Once in Rome, the merchant, dying, ordered that the image should be displayed for public veneration. His friend, who retained the image, received further instructions: Mary Major and St.

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John Lateran in Rome. The image, consequently, was housed at the Church of St. Matthew in , the image was transferred to the Church of St. Mary in Posterula, and remained there for nearly forty years. There, the image was neglected and forgotten. By divine providence, the forgotten image was rediscovered.

Tag: Our Lady of Perpetual Help

Alphonsus, down the street from St. As a boy, the Holy Father had prayed before the image in the Church of St. He ordered the public display and veneration of the image, and fixed the feast of Our Lady of Perpetual Help as the Sunday before the Feast of the Nativity of St.

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In , when the image was being carried in a solemn procession through the streets, a young child was cured, the first of many recorded miracles attributed to Our Lady of Perpetual Help. To this day, the Church of St. Alphonsus displays the icon of Our Lady of Perpetual Help and welcome pilgrims for prayer. She looks at you as if to tell you something very important.

Her eyes seem serious, even sad, but they command attention.

Our Mother of Perpetual Help

The eight-point star on her forehead was probably added by a later artist to represent the Eastern idea that Mary is the star that leads us to Jesus. To reinforce the symbolism, there is an ornamental four-point cross to the left of the star on her headdress.


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Mary's gaze is fixed on us, but her arms hold Jesus. In Byzantine icons, Mary is never shown without Jesus because Jesus is central to the faith. Jesus too is wearing the clothes of royalty. Only an Emperor could wear the green tunic, red sash, and gold brocade portrayed in the picture.

Our Ladies of Perpetual Succour - Wikipedia

The Greek initials to the right of the child and his halo decorated with a cross proclaim that he is "Jesus Christ. Jesus isn't looking at us, or at Mary, or at the angels. Though he clings to his mother, he's looking away, at something we can't see -- something that made him run so fast to his mother that one of his sandals has almost fallen off, something that makes him cling to her for protection and love.

What would frighten a little boy, even the Son of God, so much? The figures that hover on either side of Jesus and Mary -- the Greek letters above them identify them as Archangels Gabriel and Michael -- provide us with the answer.

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Rather than carrying harps or trumpets of praise, they bear the instruments of Christ's Passion. On the left, Michael holds an urn filled with the gall that the soldiers offered to Jesus on the cross, the lance that pierced his side, and the reed with the sponge. To the right, Gabriel carries the cross and four nails. Jesus has seen part of his destiny -- the suffering and death he will undergo.


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Though he is God, he is human as well and afraid of this terrifying future. He has run to his mother, who holds him close in this moment of panic, the same way she will be close by his side through his life and death. While she can't spare him his suffering, she can love and comfort him. So why is Mary looking so intently at us instead of her child in need?

Her gaze brings us into the story, makes us part of the painting and the pain. Her gaze tells us that just as Jesus ran to his mother and found refuge, so too may we run to Mary. Her hand does not clasp the hands of her frightened son in a protective grip, but remains open, inviting us to put our hands in hers and join with Jesus.

Mary knows there are many things in our lives that are dangerous and terrifying, and that we need someone to turn to in times of suffering and dread.


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