The success of the Toronto Conservatory op Music. On occasions, appearances of the full orches- tra may be arranged. Lady and gentleman amateurs, not otherwise enrolled as pupils of the Conservatory, who have the requisite technical and musical qualifications, may make arrangements to join the orches- tra and take part in its rehearsals and concerts on payment of a nominal annual fee.
In the fine development of this and other very important fea- tures of the Conservatory's work the institution is consistently maintaining its pre-eminent position as a music school of the first rank. Ensemble Classes Especial attention will be given during the season to recitals of standard ensemble works.
The ensemble concerts of the past three seasons have been of great interest and of marked artistic value to all participating, besides proving to be amongst the most attractive features of the season's work of the institution generally. Thorough courses of solo instruction and a definite curriculum for each instrument are provided in each of the above departments.
Special arrangements, facilitating study in Harp playing, have been made for the current season, through the engagement of the eminent Harpist, Mr. Results attained and successes won by Theory students of the 48 Toronto Conservatory op Music. The department of Theory is under the direction of the gifted composer, Mr. Willan's guidance this department maintains its well-established, strong position in its purely aca- demic features and, at the same time, fosters a school of composi- tion in keeping with the growing importance of the Conservatory's general educational work.
The study of Harmony, Counterpoint, etc. The Theory require- ments in connection with the Conservatory's School and Local Centre practical examinations are outlined in detail in the Conservatory's annual Syllabus, the amount of work to be covered varying according to the student's choice of a principal study. Pupils of every grade are strongly advised to study the Theory of Music, even though they may not aim at graduation.
In the case of candidates who have studied Harmony before entering the Conservatory, and who wish to take examinations in that department, an informal examination for which there is no fee will be held, in order to test their ability, and according to the result, they may be exempted from one or moi'e of the foregoing examinations. Candidates exempted from the Primary and entering for the Junior Examination will be required to take the Primary Rudi- ments paper. Candidates exempted from the Intermediate and entering for the Senior Examination will be required to take the Musical Form paper.
Lectures on Elementary Theory, Harmony, Counterpoint, History and occasionally other subjects, are given regularly in one of the smaller haUs of the Conservatory, at times specially arranged to suit the convenience of the majority of the students. These lec- tures are free to all students of the Theory Department.
All pupils desiring to enter classes in this department will avoid possible anxiety and delay in their work by registering their names early in the first and third terms of each academic year, as it is often impracticable to form classes to meet the special requirements of those entering at other times.
Pupils desiring to qualify for University Examinations will find every facility afforded them for preparing any special course required. The exceptional success won by Conservatory students Toronto Conservatory op Music. This method, which has found great favor of late years in England and other countries, is especially recom- mended to all who find it impossible to attend the Conservatory in person. An important feature in lessons by correspondence may be observed in the fact that, as everything is explained by letter, the student is not only enabled to read and re-read the same, but may also preserve the criticisms and comments for future reference.
The fees for lessons by correspondence are stated on page Text Books In all Theory examinations reasonable and intelligent answers will be accepted regardless of any particular system or theory. The following books are in general use in the Conservatory: Toronto Conservatory of Music Text Book. Form and Compogition — Anger; Stainer; Prout.
29 Opera Arias for Altos
History — Hunt; Hamilton. Parry International Scien- tific Series. Though not to be regarded "as a text -book, may be recommended to those who need additional help in this subject. Rudiments — Questions on Notation iacluding notes and rests, the stave, the treble and bass clefs, and the ordinary musical signs ; 50 Toronto Conservatory op Music. Questions will also be set on the common chord and the dominant seventh, and their inversions, but no part- writing will be required. Harmony — Questions on the common and dominant seventh chords, cadences, sequences, and natural modulation.
An exercise on adding three upper parts to a given figured bass. Also one on harmonizing a simple melody. Rudiments — In addition to the requirements of the Elemen- tary Examination, questions will be set on the use of the C Clef, on transposition, on the chromatic scale, and on musical signs and terms generally. Harmony — In addition to the requirements for the Primary Examination, questions will be set on the dominant ninth, and its derivatives, secondary sevenths, suspensions, auxiliary notes, the more frequently employed chromatic chords, and extraneous modu- lations.
Counterpoint — Questions on two-part counterpoint only. Candidates must be prepared to write an example of each of the five species either above or below a given canto fermo, in both major and minor keys. History — From about the year to the end of the nine- teenth century. Questions on the lives and the works of the great Toronto Conservatory of Music. Harmony — In addition to the requirements for the Junior Examination, questions will be set on enharmonic modulation ; and candidates will be expected to write a continuous passage of modu- lation, to compose a passage introducing certain given chords, and to harmonize a ground bass.
Counterpoint — Questions on counterpoint in two, three and four parts, including the combination of the Species, in rela- tion to canto fermos in both duple and triple time. Form in Composition — The questions will refer to the con- struction of the musical sentence, and to the various forms em- ployed by the great masters, with special reference to the Sonata and the Fugue.
It comprises the following subjects: Harmony — In its highest branches up to five parts. Counterpoint — In both the strict and free styles up to five parts, including also Double Counterpoint at the eighth, tenth and twelfth, and Triple Counterpoint. Canon and Fugue— Questions on Canons, in two, three or four parts, finite or infinite; correct answers to fugue subjects will be required, together with a general knowledge of the various kinds of Imitation, the Fugal Episode, Stretto, etc.
Orchestration and Acoustics — The candidate must possess an- intimate knowledge of the compass and character of all orches- tral instruments, and be prepared to arrange a passage for the full modern orchestra. In Acoustics the questions will refer to sound in its relation to music alone. History — From the earliest times up to the present day, with special reference to the evolution of musical instruments, the development of musical composition, and the lives and works of the great masters.
Analysis — A critical knowledge of some selected work for fuU orchestra, with or without chorus, will be required.
The ques- tions will refer to the form of the composition, to the orchestration, and to the harmonic progressions, etc. The examination in this sub- ject will be viva voce. Season — Work for Analysis: In addition to the above examinations, candidates for the Diploma are required to compose an "Exercise," which must be handed to the Registrar on or before the first day on which the examinations are held. The exercise may be: To obtain a certificate, candidates must gain 60 marks on papers marked A, B and C, and a gross total of 60 per centum on all their Toronto Conservatory op Music.
In the case of candidates gaining a gross total of 60 per centum and yet failing to obtain 60 marks on either of the papers marked D,, E. Would you also like to submit a review for this item? You already recently rated this item. Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Italian View all editions and formats Rating: Subjects Operas -- Excerpts -- Vocal scores with piano. Songs Low voice with piano. More like this Similar Items.
Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Excerpts Vocal scores with piano Document Type: Reviews User-contributed reviews Add a review and share your thoughts with other readers. Add a review and share your thoughts with other readers. Similar Items Related Subjects: Linked Data More info about Linked Data.
Rossi -- Dido and Aeneas. Handel -- La Clemenza di Tito. Hasse -- Orfeo ed Euridice. Rossini -- Donna Caritea. Mercadante -- Anna Bolena. Non voler costringere ; Lucrezia Borgia. Donizetti -- Russlan and Ludmilla. Gounod -- La Gioconda. Ponchielli -- Jean de Nivelle. Home About Help Search.
Privacy Policy Terms and Conditions. Remember me on this computer. Cancel Forgot your password? Italian View all editions and formats.