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Stevie Wonder's Songs in the Key of Life (33 1/3)
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Songs in the Key of Life by Zeth Lundy
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World of Books Ltd. Visit my eBay shop. Here, Zeth Lundy tells the compelling story of the album's background, creation and enduring influence. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives - often through their access to and relationships with the key figures involved in the recording of these albums.
By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. A task which can be, as Elvis Costello famously observed, as tricky as dancing about architecture. What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen. Stevie Wonder's grand soul pop double LP, Songs in the Key of Life , debuted at number one on the charts, surpassing all of its highly anticipated success and going on to become one of the most influential and beloved albums of the 20th century.
An ambitious, expansive effort, it contains multitudes; fittingly Zeth Lundy opens his discourse on the album with a quote from Walt Whitman. Lundy takes a holistic approach, splitting his analysis of the album into sections on the themes of birth, innocence, experience, death, and transcendence.
Allyson Johnson brings vibrancy to her performance of the audiobook, reflecting Wonder's joys and pains while creating this single minded and celebratory work.
Stevie Wonder's Songs in the Key of Life (33 1/3 Series)
Please redo this after reading Stunk and White's Elements of Style. Additionally, this author did not recognize that Stevie Wonder's audience loves him for his ability to say so much, so well, so succinctly. Don't even try this one. My problem is with music criticism in general, and the review of "Songs" is an example of it.
In the absence of actual music to listen to, the review becomes so overly wordy and conceptual that you wonder if the reviewer isn't just way overthinking things! After all, it's just music. Not everything we hear is to be cerebralized to death.